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Author:
Publisher:
ISBN:
Category : Catalogs, Publishers'
Languages : es
Pages : 990

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Author: Benson Latin American Collection
Publisher:
ISBN:
Category : Catalogs, Union
Languages : en
Pages : 866

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Author: Marshall Berman
Publisher: Verso
ISBN: 9780860917854
Category : History
Languages : en
Pages : 388

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The experience of modernization -- the dizzying social changes that swept millions of people into the capitalist world -- and modernism in art, literature and architecture are brilliantly integrated in this account.

Author: Library of Congress. Library of Congress Office, Rio de Janeiro
Publisher:
ISBN:
Category : Brazil
Languages : pt-BR
Pages : 388

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Author: Rachel Price
Publisher: Northwestern University Press
ISBN: 0810130130
Category : Literary Criticism
Languages : en
Pages : 286

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The Object of the Atlantic is a wide-ranging study of the transition from a concern with sovereignty to a concern with things in Iberian Atlantic literature and art produced between 1868 and 1968. Rachel Price uncovers the surprising ways that concrete aesthetics from Cuba, Brazil, and Spain drew not only on global forms of constructivism but also on a history of empire, slavery, and media technologies from the Atlantic world. Analyzing Jose Marti’s notebooks, Joaquim de Sousandrade’s poetry, Ramiro de Maeztu’s essays on things and on slavery, 1920s Cuban literature on economic restructuring, Ferreira Gullar’s theory of the “non-object,” and neoconcrete art, Price shows that the turn to objects—and from these to new media networks—was rooted in the very philosophies of history that helped form the Atlantic world itself.

Author: Claudia von Werlhof
Publisher: Beiträge zur Dissidenz
ISBN: 9783631615522
Category : Capitalism
Languages : en
Pages : 0

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Book Description
Western civilization is the Utopia of a better and higher life on Earth. The globalization of neo-liberalism proves that this project has failed. The paradigm of «Critical Theory of Patriarchy» explains this failure and discusses alternatives. By confronting the central civilizations in history, the egalitarian, life-oriented matriarchal one, and the hierarchical, nature and life dominating, hostile patriarchal one, we see that 5000 years of patriarchy have «replaced» matriarchies and nature itself by a «progressive» counter-world of «capital». This transformation characterizes «capitalist patriarchy» including «socialism». Its demise is due to the «alchemical» destruction of the world's resources, thought of, theologically legitimized and fetishized as «creation». This violence is not recognized. Elites have, instead, begun with a new «military alchemy», treating the whole Planet as weapon of mass destruction. Hence, the «Planetary Movement for Mother Earth».

Author: Anna-Teresa Tymieniecka
Publisher: Springer Science & Business Media
ISBN: 9400747942
Category : Philosophy
Languages : en
Pages : 397

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The classic conception of human transcendental consciousness assumes its self-supporting existential status within the horizon of life-world, nature and earth. Yet this assumed absoluteness does not entail the nature of its powers, neither their constitutive force. This latter call for an existential source reaching beyond the generative life-world network. Transcendental consciousness, having lost its absolute status (its point of reference) it is the role of the logos to lay down the harmonious positioning in the cosmic sphere of the all, establishing an original foundation of phenomenology in the primogenital ontopoiesis of life. ​

Author: María Berríos
Publisher:
ISBN:
Category : Art, Chilean
Languages : es
Pages : 662

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Analyzes the evolution of contemporary art in Chile from 1973 to 2007. This edition reproduces more than 500 color images of works by 74 contemporary artists (selected by editor Mosquera) including names such as: Juan Downey, Carlos Arias, (Santiago, Chile, 1964); Juan Castillo, (Antofagasta, 1952); Eugenio Dittborn, (Santiago, Chile, 1943); Paz Errzuriz, (Santiago, Chile, 1944); Volupsa Jarpa, (Rancagua, 1971); Carlos Leppe, (Santiago, Chile, 1952); and Carolina Ruff, (Santiago, Chile, 1973), as well as younger generation artists. The artists are presented in alphabetical order with brief introductory texts. Each reproduced work is rigorously documented with a caption that, in addition to providing the technical data offers the reader a description of the work for better comprehension. Six essays by noted critics and art historians: Guillermo Machuca, Mar̕a Berr̕os, Justo Pastor Mellado, Catalina Mena, Nelly Richard y Adriana V̀lads (description provided by vendor).

