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Todos los acordes para tocar la guitarra sin saber solfeo

Todos los acordes para tocar la guitarra sin saber solfeo PDF Author: Cesare Regazzoni
Publisher:
ISBN: 9788431518479
Category : Guitar
Languages : es
Pages : 103

Book Description
Self-instruction manual for the guitar.

Todos los acordes para tocar la guitarra sin saber solfeo

Todos los acordes para tocar la guitarra sin saber solfeo PDF Author: Cesare Regazzoni
Publisher:
ISBN: 9788431518479
Category : Guitar
Languages : es
Pages : 103

Book Description
Self-instruction manual for the guitar.

Todos los acordes para tocar la guitarra sin saber solfeo

Todos los acordes para tocar la guitarra sin saber solfeo PDF Author: Cesare Regazzoni
Publisher:
ISBN: 9788431524111
Category : Guitar
Languages : es
Pages : 103

Book Description
Self-instruction manual for the guitar.

La Carta de Acordes de Guitarra la Primera Etapa

La Carta de Acordes de Guitarra la Primera Etapa PDF Author: Chris Lopez
Publisher:
ISBN: 9780966771985
Category : Music
Languages : es
Pages : 8

Book Description
Ahora usted puede aprender las acordes mas comunmente tocadas de guitarra! La carta ideal de acordes de guitarra para cualquier persona que quiera aprender a tocar la guitarra rapidamente! Incluye muchas combinaciones de acordes de la practica! Aprenda tocar la guitarra para oscilar el rock en roll, musica nortena, los blues, las canciones populares, etc., en una guitarra electrica, guitarra acustica, y guitarra de 12 cuerdas. Claro, simple, y ilustraciones muy facil entender. Esta carta de acordes de guitarra esta para el principiante que desea un metodo simple y directo para aprender como tocar acordes en la guitarra. No hay lectura de notas o teoria complicada. Hay notas de estudio y diagramas claramente ilustrados de la digitacion para ayudarle a tocar acordes sus canciones preferidas y ejercicios quele ayudaran en sus propias canciones. Esta carta de acordes de guitarra es facil de entender y es presentada en una manera clara y metodica con rejillas de acorde y explicaciones logicas. Finalmente!, una carta del acorde de guitarra que le ofrece mucho mas! Incluye 8 paginas de las acordes mas comunmente tocadas de guitarra! Aunque esta carta practica de acordes de guitarra sea muy util y facil, al conseguir ambos El Libro De Guitarra La "Primera Etapa" y El Libro De Guitarra La "Etapa Siguiente" seria la opcion perfecta para construir una gran fundacion y establecer habilidades para aprender como tocar guitarra sin perdida de tiempo en teoria de musica!

Aprenda guitarra sin saber música

Aprenda guitarra sin saber música PDF Author: Paco Castellani
Publisher:
ISBN: 9789507542169
Category : Guitar
Languages : es
Pages : 93

Book Description


La guitarra

La guitarra PDF Author: Inés de Ramón
Publisher:
ISBN:
Category : Guitar
Languages : es
Pages : 160

Book Description


The Virtuoso Pianist

The Virtuoso Pianist PDF Author: Charles Louis Hanon
Publisher:
ISBN:
Category : Piano music
Languages : en
Pages : 0

Book Description


The American Dance Band Discography 1917-1942: Arthur Lange to Bob Zurke

The American Dance Band Discography 1917-1942: Arthur Lange to Bob Zurke PDF Author: Brian Rust
Publisher:
ISBN:
Category : Dance orchestra music
Languages : en
Pages : 1072

Book Description


Spain's First Democracy

Spain's First Democracy PDF Author: Stanley G. Payne
Publisher: Univ of Wisconsin Press
ISBN: 9780299136741
Category : History
Languages : en
Pages : 498

Book Description
Payne's study places Spain's Second Republic within the historical framework of Spanish liberalism, and the rapid modernisation of inter-war Europe. He aims to present a consistent and detailed interpretation, demonstrating striking parallels to the German Weimar Republic.

Voice of the Leopard

Voice of the Leopard PDF Author: Ivor L. Miller
Publisher: Univ. Press of Mississippi
ISBN: 1604738146
Category : History
Languages : en
Pages : 401

Book Description
In Voice of the Leopard: African Secret Societies and Cuba, Ivor L. Miller shows how African migrants and their political fraternities played a formative role in the history of Cuba. During the eighteenth and nineteenth centuries, no large kingdoms controlled Nigeria and Cameroon's multilingual Cross River basin. Instead, each settlement had its own lodge of the initiation society called Ékpè, or “leopard,” which was the highest indigenous authority. Ékpè lodges ruled local communities while also managing regional and long-distance trade. Cross River Africans, enslaved and forcibly brought to colonial Cuba, reorganized their Ékpè clubs covertly in Havana and Matanzas into a mutual-aid society called Abakuá, which became foundational to Cuba's urban life and music. Miller's extensive fieldwork in Cuba and West Africa documents ritual languages and practices that survived the Middle Passage and evolved into a unifying charter for transplanted slaves and their successors. To gain deeper understanding of the material, Miller underwent Ékpè initiation rites in Nigeria after ten years' collaboration with Abakuá initiates in Cuba and the United States. He argues that Cuban music, art, and even politics rely on complexities of these African-inspired codes of conduct and leadership. Voice of the Leopard is an unprecedented tracing of an African title-society to its Caribbean incarnation, which has deeply influenced Cuba's creative energy and popular consciousness.

Remapping Sound Studies

Remapping Sound Studies PDF Author: Gavin Steingo
Publisher: Duke University Press
ISBN: 1478002190
Category : Music
Languages : en
Pages : 178

Book Description
The contributors to Remapping Sound Studies intervene in current trends and practices in sound studies by reorienting the field toward the global South. Attending to disparate aspects of sound in Africa, South and Southeast Asia, Latin America, the Middle East, Micronesia, and a Southern outpost in the global North, this volume broadens the scope of sound studies and challenges some of the field's central presuppositions. The contributors show how approaches to and uses of technology across the global South complicate narratives of technological modernity and how sound-making and listening in diverse global settings unsettle familiar binaries of sacred/secular, private/public, human/nonhuman, male/female, and nature/culture. Exploring a wide range of sonic phenomena and practices, from birdsong in the Marshall Islands to Zulu ululation, the contributors offer diverse ways to remap and decolonize modes of thinking about and listening to sound. Contributors Tripta Chandola, Michele Friedner, Louise Meintjes, Jairo Moreno, Ana María Ochoa Gautier, Michael Birenbaum Quintero, Jeff Roy, Jessica Schwartz, Shayna Silverstein, Gavin Steingo, Jim Sykes, Benjamin Tausig, Hervé Tchumkam