Author: Museum of Fine Arts, BostonPublisher:
ISBN:
Category :
Languages : en
Pages : 271
Book Description
TO WEAVE FOR THE SUN.
Author: Museum of Fine Arts, BostonPublisher:
ISBN:
Category :
Languages : en
Pages : 271
Book Description
To Weave for the Sun
Author: Rebecca Stone-MillerPublisher:
ISBN:
Category : Textile fabrics
Languages : en
Pages : 271
Book Description
To Weave for the Sun
Author: Rebecca StonePublisher: Museum of Fine Arts Boston
ISBN: 9780878463602
Category : Art
Languages : en
Pages : 271
Book Description
To Weave for the Sun. Acient Andean Textiles in the Museum of Fine Arts, Boston
Author: To Weave for the Sun
Author: Rebecca Stone-MillerTo Weave for the Sun
Author: Rebecca Stone-MillerPublisher:
ISBN: 9780500277935
Category : Indian textile fabrics
Languages : en
Pages : 272
Book Description
Textiles were the Incas' most prized possessions. Their first gifts to European strangers were made not of gold and silver, but of camelid fibre and cotton. They believed that the highest form of weaving was created expressly for the sun, which they considered the greatest of the celestial powers.
Synopsis
Author: Andrew D. DimarogonasPublisher: CRC Press
ISBN: 9789057025778
Category : Technology & Engineering
Languages : en
Pages : 448
Book Description
Lists the scholarly publications including research and review journals, books, and monographs relating to classical, Hellenistic, Biblical, Byzantine, Medieval, and modern Greece. The 11 indexes include article title and author, books reviewed, theses and dissertations, books and authors, journals, names, locations, and subjects. The format continues that of the second volume. All the information has been programmed onto the disc in a high-level language, so that no other software is needed to read it, and in versions for DOS and Apple on each disc. Annotation copyrighted by Book News, Inc., Portland, OR
Variations in the Expression of Inka Power
Author: Richard L. BurgerPublisher: Dumbarton Oaks
ISBN: 9780884023517
Category : History
Languages : en
Pages : 488
Book Description
Until recently, little archaeological investigation has been dedicated to the Inka, the last great culture in Andean South America before the 16th-century arrival of the Spaniards. Using both theoretical and methodological approaches, scholars of the sciences, social sciences, and humanities provide a new understanding of Inka culture and history.
Heaven, Hell, and Everything in Between
Author: Ananda Cohen SuarezPublisher: University of Texas Press
ISBN: 1477300457
Category : Art
Languages : en
Pages : 305
Book Description
Examining the vivid, often apocalyptic church murals of Peru from the early colonial period through the nineteenth century, Heaven, Hell, and Everything in Between explores the sociopolitical situation represented by the artists who generated these murals for rural parishes. Arguing that the murals were embedded in complex networks of trade, commerce, and the exchange of ideas between the Andes and Europe, Ananda Cohen-Aponte also considers the ways in which artists and viewers worked through difficult questions of envisioning sacredness. This study brings to light the fact that, unlike the murals of New Spain, the murals of the Andes possess few direct visual connections to a pre-Columbian painting tradition; the Incas’ preference for abstracted motifs created a problem for visually translating Catholic doctrine to indigenous congregations, as the Spaniards were unable to read Inca visual culture. Nevertheless, as Cohen Suarez demonstrates, colonial murals of the Andes can be seen as a reformulation of a long-standing artistic practice of adorning architectural spaces with images that command power and contemplation. Drawing on extensive secondary and archival sources, including account books from the churches, as well as on colonial Spanish texts, Cohen Suarez urges us to see the murals not merely as decoration or as tools of missionaries but as visual archives of the complex negotiations among empire, communities, and individuals.
Andean Expressions
Author: George F. LauPublisher: University of Iowa Press
ISBN: 1587299747
Category : Social Science
Languages : en
Pages : 366
Book Description
Flourishing from A.D. 1 to 700, the Recuay inhabited lands in northern Peru just below the imposing glaciers of the highest mountain chain in the tropics. Thriving on an economy of high-altitude crops and camelid herding, they left behind finely made artworks and grand palatial buildings with an unprecedented aesthetic and a high degree of technical sophistication. In this first in-depth study of these peoples, George Lau situates the Recuay within the great diversification of cultural styles associated with the Early Intermediate Period, provides new and significant evidence to evaluate models of social complexity, and offers fresh theories about life, settlement, art, and cosmology in the high Andes. Lau crafts a nuanced social and historical model in order to evaluate the record of Recuay developments as part of a wider Andean prehistory. He analyzes the rise and decline of Recuay groups as well as their special interactions with the Andean landscape. Their coherence was expressed as shared culture, community, and corporate identity, but Lau also reveals its diversity through time and space in order to challenge the monolithic characterizations of Recuay society pervasive in the literature today. Many of the innovations in Recuay culture, revealed for the first time in this landmark volume, left a lasting impact on Andean history and continue to have relevance today. The author highlights the ways that material things intervened in ancient social and political life, rather than being merely passive reflections of historical change, to show that Recuay public art, exchange, technological innovations, warfare, and religion offer key insights into the emergence of social hierarchy and chiefly leadership and the formation, interaction, and later dissolution of large discrete polities. By presenting Recuay artifacts as fundamentally social in the sense of creating and negotiating relations among persons, places, and things, he recognizes in the complexities of the past an enduring order and intelligence that shape the contours of history.