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Author: Philippe Cordez Publisher: Harvey Miller ISBN: 9781912554614 Category : Languages : en Pages : 288
Book Description
This book traces the origins, economic development, and later history of church treasures, and explores the forms and function of these objects of memory and wonder.00Precious metalwork, relics, chess pieces, ostrich eggs, unicorn horns, and bones of giants were among the treasury objects accumulated in churches during the Middle Ages. The material manifestations of a Christian worldview, they would only later become naturalia and objets d?art, from the sixteenth and the nineteenth century onwards, respectively.00Philippe Cordez traces the rhetorical origination, economic development, and later history of church treasures, and explores the forms and functions of the memorial objects that constituted them. Such objects were a source of wonder for their contemporaries and remain so today, albeit for quite different reasons. Indeed, our fascination relates primarily to their epistemic and aesthetic qualities. Dealing also with these paradigm shifts, this study opens up new paths toward an archeology of current scholarly and museum practices.0Philippe Cordez is Deputy Director of the German Center for Art History in Paris.
Author: Philippe Cordez Publisher: Harvey Miller ISBN: 9781912554614 Category : Languages : en Pages : 288
Book Description
This book traces the origins, economic development, and later history of church treasures, and explores the forms and function of these objects of memory and wonder.00Precious metalwork, relics, chess pieces, ostrich eggs, unicorn horns, and bones of giants were among the treasury objects accumulated in churches during the Middle Ages. The material manifestations of a Christian worldview, they would only later become naturalia and objets d?art, from the sixteenth and the nineteenth century onwards, respectively.00Philippe Cordez traces the rhetorical origination, economic development, and later history of church treasures, and explores the forms and functions of the memorial objects that constituted them. Such objects were a source of wonder for their contemporaries and remain so today, albeit for quite different reasons. Indeed, our fascination relates primarily to their epistemic and aesthetic qualities. Dealing also with these paradigm shifts, this study opens up new paths toward an archeology of current scholarly and museum practices.0Philippe Cordez is Deputy Director of the German Center for Art History in Paris.
Author: Ella Beaucamp Publisher: Harvey Miller ISBN: 9781912554300 Category : Art Languages : en Pages : 268
Book Description
This book focuses on the question of how Venice designed and exported its own identity through all kinds of its goods. What are Venetian commodities? More than any other medieval or early modern city, Venice lived off of the trade of portable goods. In addition to trading foreign imports, the city also engaged in intense local production, manufacturing high quality glass, crystal, cloth, metal, enamel, leather, and ceramic objects, characterized by their exceedingly rich forms and complex production processes. Today, these objects are scattered in collections throughout the world, but little remains in Venice itself. In individual instances, it is often difficult to tell whether the objects in question were actually made in Venice or if they originated in Byzantine, Islamic, or other European contexts. This book focuses on the question of how Venice designed and exported its own identity through all kinds of its goods.
Author: Pamela Bianchi Publisher: Taylor & Francis ISBN: 1000636917 Category : Art Languages : en Pages : 217
Book Description
From aesthetic promenades in noble palaces to the performativity of religious apparatus, this edited volume reconsiders some of the events, habits and spaces that contributed to defining exhibition practices and shaping the imagery of the exhibition space in the early modern period. The contributors encourage connections between art history, exhibition studies, and architectural history, and explore micro-histories and long-term changes in order to open new perspectives for studying these pioneering exhibition-making practices. Aiming to understand what spaces have done and still do to art, the book explores an underdeveloped area in the field that has yet to trace its interdisciplinary nature and understand its place in the history of art. The book will be of interest to scholars working in art history, museum studies, exhibition history, and architectural history.
Author: Albrecht Classen Publisher: Rowman & Littlefield ISBN: 1666917877 Category : Literary Criticism Languages : en Pages : 295
Book Description
The Secret in Medieval Literature explores the many secret agents, actions, creatures, and other beings influencing human existence. Medieval poets had a clear sense of the alternative dimension (the secret) and allowed it to enter quite frequently into their texts.
Author: Lesley Milner Publisher: BRILL ISBN: 900469563X Category : History Languages : en Pages : 268
Book Description
The medieval treasure house, consisting of sacristy, vestry and treasure rooms was the depository for the ecclesiastical treasure belonging to a church, holy vessels, vestments, altar hangings, candlesticks and priceless liturgical books and reliquaries. It was carefully designed to convey the message of its status and function. A book devoted to these medieval museums which housed such precious materials is long overdue. Ironically, the interest in the objects that they conserved has often resulted in ecclesiastical treasure being removed to new museums, leaving their former places of protection in need of protection themselves.
