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Author: David Huckvale Publisher: McFarland ISBN: 0786457015 Category : Performing Arts Languages : en Pages : 272
Book Description
Gothic cinema, typified by the films of Universal, Hammer, Amicus and Tigon, grew out of an aesthetic that stretches back to the 18th century and beyond, even to Shakespeare. This book explores the origin of Gothic cinema in art and literature, tracing its connection to the Gothic revival in architecture, the Gothic novel, landscape, ruins, Egyptology, occultism, sexuality, the mythology of werewolves, the philosophy of Hegel, and many other aspects of the Romantic and Symbolist movements.
Author: David Huckvale Publisher: McFarland ISBN: 0786457015 Category : Performing Arts Languages : en Pages : 272
Book Description
Gothic cinema, typified by the films of Universal, Hammer, Amicus and Tigon, grew out of an aesthetic that stretches back to the 18th century and beyond, even to Shakespeare. This book explores the origin of Gothic cinema in art and literature, tracing its connection to the Gothic revival in architecture, the Gothic novel, landscape, ruins, Egyptology, occultism, sexuality, the mythology of werewolves, the philosophy of Hegel, and many other aspects of the Romantic and Symbolist movements.
Author: D. Simmons Publisher: Springer ISBN: 1137320966 Category : Fiction Languages : en Pages : 423
Book Description
The last ten years have witnessed a renewed interest in H.P. Lovecraft in academic and scholarly circles. New Critical Essays on H.P. Lovecraft seeks to offer an expansive and considered account of a fascinating yet challenging writer; both popular and critically valid but also problematic in terms of his depictions of race, gender and class.
Author: Henry Martyn Lloyd Publisher: Springer Science & Business Media ISBN: 3319027026 Category : Science Languages : en Pages : 222
Book Description
This volume reconstructs the body of sensibility and the discourse which constructed it. The discourse of sensibility was deployed very widely throughout the mid- to late-eighteenth century, particularly in France and Britain. To inquire into the body of sensibility is then necessarily to enter into an interdisciplinary space and so to invite the plurality of methodological approaches which this collection exemplifies. The chapters collected here draw together the histories of literature and aesthetics, metaphysics and epistemology, moral theory, medicine, and cultural history. Together, they contribute to four major themes: First, the collection reconstructs various modes by which the sympathetic subject was construed or scripted, including through the theatre, poetry, literature, and medical and philosophical treaties. It secondly draws out those techniques of affective pedagogy which were implied by the medicalisation of the knowing body, and thirdly highlights the manner in which the body of sensibility was constructed as simultaneously particular and universal. Finally, it illustrates the ‘centrifugal forces’ at play within the discourse, and the anxiety which often accompanied them. At the centre of eighteenth-century thought was a very particular object: the body of sensibility, the Enlightenment’s knowing body. The persona of the knowledge-seeker was constructed by drawing together mind and matter, thought and feeling. And so where the Enlightenment thinker is generally associated with reason, truth-telling, and social and political reform, the Enlightenment is also known for its valorisation of emotion. During the period, intellectual pursuits were envisioned as having a distinctly embodied and emotional aspect. The body of ‘sensibility’ encompassed these apparently disparate strands and was associated with terms including ‘sentimental’, ‘sentiment’, ‘sense’, ‘sensation’, and ‘sympathy’.
Author: Jeffrey Andrew Weinstock Publisher: Routledge ISBN: 1317044266 Category : Literary Criticism Languages : en Pages : 640
Book Description
From vampires and demons to ghosts and zombies, interest in monsters in literature, film, and popular culture has never been stronger. This concise Encyclopedia provides scholars and students with a comprehensive and authoritative A-Z of monsters throughout the ages. It is the first major reference book on monsters for the scholarly market. Over 200 entries written by experts in the field are accompanied by an overview introduction by the editor. Generic entries such as 'ghost' and 'vampire' are cross-listed with important specific manifestations of that monster. In addition to monsters appearing in English-language literature and film, the Encyclopedia also includes significant monsters in Spanish, French, Italian, German, Russian, Indian, Chinese, Japanese, African and Middle Eastern traditions. Alphabetically organized, the entries each feature suggestions for further reading. The Ashgate Encyclopedia of Literary and Cinematic Monsters is an invaluable resource for all students and scholars and an essential addition to library reference shelves.
Author: David Huckvale Publisher: McFarland ISBN: 1476640785 Category : Performing Arts Languages : en Pages : 197
Book Description
The horror and psychological denial of our mortality, along with the corruptibility of our flesh, are persistent themes in drama. Body horror films have intensified these themes in increasingly graphic terms. The aesthetic of body horror has its origins in the ideas of the Marquis de Sade and the existential philosophies of Arthur Schopenhauer and Friedrich Nietzsche, all of whom demonstrated that we have just cause to be anxious about our physical reality and its existence in the world. This book examines the relationship between these writers and the various manifestations of body horror in film. The most characteristic examples of this genre are those directed by David Cronenberg, but body horror as a whole includes many variations on the theme by other figures, whose work is charted here through eight categories: copulation, generation, digestion, mutilation, infection, mutation, disintegration and extinction.
