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Tonic sol-fa theory. The theory of music for student teachers

Tonic sol-fa theory. The theory of music for student teachers PDF Author: James RODGER (M.A., L.T.S.C.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 189

Book Description


Tonic sol-fa theory. The theory of music for student teachers

Tonic sol-fa theory. The theory of music for student teachers PDF Author: James RODGER (M.A., L.T.S.C.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 189

Book Description


Tonic sol-fa, musical theory exercises for pupil teachers and Queen's scholarship students

Tonic sol-fa, musical theory exercises for pupil teachers and Queen's scholarship students PDF Author: James William Hopkins
Publisher:
ISBN:
Category :
Languages : en
Pages : 92

Book Description


Manual For Teachers, And Rote Songs

Manual For Teachers, And Rote Songs PDF Author: Daniel Batchellor
Publisher: Legare Street Press
ISBN: 9781019482544
Category :
Languages : en
Pages : 0

Book Description
Originally published in 1875, this manual is a compendium of music theory and lessons for teachers using the Tonic Sol-Fa method of music instruction. The book includes numerous rote songs for children, as well as guidelines for teaching sight reading and ear training. Teachers and students of music history will find this manual a fascinating glimpse into a bygone era of music education. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Tonic Sol-fa Theory for Pupil Teachers and Certificate Candidates

Tonic Sol-fa Theory for Pupil Teachers and Certificate Candidates PDF Author: James Rodger
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 84

Book Description


The Art of Teaching, and the Teaching of Music: Being the Teacher's Manual of the Tonic Sol-fa Method

The Art of Teaching, and the Teaching of Music: Being the Teacher's Manual of the Tonic Sol-fa Method PDF Author: John Curwen
Publisher:
ISBN:
Category : Instruction and study
Languages : en
Pages : 412

Book Description


Tonic Sol-Fa. Musical theory exercises for pupil teachers and Queen's Scholarship students, etc

Tonic Sol-Fa. Musical theory exercises for pupil teachers and Queen's Scholarship students, etc PDF Author: James William HOPKINS
Publisher:
ISBN:
Category :
Languages : en
Pages : 78

Book Description


Musical Theory

Musical Theory PDF Author: John Curwen
Publisher: Forgotten Books
ISBN: 9781330273425
Category : Music
Languages : en
Pages : 392

Book Description
Excerpt from Musical Theory The true method of teaching is not by Dogmatic Rules or by the compact Statements of Science, but by leading the pupil along the path of Discovery - from the easy to the difficult, from the simple to the complex, from the common to the uncommon, from the known to the unknown - until he is able to see for himself the scientific principles, and to frame for himself the dogmatic rules, to which the facts have led him. This is true of all studies, even of Arithmetic, of History, and of Mental Philosophy, but it is especially true of Art Studies such as Painting and Music. In all Arts we must do before we understand. Music must be taught first, and out of it must be developed the theory of music. Under the old system of teaching, ideas wore wrapt up in a form of words at. exact and logical as possible. The student was set to learn these words by heart, and then it was supposed that he necessarily understood the ideas contained in them. But when he was questioned it was found that his understanding of the matter was very hazy. The teacher forgol that these ideas had only been reached by the author himself through a long process of observation, of experiment, and of comparison. Not until then was he able to make the condensed verbal summary which to him is luminous with thought, and meaning, and life. The pupil must go through the same process in order to enjoy the same full and clear perception of the subject. For many years I resisted the importunity of friends who wished me to place in dogmatic form the principles of Musical Science. I dreaded lest Tonic Sol-fa teachers should fall back into the old dogmatic way of teaching, and plead my book of dogmas as their example and vindication. J found, however, that another danger arose - that of resting in practice and experiment and being content to live a musical life without thought or reason. It is very easy for those who take up music merely for recreation to fall into this fault. But they should reflect that it is worse than a fault; it is a sin against their own natures to handle this fine art of music without intelligence. It is putting their minds on a level with the instinct of the lark and the nightingale. Why were our minds given to us except to enjoy the reasons and relations of things? Besides, a good theory helps the man of practice in every way. 1st, It makes him observe better. When we know "what ought to be" we can more easily notice "what is." 2nd, It helps him to learn better, because he sees better what he is doing; and whither he is going. 3rd, It compels him to remember better, because each point is more vivid and full of moaning. It no longer stands alone; it has a distinct place in his mind. 4th, It enables him to enjoy better. He has a sense of power and light and beauty which the mere singing or playing "to order" can never give. I have, therefore, tried in the present series of books to present tho Theory of Music in the form in which, when it has been already discovered or properly learnt by the student, it should be stored in his memory. But that it may not become a quantity of dead matter in the mind, I have connected it with a series of exercises to be wrought out bv the students. And the Tonic Sol-fa College has now added Theory to Practice in its system of certificates. At every step of practical skill there is a corresponding step of theoretical knowledge ; and the principal honours of the College cannot be obtained without Theory as well as Skill. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com

The Musical Herald and Tonic Sol-fa Reporter

The Musical Herald and Tonic Sol-fa Reporter PDF Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 442

Book Description


The Standard Course of Lessons and Exercises in the Tonic Sol-fa Method of Teaching Music

The Standard Course of Lessons and Exercises in the Tonic Sol-fa Method of Teaching Music PDF Author: John Curwen
Publisher:
ISBN:
Category :
Languages : en
Pages : 336

Book Description


Standard Course of Lessons and Exercises in the Tonic Sol-Fa Method of Teaching Music

Standard Course of Lessons and Exercises in the Tonic Sol-Fa Method of Teaching Music PDF Author: John Spencer Curwen
Publisher: Legare Street Press
ISBN: 9781019392867
Category :
Languages : en
Pages : 0

Book Description
Originally published in 1873, this classic music textbook offers a systematic and accessible approach to the popular Tonic Sol-fa method of music instruction. Featuring a wealth of practical exercises and arrangements, this book is an ideal resource for anyone looking to improve their music theory and performance skills. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.