Author: Publisher:
ISBN:
Category :
Languages : en
Pages : 302
Book Description
The Study of Marble and Other Stones Used in Antiquity
Author: Transactions of the ... International Symposium of the Association for the Study of Marble and Other Stones Used in Antiquity
Author: Association for the Study of Marble and Other Stones Used in AntiquityPublisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Interdisciplinary Studies on Ancient Stone
Author: Association for the Study of Marble and Other Stones used in Antiquity. International SymposiumPublisher: Institut Catala D'Arqueologia Classica
ISBN:
Category : Building materials, Roman
Languages : en
Pages : 812
Book Description
KOINE
Author: Derek CountsPublisher: Oxbow Books
ISBN: 1782973648
Category : History
Languages : en
Pages : 248
Book Description
The Oxford English Dictionary defines koine as 'a set of cultural or other attributes common to various groups' . This volume merges an academic career over a half century in breadth and scope with an editorial vision that brings together a chorus of scholarly contributions echoing the core principles of R. Ross Holloways own unique perspective on ancient Mediterranean studies. Through broadly conceived themes, the four individual sections of this volume (I. A View of Classical Art: Iconography in Context; II. Crossroads of the Mediterranean: Cultural Entanglements Across the Connecting Sea; III. Coins as Culture: Art and Coinage from Sicily; and IV. Discovery and Discourse, Archaeology and Interpretation) are an attempt to capture the many and varied trajectories of thought that have marked his career and serve as testimony to the significance of his research. The twenty-four papers (plus four introductory essays to the individual sections, biographical sketch and main introduction) contain recent research on subjects ranging from the Kleophrades Painter to the Black Sea, Sicilian Coinage and archaeology in modern Rome.
ASMOSIA 4
Author: Association for the Study of Marble and Other Stones used in Antiquity. International SymposiumPublisher: Presses Univ de Bordeaux
ISBN: 9782867812446
Category : Nature
Languages : en
Pages : 372
Book Description
ASMOSIA VII
Author: Association for the Study of Marble and Other Stones used in Antiquity. International SymposiumPublisher: Ecole Francaise d'Athenes
ISBN:
Category : Social Science
Languages : en
Pages : 864
Book Description
Proceedings of the 7th International Conference of the Association for the Study of Marble and Other Stones in Antiquity organized by the French School of Athens, the National Center for Schientific Research DIMOKRITOS, the 18th Ephoreia of Prehistoric and Classical Antiquities (Kavala) and the Institute of Geology and Mineral Exploration, Thassos, September 15-20, 2003.
Greek and Roman Textiles and Dress
Author: Mary HarlowPublisher: Oxbow Books
ISBN: 1782977155
Category : Crafts & Hobbies
Languages : en
Pages : 425
Book Description
Twenty chapters present the range of current research into the study of textiles and dress in classical antiquity, stressing the need for cross and inter-disciplinarity study in order to gain the fullest picture of surviving material. Issues addressed include: the importance of studying textiles to understand economy and landscape in the past; different types of embellishments of dress from weaving techniques to the (late introduction) of embroidery; the close links between the language of ancient mathematics and weaving; the relationships of iconography to the realities of clothed bodies including a paper on the ground breaking research on the polychromy of ancient statuary; dye recipes and methods of analysis; case studies of garments in Spanish, Viennese and Greek collections which discuss methods of analysis and conservation; analyses of textile tools from across the Mediterranean; discussions of trade and ethnicity to the workshop relations in Roman fulleries. Multiple aspects of the production of textiles and the social meaning of dress are included here to offer the reader an up-to-date account of the state of current research. The volume opens up the range of questions that can now be answered when looking at fragments of textiles and examining written and iconographic images of dressed individuals in a range of media. The volume is part of a pair together with Prehistoric, Ancient Near Eastern and Aegean Textiles and Dress: an interdisciplinary anthology edited by Mary Harlow, C_cile Michel and Marie-Louise Nosch
Roman Strigillated Sarcophagi
Author: Janet HuskinsonPublisher: Oxford University Press
ISBN: 0191019534
Category : History
Languages : en
Pages : 366
Book Description
This is the first full study of Roman strigillated sarcophagi, which are the largest group of decorated marble sarcophagi to survive in the city of Rome. Characterized by panels of carved fluting - hence the description 'strigillated', after the curved strigil used by Roman bathers to scrape off oil - and limited figure scenes, they were produced from the mid-second to the early fifth century AD, and thus cover a critical period in Rome, from empire to early Christianity. Roman Strigillated Sarcophagi focuses on their rich potential as an historical source for exploring the social and cultural life of the city in the later empire. The first part of the volume examines aspects of their manufacture, use, and viewing, emphasizing distinctive features. The second part looks at the figured representations carved on the sarcophagi, and at their social significance and creativity, concentrating on how their various arrangements allowed viewers to develop their own interpretations. The subjects represented by the figures and the flexibility with which they might be read, provide invaluable insights into how Romans thought about life and death during these changing times. The final part of the volume surveys how later societies responded to Roman strigillated sarcophagi. From as early as the fifth century AD their distinctive decoration and allusions to the Roman past made them especially attractive for reuse in particular contemporary contexts, notably for elite burials and the decoration of prominent buildings. The motif of curved fluting was also adopted and adapted: it decorated neo-classical memorials to Captain Cook, Napoleon's sister-in-law Christine Boyer, and Penelope Boothby, and its use continues into this century, well over one and a half millennia since it first decorated Roman sarcophagi.
