Author: Adrien GastambidePublisher:
ISBN:
Category :
Languages : fr
Pages : 516
Book Description
Traité théorique et pratique des contrefaçons en tous genres, ou, De la propriété de littérature, théâtre, musique ...
Author: Adrien GastambideTraité théorique et pratique des contrefaçons en tous genres, ou De la propriété en matière de littérature, théâtre, musique, peinture, dessin, gravure, dessins de manufactures, sculpture, sculptures industrielles, marques, noms, raisons commerciales, enseignes, etc
Author: Joseph Adrien GastambidePublisher:
ISBN:
Category : Copyright
Languages : fr
Pages : 512
Book Description
Traité théorique et pratique des contrefaçons en tous genres, ou de la Propriété en matière de littérature, théâtre, musique, peinture
Author: Adrien-Joseph Gastambide (procureur général.)Publisher:
ISBN:
Category :
Languages : fr
Pages : 496
Book Description
Traite Theorique Et Pratique Des Contrefacons En Tous Genres
Author: Gastambide-A-JPublisher:
ISBN: 9782013554466
Category :
Languages : fr
Pages :
Book Description
Traité théorique et pratique des contrefaçons en tous genres, ou De la propriété en matière de littérature, théâtre, musique, peinture,...
Author: The Object of Copyright
Author: Stina Teilmann-LockPublisher: Routledge
ISBN: 1317804600
Category : Law
Languages : en
Pages : 165
Book Description
Recent years have seen a number of pressing developments in copyright law: there has been an enormous increase in the range and type of work accorded protection; the concept of the ‘original work’ has entered into national copyright acts; and intangible entities are now entitled to protection by copyright. All these are consequences of legislative and technological developments that can be traced back over two centuries and more. the result. This book presents an interdisciplinary study of the growth of copyright law, largely based on archival research and on archival materials only recently made available online. The new history here articulated helps to explain why print is no longer today the sole or even the chief object of copyright protection. Taking its key examples from British, French and Danish copyright law, the book begins by exploring how the earliest copyright laws emerged out of the technological understanding of a printed ‘copy,’ and out of the philosophical notions of originals and copies, tangibles and intangibles. Dr Teilmann-Lockgoes on to examine the concept of the ‘work’ as it develops both conceptually and legally, as the object of protection, and then explains how, in a curious consequence, 'the work' turns the ‘copy’ into the 'mere' material instantiation of the intangible 'original'. The book concludes by addressing the considerable and complicated problems now emerging in copyright law following the inclusion of design within the scope of its protection. In this field Danish law, striving to protect Danish design, has been setting the trend for over a hundred years. In its examination of terminological exchanges between the diverse legal traditions and philosophical discourse, and in its thorough investigation of particular terms central to copyright legislation, this interdisciplinary book will be of great interest to scholars and students of copyright and intellectual property law; it also makes an important contribution to literary studies, legal history and cultural theory.
Copyright and Piracy
Author: Lionel BentlyPublisher: Cambridge University Press
ISBN: 0521193435
Category : Law
Languages : en
Pages : 503
Book Description
An understanding of the changing nature of the law and practice of copyright infringement is a task too big for lawyers alone; it requires additional inputs from economists, historians, technologists, sociologists, cultural theorists and criminologists. Where is the boundary to be drawn between illegal imitation and legal inspiration? Would the answer be different for creators, artists and experts from different disciplines or fields? How have concepts of copyright infringement altered over time and how do such changes relate, if at all, to the cultural norms operating amongst creators in different fields? With such an approach, one might perhaps begin to address the vital and overarching question of whether strong copyright laws, rigorously enforced, impede rather than promote creativity. And what can be done to avoid any such adverse consequences, while maintaining the effectiveness of copyright as an incentive-mechanism for those who need it?
Propertizing European Copyright
Author: Caterina SgangaPublisher: Edward Elgar Publishing
ISBN: 178643041X
Category : Law
Languages : en
Pages : 296
Book Description
With an acceleration in the last decades, the language of property, piracy and theft has become mainstream in copyright matters. Scholars have argued that this latent propertization has progressively led to the undue expansion of copyright and an enclosure of knowledge, causing clashes with users’ fundamental rights and EU social and cultural policies. Challenging the validity of such critiques, Propertizing European Copyright demonstrates that these distortive effects are only the result of mishandled property rhetoric and that a commitment to copyright propertization could enable a more internally consistent and balanced development of EU copyright law.
Author: Adr Gastambide
Author: Adrien Gastambide