Author: Robert Suderburg
Publisher:
ISBN:
Category : Composition (Music)
Languages : en
Pages : 536
Book Description
Tonal Cohesion in Schoenberg's Twelve-tone Music
Author: Robert Suderburg
Publisher:
ISBN:
Category : Composition (Music)
Languages : en
Pages : 536
Book Description
Publisher:
ISBN:
Category : Composition (Music)
Languages : en
Pages : 536
Book Description
Tonal Cohesion in Schoenberg's Twelve-tone Music
Author: Robert Charles Suderburg
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Tonal Cohesion in Schoenberg's Twelve-tone Music
Author: Robert Suderburg
Publisher:
ISBN:
Category : Composition (Music)
Languages : en
Pages : 606
Book Description
Publisher:
ISBN:
Category : Composition (Music)
Languages : en
Pages : 606
Book Description
Schoenberg's Twelve-Tone Music
Author: Jack Boss
Publisher: Cambridge University Press
ISBN: 1107046866
Category : Literary Criticism
Languages : en
Pages : 467
Book Description
Jack Boss presents detailed analyses of Arnold Schoenberg's twelve-tone pieces, bringing the composer's 'musical idea' - problem, elaboration, solution - to life.
Publisher: Cambridge University Press
ISBN: 1107046866
Category : Literary Criticism
Languages : en
Pages : 467
Book Description
Jack Boss presents detailed analyses of Arnold Schoenberg's twelve-tone pieces, bringing the composer's 'musical idea' - problem, elaboration, solution - to life.
Twelve-Tone Tonality, Second Edition
Author: George Perle
Publisher: Univ of California Press
ISBN: 9780520201422
Category : Music
Languages : en
Pages : 288
Book Description
The challenge, in twentieth-century music, to the normative status of triadic tonality is one of the most far-reaching and extreme revolutions that the history of music has known. In his classic work, Twelve-Tone Tonality, George Perle argues that the seemingly disparate styles of post-triadic music in fact share common structural elements. According to Perle, these elements collectively imply a new tonality as "natural" and coherent as the major-minor tonality that was the basis of a common musical language in the past. His book describes the foundational assumptions of this post-diatonic tonality and illustrates its compositional functions with numerous musical examples. The second edition of Twelve-Tone Tonality is enlarged by eleven new chapters. Some of these are "postscripts" to earlier chapters, clarifying, elucidating, and expanding upon concepts discussed in the original edition. Others discuss new developments in the theory and practice of twelve-tone tonality, including voice-leading implications of the system and dissonance treatment. Errors discovered in the original edition have been corrected. - Jacket flap.
Publisher: Univ of California Press
ISBN: 9780520201422
Category : Music
Languages : en
Pages : 288
Book Description
The challenge, in twentieth-century music, to the normative status of triadic tonality is one of the most far-reaching and extreme revolutions that the history of music has known. In his classic work, Twelve-Tone Tonality, George Perle argues that the seemingly disparate styles of post-triadic music in fact share common structural elements. According to Perle, these elements collectively imply a new tonality as "natural" and coherent as the major-minor tonality that was the basis of a common musical language in the past. His book describes the foundational assumptions of this post-diatonic tonality and illustrates its compositional functions with numerous musical examples. The second edition of Twelve-Tone Tonality is enlarged by eleven new chapters. Some of these are "postscripts" to earlier chapters, clarifying, elucidating, and expanding upon concepts discussed in the original edition. Others discuss new developments in the theory and practice of twelve-tone tonality, including voice-leading implications of the system and dissonance treatment. Errors discovered in the original edition have been corrected. - Jacket flap.
Schoenberg's Twelve-tone Music
Author: Jack Forrest Boss
Publisher:
ISBN: 9781139868921
Category : Twelve-tone system
Languages : en
Pages :
Book Description
Jack Boss presents detailed analyses of Arnold Schoenberg''s twelve-tone pieces, bringing the composer''s ''musical idea'' - problem, elaboration, solution - to life.
Publisher:
ISBN: 9781139868921
Category : Twelve-tone system
Languages : en
Pages :
Book Description
Jack Boss presents detailed analyses of Arnold Schoenberg''s twelve-tone pieces, bringing the composer''s ''musical idea'' - problem, elaboration, solution - to life.
Schoenberg's Atonal Music
Author: Jack Boss
Publisher: Cambridge University Press
ISBN: 1108419135
Category : Music
Languages : en
Pages : 407
Book Description
Portrays Schoenberg's atonal music as successions of motives and pitch-class sets that flesh out 'musical idea' and 'basic image' frameworks.
Publisher: Cambridge University Press
ISBN: 1108419135
Category : Music
Languages : en
Pages : 407
Book Description
Portrays Schoenberg's atonal music as successions of motives and pitch-class sets that flesh out 'musical idea' and 'basic image' frameworks.
An Examination of Schoenberg's Concept of the Chromatic Scale as a Basis for Tonality
Author: Eric Dries
Publisher:
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 218
Book Description
Publisher:
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 218
Book Description
Schoenberg's Twelve-tone Harmony
Author: Martha M. Hyde
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 184
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 184
Book Description
Introduction to Post-tonal Theory
Author: Joseph Nathan Straus
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 232
Book Description
A primer --rather than a survey--this book offers exceptionally clear, simple explanations of basic theoretical concepts for the post-tonal music of the twentieth century. Emphasizing hands-on contact with the music--through playing, singing, listening, and analyzing--it provides six chapters on theory, each illustrated with musical examples and fully worked-out analyses, all drawn largely from the "classical" pre-war repertoire by Schoenberg, Stravinsky, Bartok, Berg, and Webern. Considers three principal kinds of post-tonal music--free atonal music, twelve-tone music, and centric music. Makes extensive use of transformational graphs and networks to present analytical information; and includes a variety of exercises in theory, analysis, musicianship and ear-training, and composition. For anyone interested in Twentieth-Century Music Techniques and Post-Tonal Theory and Analysis.
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 232
Book Description
A primer --rather than a survey--this book offers exceptionally clear, simple explanations of basic theoretical concepts for the post-tonal music of the twentieth century. Emphasizing hands-on contact with the music--through playing, singing, listening, and analyzing--it provides six chapters on theory, each illustrated with musical examples and fully worked-out analyses, all drawn largely from the "classical" pre-war repertoire by Schoenberg, Stravinsky, Bartok, Berg, and Webern. Considers three principal kinds of post-tonal music--free atonal music, twelve-tone music, and centric music. Makes extensive use of transformational graphs and networks to present analytical information; and includes a variety of exercises in theory, analysis, musicianship and ear-training, and composition. For anyone interested in Twentieth-Century Music Techniques and Post-Tonal Theory and Analysis.