Author: Jorge Cañizares-Esguerra Publisher: Stanford University Press ISBN: 9780804755443 Category : History Languages : en Pages : 252
Book Description
This collection of essays explores two traditions of interpreting and manipulating nature in the early-modern and nineteenth-century Iberian world: one instrumental and imperial, the other patriotic and national. Imperial representations laid the ground for the epistemological transformations of the so-called Scientific Revolutions. The patriotic narratives lie at the core of the first modern representations of the racialized body, Humboldtian theories of biodistribution, and views of the landscape as a historical text representing different layers of historical memory.
Author: Mary Carruthers Publisher: Cambridge University Press ISBN: 1107652251 Category : Literary Criticism Languages : en Pages : 875
Book Description
Mary Carruthers's classic study of the training and uses of memory for a variety of purposes in European cultures during the Middle Ages has fundamentally changed the way scholars understand medieval culture. This fully revised and updated second edition considers afresh all the material and conclusions of the first. While responding to new directions in research inspired by the original, this new edition devotes much more attention to the role of trained memory in composition, whether of literature, music, architecture, or manuscript books. The new edition will reignite the debate on memory in medieval studies and, like the first, will be essential reading for scholars of history, music, the arts and literature, as well as those interested in issues of orality and literacy (anthropology), in the working and design of memory (both neuropsychology and artificial memory), and in the disciplines of meditation (religion).
Author: Jutta Eming Publisher: Walter de Gruyter GmbH & Co KG ISBN: 3110742985 Category : Literary Criticism Languages : en Pages : 287
Book Description
The eleven chapters in this international volume draw on a variety of theoretical and methodological approaches to focus our attention on medieval and early modern things (ca. 700–1600). The range of things includes actual objects (the Altenburg Crucifixion, a copy of Hieronymus Brunschwig’s Liber de arte distillandi, a pilgrim’s letter), imagined objects (a prayed cloak for the Virgin Mary), and narrative objects in texts (the Alliterative Morte Arthure, the Ordene de Chevalerie, Hartmann von Aue’s Erec, Heinrich of Neustadt’s Apollonius of Tyre, Luís de Camões’s Os Lusíadas, and the vita of Saint Guthlac). Each in its own way, the papers consider how things do what they do in texts and art, often foregrounding the intersection between the material and the immaterial by exploring such questions as how things act, how they express power, and how texts and images represent them. Medieval and early modern things are repeatedly shown to be more than symbolic or passive, they are agentive and determinative in both their intra- and extradiegetic worlds. The things that are addressed in this volume are varied and are embedded, or entangled, in different contexts and societies, and yet they share a concerted engagement in human life.
Author: Françoise Besson Publisher: ISBN: 9781443854733 Category : American literature Languages : en Pages : 0
Book Description
This volume engages the readerâ (TM)s interest in the relationship that binds man to nature, a relationship which makes itself manifest through certain literary or visual artefacts produced by Native or non-Native writers and artists. It ranges from the study of literatures (mainly from Canada â " including Quebec and Acadia â " but also from Britain, the United States of America, France, Turkey, and Australia) to the exploration of films, photographs, paintings and sculptures produced by Aboriginal artists from North America. Thanks to a relational paradigm founded on spatial and temporal enlargement, it re-imagines the critical outlook on indigenous production by instigating a dialogue between endogenous and exogenous scholars, novelists and artists, and by weaving together interdisciplinary approaches spanning anthropology, geology, ecocriticism and the study of myths. From the writings by Scott Momaday to those by Tomson Highway, from Pauline Johnson to Louise Erdrich, or from the photographs by William McFarlane Notman and Edward Burtynsky or the films by Randy Redroad to the paintings by Emily Carr, it explores art as the sedimentation of nature. It simultaneously interrogates the representation of nature and the nature of representation as a geological and generic process inscribed in the history of mankind. Without eclipsing differences and imposing a reified Eurocentric critical discourse upon indigenous productions, this volume does not colonize indigenous texts or indulge in cultural appropriation of works of art, but looks for historical, mythological or geological traces of the past; a past characterized by the intimacy between man and animal, man and rock, or man and plant, a past which is allowed to resurface through the creative and critical outlooks that are bestowed upon its subjacent or subterranean existence. It resurfaces, not as nostalgic memory but as an interactive fertilization giving the present a new life in which the non-human provides a key to the understanding of the human bond to nature.
Author: Philippe Cordez
Author: Philippe Cordez
Author: Ella Beaucamp
Author: Pamela Bianchi
Author: Albrecht Classen
Author: Lesley Milner
Author: Jorge Cañizares-Esguerra
Author: Sarah Orne Jewett
Author: Mary Carruthers
Author: Jutta Eming
Author: Françoise Besson