Towards Creative Imagination in Victorian Literature PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Towards Creative Imagination in Victorian Literature PDF full book. Access full book title Towards Creative Imagination in Victorian Literature by Aleksandra Piasecka. Download full books in PDF and EPUB format.
Author: Aleksandra Piasecka Publisher: Cambridge Scholars Publishing ISBN: 1443861987 Category : Art Languages : en Pages : 230
Book Description
This book explores the concept of the creative imagination in Mid- and Late Victorian England. In these times of transition, as the age of the Industrial Revolution was regarded, aesthetic considerations became involved in the broader debate on the shape of the modern world. Thus, the approach to the artistic imagination was closely connected with the shifting beliefs concerning the essence of beauty, and the role of religion, not to mention attitudes towards nature and society. These aspects defined the aims furthered by painters and poets alike and set the direction for their artistic endeavours. Five people have been chosen as representatives of their time in the discussion about artistic imagination: John Ruskin, William Morris, Dante Gabriel Rossetti, Walter Pater and Arthur Symons. Accordingly, the material analysed to recreate the Victorian understanding of the artistic faculties is of different kinds, and embraces not only critical essays (Ruskin, Pater, Symons), but also belles-lettres: short stories (Morris) and poems (Rossetti, Symons). In this manner, two positions complement each other: namely, the views of the theoreticians and those of practitioners. The former attempted to discern and extract the quintessence of the artistic powers on the basis of their observations and reflections, whereas the latter relied on their personal experiences in this respect.
Author: Aleksandra Piasecka Publisher: Cambridge Scholars Publishing ISBN: 1443861987 Category : Art Languages : en Pages : 230
Book Description
This book explores the concept of the creative imagination in Mid- and Late Victorian England. In these times of transition, as the age of the Industrial Revolution was regarded, aesthetic considerations became involved in the broader debate on the shape of the modern world. Thus, the approach to the artistic imagination was closely connected with the shifting beliefs concerning the essence of beauty, and the role of religion, not to mention attitudes towards nature and society. These aspects defined the aims furthered by painters and poets alike and set the direction for their artistic endeavours. Five people have been chosen as representatives of their time in the discussion about artistic imagination: John Ruskin, William Morris, Dante Gabriel Rossetti, Walter Pater and Arthur Symons. Accordingly, the material analysed to recreate the Victorian understanding of the artistic faculties is of different kinds, and embraces not only critical essays (Ruskin, Pater, Symons), but also belles-lettres: short stories (Morris) and poems (Rossetti, Symons). In this manner, two positions complement each other: namely, the views of the theoreticians and those of practitioners. The former attempted to discern and extract the quintessence of the artistic powers on the basis of their observations and reflections, whereas the latter relied on their personal experiences in this respect.
Author: Carol T. Christ Publisher: Univ of California Press ISBN: 0520357701 Category : Language Arts & Disciplines Languages : en Pages : 402
Book Description
Nineteenth-century British culture frequently represented the eye as the preeminent organ of truth. These essays explore the relationship between the verbal and the visual in the Victorian imagination. They range broadly over topics that include the relationship of optical devices to the visual imagination, the role of photography in changing the conception of evidence and truth, the changing partnership between illustrator and novelist, and the ways in which literary texts represent the visual. Together they begin to construct a history of seeing in the Victorian period. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1995.
Author: Catherine Maxwell Publisher: Manchester University Press ISBN: 1847794866 Category : Literary Criticism Languages : en Pages : 591
Book Description
This challenging and important study, which examines a range of canonical and less well-known writers, is an innovative reassessment of late Victorian literature in its relation to visionary Romanticism. It examines six late Victorian writers - Dante Gabriel Rossetti, Walter Pater, Vernon Lee, Eugene Lee-Hamilton, Theodore Watts-Dunton and Thomas Hardy - to reveal their commitment to a Romantic visionary tradition which surface towards the end of the nineteenth century in response to the threat of growing materialism. Offering detailed and imaginative readings of both poetry and prose, Second Sight shows the different ways in which late Victorian writers move beyond materiality, without losing a commitment to it, to explore the mysterious relation between the seen and the unseen. A major re-evaluation of the post-Romantic visionary imagination, with implications for our understanding of literary modernism, Second Sight will be required reading for scholars interested in the literature of the late Victorian period.
