Author: F. G. DINÉEPublisher:
ISBN:
Category :
Languages : en
Pages : 190
Book Description
Traité pratique du tracé et de la construction des engrenages de la vis sans fin et des cames, accompagné de 17 planches
Author: F. G. DINÉECatalogue of the Library of the Patent Office
Author: Great Britain. Patent Office. LibraryPublisher:
ISBN:
Category : Industrial arts
Languages : en
Pages : 1020
Book Description
General catalogue of printed books
Author: British museum. Dept. of printed booksPublisher:
ISBN:
Category :
Languages : en
Pages : 512
Book Description
General Catalogue of Printed Books
Author: British Museum. Department of Printed BooksPublisher:
ISBN:
Category : English imprints
Languages : en
Pages : 512
Book Description
Traité pratique du tracé et de la construction des engrenages de la vis sans fin et des cames
Author: M.F.G. DinéeTraité Pratique Du Tracé Et de la Construction Des Engrenages de la Vis Sans Fin Et Des Cames
Author: M. F. G.. DinéeTraité pratique du tracé et de la construction des engrenages de la vis sans fin et des cames... par M. F.-G. Dinée,...
Author: F.-G. DinéeThe British Library General Catalogue of Printed Books to 1975
Author: British Library (London)Publisher:
ISBN:
Category : Reference
Languages : en
Pages : 536
Book Description
General Catalogue of Printed Books to 1955
Author: British Museum. Dept. of Printed BooksPublisher:
ISBN:
Category : English imprints
Languages : en
Pages : 1288
Book Description
Leaving Parnassus
Author: Seth Adam WhiddenPublisher: Rodopi
ISBN: 9042022108
Category : Literary Criticism
Languages : en
Pages : 232
Book Description
Leaving Parnassus: The Lyric Subject in Verlaine and Rimbaud considers how the crisis of the lyric subject in the middle of the nineteenth century in France is a direct response to the aesthetic principles of Parnassian poetry, which dominated the second half of the century much more than critics often think. The poets considered here rebel against the strict confines of traditional and contemporary poetry and attempt to create radically new discursive practices. Specifically, the close readings of poems apply recent studies of subjectivity in poetry and focus on the works of Paul Verlaine and Arthur Rimbaud to see how each subverts the dominant tradition of French poetry in a unique way. Whereas previous studies considered isolated aspects of each poet's lyric subject, Leaving Parnassus shows that the situation of the lyric is a source of subversion throughout the poets' entire work, and as such it is crucial to our full understanding of their respective innovations.