Author: Metcalf & Eddy, Inc., an AECOM Company
Publisher: McGraw Hill Professional
ISBN: 0071508775
Category : Technology & Engineering
Languages : en
Pages : 1610

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Book Description
An Integrated Approach to Managing the World's Water Resources Water Reuse: Issues, Technologies, and Applications equips water/wastewater students, engineers, scientists, and professionals with a definitive account of the latest water reclamation, recycling, and reuse theory and practice. This landmark textbook presents an integrated approach to all aspects of water reuse _ from public health protection to water quality criteria and regulations to advanced technology to implementation issues. Filled with over 500 detailed illustrations and photographs, Water Reuse: Issues, Technology, and Applications features: In-depth coverage of cutting-edge water reclamation and reuse applications Current issues and developments in public health and environmental protection criteria, regulations, and risk management Review of current advanced treatment technologies, new developments, and practices Special emphasis on process reliability and multiple barrier concepts approach Consideration of satellite and decentralized water reuse facilities Consideration of planning and public participation of water reuse Inside This Landmark Water/Wastewater Management Tool • Water Reuse: An Introduction • Health and Environmental Concerns in Water Reuse • Technologies and Systems for Water Reclamation and Reuse • Water Reuse Applications • Implementing Water Reuse

Author: Hilda Hilst
Publisher: Co-Im-Press
ISBN: 9781947918016
Category : Brazilian poetry
Languages : en
Pages : 0

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Book Description
Poetry. Latinx Studies. Translated by Laura Cesarco Eglin. If life is no more than a prolonged flirtation with death, then Hilda Hilst's OF DEATH. MINIMAL ODES is the true account of a lifelong seduction. It is at once both a reverie and reliquary, as the poet imagines and reimagines that most paradoxical moment of disintegration--the corporeal flesh fusing with death's own dark corpus. With a visceral-mystical poetic voice that is as teasingly unrestrained as it is intellectually sublime, Hilst's odes enact a baroque danse macabre, where the poet revels in the incongruities of simultaneously seeking the sacred and profane. Translating the first collection of Hilda Hilst's significant body of poetry to appear in English, Laura Cescarco Eglin renders the imagery and philosophical complexity of these minimal odes with brio, while preserving the playful tone and lush melodies that mark OF DEATH. MINIMAL ODES as uniquely Hilstian. "The spare but ornate poems in this collection are startling the way a menagerie of creatures can be startling when the creatures themselves are composed of animal bits: claw, fur, 'brain and hooves / in the pitch dark.' Each minimal ode addresses death who becomes at times a lover, a sister, a slow-moving and wild mammal ever arriving. Hilst builds 'passageways' for death with each line--corridors which are 'Intricate. In knots.' The reader cannot help but join the poet in calling out the various names for death: 'Amber / Bundle of flutes / Gutter / Light.' And these are rendered stunningly in English by Laura Cesarco Eglin, who carries over every verse with clarity and care as though she were holding up pieces of glass to sunlight."--Carolina Ebeid "Before gaining notoriety for her highly original, experimental, and provocative works of fiction, Hilda Hilst engraved her name in Brazilian literary circles as a poet. OF DEATH. MINIMAL ODES, newly and assuredly translated by Laura Cesarco Eglin, shows Hilst the poet at her distilled best. As much a multimedia conversation with poetry as with life, death, and herself, Hilst poses essential questions whose answers lie at the core of these poems."--John Keene "In OF DEATH. MINIMAL ODES by Brazilian writer Hilda Hilst, death and poetry are lifelong bedfellows. In fact, they engage in a natural partnership, or, to borrow from the poet herself, a sisterhood-in-dialogue that is at once serious and seductive, playful, perilous, and habitual. Hilst's creative wordplays and tonal spectrum, by contrast, are extraordinary, and Laura Cesarco Eglin's translation matches her inventiveness with equal illumination. Hilst's verses affirm the common ground that exists between life and death, and carry with them a vibrant, volatile charge that accompanies this complicit union."--Marguerite Itamar Harrison, Associate Professor of Portuguese and Brazilian Studies, Smith College "The poetry of Hilda Hilst is fundamental--in every sense. Thanks to Laura Cesarco Eglin, who has accepted the challenge of translating these verses brimming with sensuality and music, a little more of Hilst's work is made known to the world. I welcome this partnership."--Adriana Lisboa