Author: Robert Higbie Publisher: ISBN: 9780813015934 Category : Literary Criticism Languages : en Pages : 201
Book Description
"A work which all 19th-century scholars will find useful and which Dickens scholars will find indispensable."--Edwin M. Eigner, University of California at Riverside Robert Higbie investigates the concept and use of imagination in Romantic and Victorian literature, concentrating on the novels of Charles Dickens and showing how they illuminate and are influenced by various tendencies in post-Romantic thought. Higbie offers a new definition of imagination as a function of desire, an unstable compound existing "at the intersection of reason and desire," and he discusses the way 19th-century writers attempted to use imagination to revive or replace religious belief. Against this background he discusses Dickens's works from Pickwick to Our Mutual Friend, showing that both an idealist emphasis on imagination and a realist distrust of it evolved in complex ways throughout Dickens's career. He argues that Dickens's novels involve a search for some sort of spiritual ideal and that he based that search on imagination. At the same time, Dickens recognized the limitations of imagination and attempted to transform it through the process enacted in his novels. During a period when criticism has been dominated by ideological orthodoxy, Higbie does not impose modern, quasi-political attitudes on his subject but rather accepts the past sympathetically on its own terms. His work is refreshingly free of jargon and offers an alternate way of thinking about literature and the creative process. Robert Higbie, professor of English at Appalachian State University, Boone, North Carolina, is the author of Character and Structure in the English Novel (UPF, 1984) as well as numerous articles on 19th-century British literature.
Author: Allen MacDuffie Publisher: Cambridge University Press ISBN: 1107064376 Category : Literary Criticism Languages : en Pages : 323
Book Description
This book explores how Victorian fiction helped create an environmental consciousness by articulating questions about sustainable energy use.
Author: Deirdre David Publisher: Cambridge University Press ISBN: 1107495644 Category : Literary Criticism Languages : en Pages : 291
Book Description
In the Victorian period, the British novel reached a wide readership and played a major role in the shaping of national and individual identity. As we come to understand the ways the novel contributed to public opinion on religion, gender, sexuality and race, we continue to be entertained and enlightened by the works of Dickens, George Eliot, Thackeray, Trollope and many others. This second edition of the Companion to the Victorian Novel has been updated fully, taking account of new research and critical methodologies. There are four new chapters and the others have been thoroughly updated, as has the guide to further reading. Designed to appeal to students, teachers and readers, these essays reflect the latest approaches to reading and understanding Victorian fiction.
Author: Randall Knoper Publisher: Oxford University Press ISBN: 019266025X Category : Literary Criticism Languages : en Pages : 368
Book Description
Writing about the brain and the nervous system more than a century ago, what were U.S. authors doing? Literary Neurophysiology: Memory, Race, Sex, and Representation in U.S. Writing, 1860-1914 examines their use of literature to experiment with the new materialist psychology, a science that was challenging their capacity to represent reality and forging new understandings of race and sexuality. Late-nineteenth and eartly-twentieth century authors sometimes emulated scientific epistemology, allowing their art and conceptions of creativity to be reshaped by it, but more often they imaginatively investigated neurophysiological theories, challenging and rewriting scientific explanations of human identity and behavior. By enfolding physiological experimentation into literary inquiries that could nonreductively account for psychological and social complexities beyond the reach of the laboratory, they used literature as a cognitive medium. Mark Twain, W. D. Howells, and Gertrude Stein come together as they probe the effects on mimesis and creativity of reflex-based automatisms and unconscious meaning-making. Oliver Wendell Holmes explores conceptions of racial nerve force elaborated in population statistics and biopolitics, while W. E. B. Du Bois and Pauline Hopkins contest notions of racial energy used to predict the extinction of African Americans. Holmes explores new definitions of "sexual inversion" as, in divergent ways, Whitman and John Addington Symonds evaluate relations among nerve force, human fecundity, and the supposed grave of nonreproductive sex. Carefully tracing entanglements and conflicts between literary culture and mental science of this period, Knoper reveals unexpected connections among these authors and fresh insights into the science they confronted. Considering their writing as cognitive practice, he provides a new understanding of literary realism and of the emergent distinction between literary and scientific knowledge.
Author: Aleksandra Piasecka
Author: Aleksandra Piasecka
Author: Carol T. Christ
Author: Catherine Maxwell
Author: Kate Flint
Author: Robert Higbie
Author: Carol T. Christ
Author: Allen MacDuffie
Author: James Engel
Author: Deirdre David
Author: Randall Knoper