TRANSFORMATIONS IN CLEVELAND ART. PDF Download

Author: William H. Robinson
Publisher:
ISBN:
Category :
Languages : en
Pages : 263

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Author: William H. Robinson
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 272

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... The show's thoughtful, well-written, lavishly illustrated catalog should become the instant classic on Cleveland art. -- The Cleveland Plain Dealer

Author: Debra Diamond
Publisher: Smithsonian Books
ISBN: 1588344592
Category : Art
Languages : en
Pages : 332

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"Published by the Freer Gallery of Art and the Arthur M. Sackler Gallery on the occasion of the exhibition Yoga: The Art of Transformation, October 19, 2013 - January 26, 2014. Organized by the Arthur M. Sackler Gallery, the exhibition travels to the Asian Art Museum of San Francisco, February 22-May 18, 2014, and the Cleveland Museum of Art, June 22-September 7, 2014."

Author: William H. Robinson
Publisher:
ISBN: 9780940717343
Category : Art
Languages : en
Pages : 254

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Transformations in Cleveland Art explores the intersection between art and events during a period of extraordinary, sometimes disorienting change that transformed Cleveland from a canal village into a major industrial city. The authors reconstruct Cleveland's artistic life from its origins to the mid-twentieth century, when regional schools declined relative to the ascent of national and international art movements. Rather than a vague reflection of national trends, Cleveland art is studied within the context of the specific milieu in which it was created. The authors also examine how Cleveland artists interpreted themselves and their city, expressed the hopes and aspirations of their fellow citizens, and responded to rapid urbanization and industrialization. Particular attention is given to the various ways in which Cleveland artists confronted the challenges of the modern age while struggling to secure a niche in the economy of a city in the process of inventing itself. At the same time, the authors consider whether Cleveland art converges or diverges from national culture. This methodology has never before been applied to Cleveland art, and we believe it will challenge long-held assumptions about regional art production in America. Transformations in Cleveland Art culminates years of effort to locate, document, research, and interpret the city's distinguished yet understudied and underappreciated artistic tradition. The curators of the exhibition tracked works of art through research in newspapers, exhibition catalogues, dealer records, and archives as well as through interviews with artists and their descendants. Although critical attention has historically focused on painting and sculpture, the curators expanded their research to include prints, photography, and decorative arts--areas of notable artistic production in Cleveland.

Author: Jeannine deNobel Love
Publisher:
ISBN: 9781611863499
Category : Architecture
Languages : en
Pages : 0

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This study looks at the architectural transformation of Cleveland during its "golden age"--roughly the period between Civil War reconstruction and World War I. By the early twentieth century, Cleveland, which would evolve into the fifth largest city in America, hoped to shed the gritty industrial image of its rapid growth period. Encouraged by the spectacle and enthusiastic response to the Beaux-Arts buildings of the Chicago World's Exposition of 1893, the city embarked upon a grand scheme to construct new governmental and civic structures known as the Cleveland Plan of Grouping Public Buildings, one of the earliest and most complete City Beautiful planning schemes in the country. The success of this plan led to a spillover effect that prompted architects to design all manner of new public buildings that adopted similar Beaux-Arts architectural characteristics over the ensuing decades.

Author: Sherman E. Lee
Publisher:
ISBN:
Category : Art, Chinese
Languages : en
Pages : 512

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Author: Nina Freedlander Gibans
Publisher: Kent State University Press
ISBN: 9780873388191
Category : Architecture
Languages : en
Pages : 186

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Examines regional culture through the contributions of visual arts and includes a DVD Arising out of the Cleveland Artists Foundation's Dialogue Series, a 22-hour-long collection of forums held in cultural institutions and broadcast on National Public Radio, Creative Essence examines regional culture through an exploration of the distinguished contributions Cleveland has made to the visual arts and architecture. The Dialogue Series brought together a variety of people in the visual arts community to discuss the development of the region's creative life and environment, whether it be through architecture and city planning or through the industrial and fine arts. They shared their views and knowledge about how regionalism has long influenced artistic productivity. Their exchanges and ideas for the future are provocative and thoughtful. Richly illustrated with the work of well-known Cleveland-area artists and architects, past and present, Creative Essence explores the region's tradition, beginning with the "Cleveland School" of artists that was active and influential during the first half of the twentieth century. It moves on to examine the changes that occurred in the last half of the century and the development of the visual arts in northeast Ohio. Creative Essence is an important resource for understanding the significant role the visual arts play in our cities and societies and how they contribute to the region's quality of life. For those interested in regional history and for students of art history and the visual arts, this will be especially valuable.

Author: Corwin Levi
Publisher: Uzzlepye Press
ISBN: 0982517610
Category : Art
Languages : en
Pages : 385

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Grimms’ fairy tales, originally collected in 1812, are a timeless chronicle of the possibilities our lives all have, and the full range of human nature. The stories remain just as relevant today as when they were first published over 200 years ago. To introduce these tales to a new generation, Uzzlepye Press presents Mirror Mirrored: An Artists' Edition of 25 Grimms' Tales, a special visual edition of 25 of the stories. It includes not only almost 2,000 vintage Grimms' illustrations remixed into the book alongside the story texts, but also work from 28 contemporary artists visually reimagining these stories.

Author: Arthur Drexler
Publisher: Bulfinch
ISBN:
Category : Architecture
Languages : en
Pages : 184

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Author: Wendy Jean Katz
Publisher: Fordham University Press
ISBN: 0823298582
Category : Art
Languages : en
Pages : 178

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Book Description
This book argues that nativism, the hostility especially to Catholic immigrants that led to the organization of political parties like the Know-Nothings, affected the meaning of nineteenthcentury American art in ways that have gone unrecognized. In an era of industrialization, nativism’s erection of barriers to immigration appealed to artisans, a category that included most male artists at some stage in their careers. But as importantly, its patriotic message about the nature of the American republic also overlapped with widely shared convictions about the necessity of democratic reform. Movements directed toward improving the human condition, including anti-slavery and temperance, often consigned Catholicism, along with monarchies and slavery, to a repressive past, not the republican American future. To demonstrate the impact of this political effort by humanitarian reformers and nativists to define a Protestant character for the country, this book tracks the work and practice of artist William Walcutt. Though he is little known today, in his own time his efforts as a painter, illustrator and sculptor were acclaimed as masterly, and his art is worth reconsidering in its own right. But this book examines him as a case study of an artist whose economic and personal ties to artisanal print culture and cultural nationalists ensured that he was surrounded by and contributed to anti-Catholic publications and organizations. Walcutt was not anti immigrant himself, nor a member of a nativist party, but his kin, friends, and patrons publicly expressed warnings about Catholic and foreign political influence. And that has implications for better-known nineteenth-century historical and narrative art. Precisely because Walcutt’s profile and milieu were so typical for artists in this period, this book is able to demonstrate how central this supposedly fringe movement was to viewers and makers of American art.