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Author: Carly Osborn Publisher: Bloomsbury Publishing ISBN: 1350083496 Category : Philosophy Languages : en Pages : 216
Book Description
This book draws on the philosopher René Girard to argue that three twentieth-century American novels (Jeffrey Eugenides's The Virgin Suicides, Rick Moody's The Ice Storm, and Richard Yates's Revolutionary Road) are tragedies. Until now, Girardian literary analysis has generally focused on representations of human desire in texts, and neglected both other emotions and the place of tragedy. Carly Osborn addresses these omissions by using Girardian theory to present evidence that novels can indeed be tragedies. The book advances the scholarship of tragedy that has run from Aristotle to Nietzsche to Terry Eagleton, proposing a new way to read modern novels through ancient traditions. In addition, this is the first work to examine the place of women as victims, or in Girardian terms, 'scapegoats', in twentieth century fiction, specifically by considering the representation of women's bodies and ambivalence about their identities. In deploying a rich and vivid array of tragic tropes, The Virgin Suicides, The Ice Storm, and Revolutionary Road participate in a deep-rooted American tragic tradition. Tragic Novels, the American Dream and René Girard will be of interest to those working at the intersection of philosophy and literature, as well as Girard specialists.
Author: Carly Osborn Publisher: Bloomsbury Publishing ISBN: 1350083496 Category : Philosophy Languages : en Pages : 216
Book Description
This book draws on the philosopher René Girard to argue that three twentieth-century American novels (Jeffrey Eugenides's The Virgin Suicides, Rick Moody's The Ice Storm, and Richard Yates's Revolutionary Road) are tragedies. Until now, Girardian literary analysis has generally focused on representations of human desire in texts, and neglected both other emotions and the place of tragedy. Carly Osborn addresses these omissions by using Girardian theory to present evidence that novels can indeed be tragedies. The book advances the scholarship of tragedy that has run from Aristotle to Nietzsche to Terry Eagleton, proposing a new way to read modern novels through ancient traditions. In addition, this is the first work to examine the place of women as victims, or in Girardian terms, 'scapegoats', in twentieth century fiction, specifically by considering the representation of women's bodies and ambivalence about their identities. In deploying a rich and vivid array of tragic tropes, The Virgin Suicides, The Ice Storm, and Revolutionary Road participate in a deep-rooted American tragic tradition. Tragic Novels, the American Dream and René Girard will be of interest to those working at the intersection of philosophy and literature, as well as Girard specialists.
Author: Carly Osborn Publisher: ISBN: 9781350083516 Category : Electronic books Languages : en Pages : 216
Book Description
"This book draws on the philosopher René Girard to argue that three twentieth-century American novels (Jeffrey Eugenides's The Virgin Suicides , Rick Moody's The Ice Storm , and Richard Yates's Revolutionary Road ) are tragedies. Until now, Girardian literary analysis has generally focused on representations of human desire in texts, and neglected both other emotions and the place of tragedy. Carly Osborn addresses these omissions by using Girardian theory to present evidence that novels can indeed be tragedies. The book advances the scholarship of tragedy that has run from Aristotle to Nietzsche to Terry Eagleton, proposing a new way to read modern novels through ancient traditions. In addition, this is the first work to examine the place of women as victims, or in Girardian terms, 'scapegoats', in twentieth century fiction, specifically by considering the representation of women's bodies and ambivalence about their identities. In deploying a rich and vivid array of tragic tropes, The Virgin Suicides, The Ice Storm , and Revolutionary Road participate in a deep-rooted American tragic tradition. Tragic Novels, the American Dream and Ren ̌Girard will be of interest to those working at the intersection of philosophy and literature, as well as Girard specialists."--
Author: René Girard Publisher: Gracewing Publishing ISBN: 9780852445105 Category : Desire in literature Languages : en Pages : 386
Book Description
In this groundbreaking work a foremost literary and cultural critic turns to the major figure in English literature William Shakespeare and proposes a dramatic new way of reading and performing his works. The key to A Theatre of Envy is René Girards's original expression and application of what he calls Mimetic Theory. For Girard, people desire according to the desires of others. He sees this as fundamental to the human condition and works out its implications in a most convincing and ultimately, easily comprehensible way. Bringing his insights to bear on Shakespeare, Girard reveals the previously overlooked coherence of problem plays like Troilus and Cressida and makes a convincing argument for elevating A Midsummer Night's Dream from the status of entertaining chaotic comedy to a profound and original commentary on the human condition. Shakespeare transforms the crude literary form of revenge tragedy into a profound and prophetic unmasking of violence - even more relevant today than in his time. Throughout this impressively sustained reading of Shakespeare, Girard's prose is sophisticated enough for the academic as well as being accessible to the general reader. Anyone interested in literature, anthropology, psychology and particularly, theology as relevant to the overriding contemporary problems of violence in all its forms will want to read this challenging book. All those involved in theatrical productions and performance will find A Theatre of Envy full of exciting and practical ideas. 'In its enormous breathtaking scope, (René Girard's work) suggests...the projects of those 19th century intellectual giants (Hegel, Marx, Nietzsche and Freud) who still cast such long shadows today. By contrast, contemporary criticism seems paltry and fainthearted.' Comparative Literature René Girard was born in Avignon, read cultural history in Paris and in 1947 went to the USA where he has for the last 50 years held a number of prestigious academic posts. He has written more than half a dozen books, best known of which are, Violence and the Sacred, The Scapegoat, and Things Hidden Since the Foundation of the World, he has also been featured in many interviews and magazine articles. His Martin D'Arcy Lecture - "Victims, Violence and Christianity" - delivered in Oxford in November 1997, aroused the enthusiastic interest of a wide variety of British experts in many fields as well as those involved in the wider and increasingly significant world of contemporary spirituality in all its popular and peremptory expressions. While not giving a naive answer René Girard does provide a profound and practical way to unmask violence not only in Shakespeare's world, but in our own.
