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Author: Giuseppe Tulli Publisher: Independently Published ISBN: Category : Languages : en Pages : 346
Book Description
Cosmology evokes today the vision of physical "outer space", in contrast to the "inner space" of psychology. Can these fundamental visions meet? Revealingly, the ancestral visions in myth were cosmological. But then ca 500 BC man became "the measure of all things". As told e.g. in Greek myths, wily Prometheus stole the "fire of the gods" by hiding it in a hollow fennel stalk and gave it to man. The meaning is composite: man is now the "creator", but by an original "trick" or "artifice". However, as later interpreted in classical tradition: "the First Transcendent Fire does not enclose its own Power in matter by means of works, but by the Intellect." Or as in modern psychology, the power of reason - or classically, of logos - as the determinacy of the mind over-comes the self as the determinacy of the body. But, additionally: "the Intellect derived from Intellect is the Craftsman of the fiery Cosmos". Because the cosmos is indeed already "Intellect", or is actively intelligible. I.e. the world is intelligent, and ultimately intelligible from intelligible, mind from mind. The upshot is, paradoxically, that the cosmos is mind, and that the mind surges psychologically from the self by ultimately becoming "the measure of all things". The mythological statement of this crisis came to be known in ancient Greece as Tragedy, and its over-coming, the evolution of the cosmic mind, and hence of man. Ever since, the statements in myth have been either of affirmative or negative reaction to the crisis (e.g. Zoroastrianism and Buddhism), and then the statements in logos as art, science and philosophy. Art is fundamentally Tragic, whereas science and philosophy have barely developed their cosmological vision. The problem is in fact in the contradictory nature of the evolution of the mind from the body, thereby necessarily involving the crisis of Tragedy. Thus, cosmology cannot be just scientific, but ultimately philosophical. And yet, as attested in history, only recently there's been "the first tragic philosopher" with Friedrich Nietzsche, who generally envisioned a "philosophy of the future". Its more precise name is indeed philosophical cosmology. In this respect, the present book actually completes a tetralogy with three previous works - Homo contradictorius, One Whole, and Over Man - that aim at discovering and developing its theoretical foundations.
Author: Giuseppe Tulli Publisher: Independently Published ISBN: Category : Languages : en Pages : 346
Book Description
Cosmology evokes today the vision of physical "outer space", in contrast to the "inner space" of psychology. Can these fundamental visions meet? Revealingly, the ancestral visions in myth were cosmological. But then ca 500 BC man became "the measure of all things". As told e.g. in Greek myths, wily Prometheus stole the "fire of the gods" by hiding it in a hollow fennel stalk and gave it to man. The meaning is composite: man is now the "creator", but by an original "trick" or "artifice". However, as later interpreted in classical tradition: "the First Transcendent Fire does not enclose its own Power in matter by means of works, but by the Intellect." Or as in modern psychology, the power of reason - or classically, of logos - as the determinacy of the mind over-comes the self as the determinacy of the body. But, additionally: "the Intellect derived from Intellect is the Craftsman of the fiery Cosmos". Because the cosmos is indeed already "Intellect", or is actively intelligible. I.e. the world is intelligent, and ultimately intelligible from intelligible, mind from mind. The upshot is, paradoxically, that the cosmos is mind, and that the mind surges psychologically from the self by ultimately becoming "the measure of all things". The mythological statement of this crisis came to be known in ancient Greece as Tragedy, and its over-coming, the evolution of the cosmic mind, and hence of man. Ever since, the statements in myth have been either of affirmative or negative reaction to the crisis (e.g. Zoroastrianism and Buddhism), and then the statements in logos as art, science and philosophy. Art is fundamentally Tragic, whereas science and philosophy have barely developed their cosmological vision. The problem is in fact in the contradictory nature of the evolution of the mind from the body, thereby necessarily involving the crisis of Tragedy. Thus, cosmology cannot be just scientific, but ultimately philosophical. And yet, as attested in history, only recently there's been "the first tragic philosopher" with Friedrich Nietzsche, who generally envisioned a "philosophy of the future". Its more precise name is indeed philosophical cosmology. In this respect, the present book actually completes a tetralogy with three previous works - Homo contradictorius, One Whole, and Over Man - that aim at discovering and developing its theoretical foundations.
Author: Richard Seaford Publisher: Cambridge University Press ISBN: 1139504878 Category : Literary Collections Languages : en Pages :
Book Description
This book further develops Professor Seaford's innovative work on the study of ritual and money in the developing Greek polis. It employs the concept of the chronotope, which refers to the phenomenon whereby the spatial and temporal frameworks explicit or implicit in a text have the same structure, and uncovers various such chronotopes in Homer, the Homeric Hymn to Demeter, Presocratic philosophy and in particular the tragedies of Aeschylus. Mikhail Bakhtin's pioneering use of the chronotope was in literary analysis. This study by contrast derives the variety of chronotopes manifest in Greek texts from the variety of socially integrative practices in the developing polis - notably reciprocity, collective ritual and monetised exchange. In particular, the Oresteia of Aeschylus embodies the reassuring absorption of the new and threatening monetised chronotope into the traditional chronotope that arises from collective ritual with its aetiological myth. This argument includes the first ever demonstration of the profound affinities between Aeschylus and the (Presocratic) philosophy of his time.