Author: David Huckvale Publisher: McFarland ISBN: 1476643881 Category : Performing Arts Languages : en Pages : 221
Book Description
Since the early days of silent film accompaniment, the piano has played an integral part in the history of cinema. Film's fascination with the piano, both in soundtracks and onscreen as a status symbol and icon of popular romanticism, offers a revealing opportunity to chart the changing perception of the instrument. From Mozart to Elton John, this book surveys the cultural history of the piano through the instrument's cinematic functions. Composer biopics, such as A Song to Remember, romantic melodramas like the Liberace vehicle Sincerely Yours, and horror films such as The Hands of Orlac, along with animated cartoons featuring Bugs Bunny and Tom and Jerry demonstrate just how pervasive the cinematic image of the piano once was during a period when the piano itself began its noticeable decline in everyday life. By examining these depictions of the piano onscreen, readers will begin to understand not only the decline of the piano but also the decline of the idealistic culture to which it gave birth in the nineteenth century.
Author: Sophie Duncan Publisher: Oxford University Press ISBN: 0192508229 Category : Literary Criticism Languages : en Pages : 394
Book Description
Shakespeare's Women and the Fin de Siècle illuminates the most iconoclastic performances of Shakespeare's heroines in late Victorian theatre, through the celebrity, commentary, and wider careers of the actresses who played them. By bringing together fin-de-siècle performances of Shakespeare and contemporary Victorian drama for the first time, this book illuminates the vital ways in which fin-de-siècle Shakespeare and contemporary Victorian theatre culture conditioned each other. Actresses' movements between Shakespeare and fin-de-siècle roles reveal the collisions and unexpected consonances between apparently independent areas of the fin-de-siècle repertory. Performances including Ellen Terry's Lady Macbeth, Madge Kendal's Rosalind, and Lillie Langtry's Cleopatra illuminate fin-de-siècle Shakespeare's lively intersections with cultural phenomena including the 'Jack the Ripper' killings, Aestheticism, the suicide craze, and the rise of metropolitan department stores. If, as previous studies have shown, Shakespeare was everywhere in Victorian culture, Sophie Duncan explores the surprising ways in which late-Victorian culture, from Dracula to pornography, and from Ruskin to the suffragettes, inflected Shakespeare. Via a wealth of unpublished archival material, Duncan reveals women's creative networks at the fin de siècle, and how Shakespearean performance traditions moved between actresses via little-studied performance genealogies. At the same time, controversial new stage business made fin-de-siècle Shakespeare as much a crucible for debates over gender roles and sexuality as plays by Ibsen and Shaw. Increasingly, actresses' creative networks encompassed suffragist activists, who took personal inspiration from star Shakespearean actresses. From a Salome-esque Juliet to a feminist Paulina, fin-de-siècle actresses created cultural legacies which Shakespeare-in-performance still negotiates today.
Author: David Huckvale Publisher: McFarland ISBN: 1476653682 Category : Performing Arts Languages : en Pages : 217
Book Description
Since the times of ancient Greece, popular culture has entertained stories of artificial humans. Our modern fears about the "otherness" of androids and human replicants have much in common with fears of the Doppelganger, a mythological harbinger of death. Throughout the twentieth century, "AI" technologies have developed at a rapid pace, bringing us face to face with these ancient fears in a modern context. Examining such films as The Day the Earth Stood Still, Forbidden Planet and Blade Runner, among others, this book charts cinema's fascination with artificial intelligence and the technological double, as well as the historical antecedents of the artificial human.
Author: David Huckvale Publisher: McFarland ISBN: 1476622795 Category : Literary Criticism Languages : en Pages : 264
Book Description
Edward Bulwer-Lytton--who coined the terms "the great unwashed" and "the pen is mightier than the sword"--is best remembered for persuading Dickens to change the ending of Great Expectations; but Lord Lytton was a prolific and influential novelist in his own right, inspiring Edgar Allan Poe, H. Rider Haggard and Madame Blavatsky, among others. His radicalism was applauded by William Godwin, the father of both Mary Shelley and the anarchist movement, and his ideas about power foreshadowed those of Friedrich Nietzsche. Fascinated by crime, Bulwer-Lytton was an outspoken critic of his society, both in his novels and throughout his political career. Equally fascinated by paranormal phenomena, he wrote two of the most important occult fantasies in English literature and set the agenda of the Society for Psychical Research. His historical romance The Last Days of Pompeii has inspired several movies and a star-studded television series, while his stately home at Knebworth has provided brooding Gothic backdrops for many other films. This book covers Bulwer-Lytton's novels in detail, exploring their influence on writers and film makers and, via Richard Wagner's operatic adaptation of Rienzi, the catastrophe of Adolf Hitler.
Author: David Huckvale
Author: David Huckvale
Author: D. Simmons
Author: Henry Martyn Lloyd
Author: Jeffrey Andrew Weinstock
Author: David Huckvale
Author: David Huckvale
Author: Sophie Duncan
Author: David Huckvale
Author: Helena Michie
Author: David Huckvale