Author: Pierre-Joseph RoussierPublisher:
ISBN:
Category : Harmony
Languages : fr
Pages : 188
Book Description
Traité des accords et de leur succession
Author: Pierre-Joseph RoussierPublisher:
ISBN:
Category : Harmony
Languages : fr
Pages : 188
Book Description
Traité des accords, et de leur succession, selon le système de la basse-fondamentale
Author: Pierre-Joseph RoussierTraité des accords, et de leur succession, selon le système de la basse fondamentale, &c
Author: Traité des accords et de leur succession, selon le système de la basse-fondamentale... Avec une méthode d'accompagnement [par l'abbé Roussier].
![Traité des accords et de leur succession, selon le système de la basse-fondamentale... Avec une méthode d'accompagnement [par l'abbé Roussier]. PDF](https://books.google.com/books/content/images/frontcover/B9b-ygAACAAJ?fife=w80-h100)
Author: Pierre-Joseph RoussierPublisher:
ISBN:
Category :
Languages : fr
Pages : 11
Book Description
Heinrich Schenker
Author: Publisher: Pendragon Press
ISBN: 9780918728999
Category : Music
Languages : en
Pages : 572
Book Description
Originally published in 1966, the Reeseschrift remains one of the most significant collections of musicological writings ever assembled. Its fifty-six essays, written by some of the greatest scholars of our time, range chronologically from antiquity to the 17thcentury and geographically from Byzantium to the British Isles. They deal with questions of history, style, form, texture, notation, and performance practice.
A New Treatise on Accompaniment
Author: Michel de Saint-LambertPublisher: Indiana University Press
ISBN: 9780253345615
Category : Biography & Autobiography
Languages : en
Pages : 180
Book Description
Saint Lambert's Nouveau traité de l'accompagnement de clavecin, de l'orgue, et des autres instruments of 1707 supplements his earlier harpsichord treatise, Les Principes du clavecin of 1702. The Nouveau traité is a method book specifically designed for the accompanist rather than the solo performer. It offers practical suggestions to help the accompanist play the correct harmony without having to read all the notated parts at the same time. Saint Lambert discusses accompanying from unfigured and partly figured basses, and his was one of the first attempts to codify bass progressions into specific formulas, for which he assigns appropriate harmonies. He describes possible departures from the usual rules of accompaniment and examines performance techniques used by "tasteful" accompanists in order to create not merely a correct but an artistic accompaniment. John Powell presents Saint Lambert's text in a readable English translation with musical examples in modern notation. He compares Saint Lambert's text in a readable English translation with musical examples in modern notation. He compares Saint Lambert's concepts of realization with those of contemporaneous sources and traces the influence of this treatise on later authors.
The Theory of Harmony
Author: Matthew ShirlawPublisher: BoD – Books on Demand
ISBN: 3385208629
Category : Fiction
Languages : en
Pages : 510
Book Description
Reprint of the original, first published in 1873.
Esquisse de L'histoire de L'harmonie
Author: François-Joseph FétisPublisher: Pendragon Press
ISBN: 9780945193517
Category : Harmony
Languages : en
Pages : 258
Book Description
Complete Treatise on the Theory and Practice of Harmony
Author: François-Joseph FétisPublisher:
ISBN:
Category : Harmony
Languages : en
Pages : 368
Book Description
Stories of Tonality in the Age of François-Joseph Fétis
Author: Thomas ChristensenPublisher: University of Chicago Press
ISBN: 022662692X
Category : Music
Languages : en
Pages : 376
Book Description
Stories of Tonality in the Age of François-Joseph Fétis explores the concept of musical tonality through the writings of the Belgian musicologist François-Joseph Fétis (1784–1867), who was singularly responsible for theorizing and popularizing the term in the nineteenth century. Thomas Christensen weaves a rich story in which tonality emerges as a theoretical construct born of anxiety and alterity for Europeans during this time as they learned more about “other” musics and alternative tonal systems. Tonality became a central vortex in which French musicians thought—and argued—about a variety of musical repertoires, be they contemporary European musics of the stage, concert hall, or church, folk songs from the provinces, microtonal scale systems of Arabic and Indian music, or the medieval and Renaissance music whose notational traces were just beginning to be deciphered by scholars. Fétis’s influential writings offer insight into how tonality ingrained itself within nineteenth-century music discourse, and why it has continued to resonate with uncanny prescience throughout the musical upheavals of the twentieth and twenty-first centuries.