The Archaeology of Roman Portugal in its Western Mediterranean Context
Author: Tesse D. StekPublisher: Oxbow Books
ISBN: 1789258340
Category : Social Science
Languages : en
Pages : 256
Book Description
The Archaeology of Roman Portugal aims to contribute to the wider debate on Roman imperialism and expansionism, by bringing to the fore a much-underrepresented area of the Roman empire, at least in English-language scholarship: its westernmost edge in modern day Portugal. Highlighting the perspective from Roman Portugal will contribute to our understanding of the Roman empire, because it presents both an extraordinary landscape in the sense of economic opportunities (ocean resources, marble and metal mining) and settlement history. The volume aims to present new data and insights from both archaeology and ancient history, and to discuss their significance for our understanding of Roman expansion and imperialism. A key goal of the volume is to discuss how the Portuguese panorama compares to other areas of the Iberian peninsula. An explicit goal of the volume is to better integrate Portuguese scholarship in the academic debate on the Mediterranean Roman world, and to contextualize it firmly in the wider Iberian and Western Mediterranean context. Therefore, chapters are produced by internationally diverse scholars in archaeology and ancient history from Portugal, Spain, Germany, the UK, the US, the Netherlands, Belgium, and Italy. With a view to asses the potential of integrating best practices in archaeological approaches and methodology, different national and disciplinary research traditions and historical frameworks will be explicitly discussed.
Charlemagne and Rome
Author: Joanna StoryPublisher: Oxford University Press
ISBN: 0192575058
Category : Social Science
Languages : en
Pages : 428
Book Description
Charlemagne and Rome is a wide-ranging exploration of cultural politics in the age of Charlemagne. It focuses on a remarkable inscription commemorating Pope Hadrian I who died in Rome at Christmas 795. Commissioned by Charlemagne, composed by Alcuin of York, and cut from black stone quarried close to the king's new capital at Aachen in the heart of the Frankish kingdom, it was carried to Rome and set over the tomb of the pope in the south transept of St Peter's basilica not long before Charlemagne's imperial coronation in the basilica on Christmas Day 800. A masterpiece of Carolingian art, Hadrian's epitaph was also a manifesto of empire demanding perpetual commemoration for the king amid St Peter's cult. In script, stone, and verse, it proclaimed Frankish mastery of the art and power of the written word, and claimed the cultural inheritance of imperial and papal Rome, recast for a contemporary, early medieval audience. Pope Hadrian's epitaph was treasured through time and was one of only a few decorative objects translated from the late antique basilica of St Peter's into the new structure, the construction of which dominated and defined the early modern Renaissance. Understood then as precious evidence of the antiquity of imperial affection for the papacy, Charlemagne's epitaph for Pope Hadrian I was preserved as the old basilica was destroyed and carefully redisplayed in the portico of the new church, where it can be seen today. Using a very wide range of sources and methods, from art history, epigraphy, palaeography, geology, archaeology, and architectural history, as well as close reading of contemporary texts in prose and verse, this book presents a detailed 'object biography', contextualising Hadrian's epitaph in its historical and physical setting at St Peter's over eight hundred years, from its creation in the late eighth century during the Carolingian Renaissance through to the early modern Renaissance of Bramante, Michelangelo, and Maderno.