Author: Richard Seaford Publisher: Cambridge University Press ISBN: 9780521539920 Category : Fiction Languages : en Pages : 386
Book Description
How were the Greeks of the sixth century BC able to invent philosophy and tragedy? In this book Richard Seaford argues that a large part of the answer can be found in another momentous development, the invention and rapid spread of coinage, which produced the first ever thoroughly monetised society. By transforming social relations monetisation contributed to the ideas of the universe as an impersonal system, fundamental to Presocratic philosophy, and of the individual alienated from his own kin and from the gods, as found in tragedy.
Author: Nuria Scapin Publisher: Walter de Gruyter GmbH & Co KG ISBN: 3110685639 Category : Literary Criticism Languages : en Pages : 276
Book Description
Greek tragedy occupies a prominent place in the development of early Greek thought. However, even within the partial renaissance of debates about tragedy’s roots in the popular thought of archaic Greece, its potential connection to the early philosophical tradition remains, with few exceptions, at the periphery of current interest. This book aims to show that our understanding of Aeschylus’ Oresteia is enhanced by seeing that the trilogy’s treatment of Zeus and Justice (Dikê) shares certain concepts, assumptions, categories of thought, and forms of expression with the surviving fragments and doxography of certain Presocratic thinkers (especially Anaximander, Xenophanes, Heraclitus, and Parmenides). By examining several aspects of the tragic trilogy in relation to Presocratic debates about theology and cosmic justice, it shows how such scrutiny may affect our understanding of the theological ‘tension’ and metaphysical assumptions underpinning the Oresteia’s dramatic narrative. Ultimately, it argues that Aeschylus bestows on the experience of human suffering, as it is given in the contradictory multiplicity of the world, the status of a profound form of knowledge: a meeting point between the human and divine spheres.
Author: Brooks Otis Publisher: UNC Press Books ISBN: 1469640112 Category : Literary Criticism Languages : en Pages : 152
Book Description
Otis clarifies the moral and theological issues raised in the Ortesia and relates them to certain stylistic and structural qualities of the three plays. He tackles the central questions of guilt, retribution, and the relation between human and divine justice, and he sees a carefully prepared evolution in the trilogy from a primitive to a more civilized form of justice. Otis treats the trilogy as a poem, a play, and a work of theological and philosophical reflection. Originally published in 1981. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
Author: Nuria Scapin Publisher: de Gruyter ISBN: 9783110685527 Category : Language Arts & Disciplines Languages : en Pages : 0
Book Description
Greek tragedy occupies a prominent place in the development of early Greek thought. Yet, its connection to the Presocratic tradition remains at the periphery of current interest. This book shows how Aeschylus' Oresteia - in its own dramatic lang
Author: Lucretius Publisher: OUP Oxford ISBN: 019162327X Category : Literary Criticism Languages : en Pages : 816
Book Description
`Therefore this terror and darkness of the mind Not by the sun's rays, nor the bright shafts of day, Must be dispersed, as is most necessary, But by the face of nature and her laws.' Lucretius' poem On the Nature of the Universe combines a scientific and philosophical treatise with some of the greatest poetry ever written. With intense moral fervour Lucretius demonstrates to humanity that in death there is nothing to fear since the soul is mortal, and the world and everything in it is governed not by the gods, but by the mechanical laws of nature. By believing this, men can live in peace of mind and happiness. Lucretius bases his argument on the atomic theory expounded by the Greek philosopher Epicurus. His poem explores sensation, sex, cosmology, meteorology, and geology through acute observation of the beauties of the natural world and with moving sympathy for man's place in it. Sir Ronald Melville's accessible and accurate verse translation is complemented by an introduction and notes situating Lucretius' scientific theories within the thought of 1st century BCE Rome and discussing the Epicurean philosophy that was his inspiration and why the issues Lucretius' poem raisies about the scientific and poetical views of the world continue to be important. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
Author: Gregory A. Staley Publisher: OUP USA ISBN: 0195387430 Category : Drama Languages : en Pages : 200
Book Description
The question of why Seneca wrote tragedy has been debated since at least the 13th century. Since Seneca was a Stoic, critics assumed he wrote with the standard Stoic theory of literature as education in philosophy in mind. This book argues that Seneca was influenced by Aristotle's famous defense of tragedy against Plato's critique.
Author: Giuseppe Tulli
Author: Giuseppe Tulli
Author: Richard Seaford
Author: Richard Seaford
Author: Nuria Scapin
Author: Brooks Otis
Author: Nuria Scapin
Author: Richard Seaford
Author: Th. C. W. Oudemans
Author: Lucretius
Author: Gregory A. Staley