Author: Francesco Pacifico Publisher: Melville House ISBN: 1612195946 Category : Fiction Languages : en Pages : 353
Book Description
"Plainly the work of a forceful and ambitious writer... (Class) is like little else I’ve read in recent years.” —Dwight Garner, The New York Times The breakout novel by Francesco Pacifico, one of Italy’s most acclaimed writers, hailed by Dana Spiotta as “brilliantly funny and weirdly subversive” Ludovica and Lorenzo live in Rome. She works in her family’s bookstore, and he’s a filmmaker—or, rather, a “filmmaker”: so far, all he’s produced is one pretentious short film that even his friends don’t take seriously. But somehow, he gets a scholarship to Columbia University, and the couple decide to head to New York—specifically, to Williamsburg: the promised land. They soon fall in with a group of Italian expats—all of them with artistic ambitions and the family money to support those ambitions indefinitely. There’s Nicolino, the playboy; Marcello, the aspiring rapper; Sergio, the literary scout; and a handful of others. These languidly ambitious men and women will come together and fall apart, but can they escape their fates? Can anyone? In Class, Francesco Pacifico gives a grand, subversive, formally ambitious social novel that bridges Italy and America, high and low, money and art. A novel that channels Virginia Woolf and Kanye West, Henry Miller and Lil’ Wayne, Class is an unforgettable, mordantly funny account of Italians chasing the American dream.
Author: Stefani Koorey Publisher: ISBN: Category : Literary Criticism Languages : en Pages : 952
Book Description
Presents an annotated index to published materials about, relating to, and by twentieth-century American playwright Arthur Miller, including primary, secondary, and media sources; and includes a chronology of Miller's life.
Author: Scott Cowdell Publisher: Bloomsbury Publishing USA ISBN: 1623562554 Category : Philosophy Languages : en Pages : 305
Book Description
This collection of state of the art interpretations of the thought of René Girard follows on from the volume Violence, Desire, and the Sacred: Girard's Mimetic Theory Across the Disciplines (2012). The previous collection has been acclaimed for demonstrating and showcasing Girard's mimetic theory at its inter-disciplinary best by bringing together scholars who apply Girard's insights in different fields. This new volume builds on and extends the work of that earlier collection by moving into new areas such as psychology, politics, classical literature, national literature, and practical applications of Girard's theory in pastoral/spiritual care, peace-making and religious thought and practice.
Author: René Girard Publisher: MSU Press ISBN: 1609171330 Category : Philosophy Languages : en Pages : 328
Book Description
In Battling to the End René Girard engages Carl von Clausewitz (1780–1831), the Prussian military theoretician who wrote On War. Clausewitz, who has been critiqued by military strategists, political scientists, and philosophers, famously postulated that "War is the continuation of politics by other means." He also seemed to believe that governments could constrain war. Clausewitz, a firsthand witness to the Napoleonic Wars, understood the nature of modern warfare. Far from controlling violence, politics follows in war's wake: the means of war have become its ends. René Girard shows us a Clausewitz who is a fascinated witness of history's acceleration. Haunted by the French-German conflict, Clausewitz clarifies more than anyone else the development that would ravage Europe. Battling to the End pushes aside the taboo that prevents us from seeing that the apocalypse has begun. Human violence is escaping our control; today it threatens the entire planet.
Author: Michael J. Sandel Publisher: Farrar, Straus and Giroux ISBN: 0374720991 Category : Political Science Languages : en Pages : 288
Book Description
A Times Literary Supplement’s Book of the Year 2020 A New Statesman's Best Book of 2020 A Bloomberg's Best Book of 2020 A Guardian Best Book About Ideas of 2020 The world-renowned philosopher and author of the bestselling Justice explores the central question of our time: What has become of the common good? These are dangerous times for democracy. We live in an age of winners and losers, where the odds are stacked in favor of the already fortunate. Stalled social mobility and entrenched inequality give the lie to the American credo that "you can make it if you try". The consequence is a brew of anger and frustration that has fueled populist protest and extreme polarization, and led to deep distrust of both government and our fellow citizens--leaving us morally unprepared to face the profound challenges of our time. World-renowned philosopher Michael J. Sandel argues that to overcome the crises that are upending our world, we must rethink the attitudes toward success and failure that have accompanied globalization and rising inequality. Sandel shows the hubris a meritocracy generates among the winners and the harsh judgement it imposes on those left behind, and traces the dire consequences across a wide swath of American life. He offers an alternative way of thinking about success--more attentive to the role of luck in human affairs, more conducive to an ethic of humility and solidarity, and more affirming of the dignity of work. The Tyranny of Merit points us toward a hopeful vision of a new politics of the common good.
Author: Carly Osborn
Author: Carly Osborn
Author: Carly Osborn
Author: René Girard
Author: Francesco Pacifico
Author: Stefani Koorey
Author: Scott Cowdell
Author: 
Author: René Girard
Author: Erin Elisabeth Edwards
Author: Michael J. Sandel