Author: International Federation of Library AssociationsPublisher: Springer
ISBN: 9401529876
Category : Political Science
Languages : en
Pages : 234
Book Description
Actes du Conseil Général / Proceedings of the General Council
Author: International Federation of Library AssociationsPublisher: Springer
ISBN: 9401529876
Category : Political Science
Languages : en
Pages : 234
Book Description
Affaire de la Barcelona Traction, Light and Power Company, Limited (nouvelle Requête: 1962) Belgique C. Espagne: Introduction de l'instance et début de la procédure écrite
Author: International Court of JusticePublisher:
ISBN:
Category : Belgium
Languages : fr
Pages : 868
Book Description
Actes
Author: International Federation of Library Associations. CouncilPublisher:
ISBN:
Category : Library cooperation
Languages : en
Pages : 834
Book Description
Jean Béraud, 1849-1935
Author: Patrick OffenstadtPublisher:
ISBN:
Category : Art
Languages : en
Pages : 390
Book Description
As a true city man Jean Beraud tried with his pictures to capture the real vitality of urban life in Paris. He made portraits of elegant society ladies, but also of working-class women, pictures of folk dancing and absinthe drinkers in the bars and cafes.
Actes du Conseil
Author: International Federation of Library Associations. CouncilPublisher:
ISBN:
Category : Library cooperation
Languages : en
Pages : 352
Book Description
Publications
Author: International Federation of Library AssociationsPublisher:
ISBN:
Category :
Languages : en
Pages : 240
Book Description
Cover Crops in West Africa
Author: International Development Research Centre (Canada)Publisher: IDRC
ISBN: 088936852X
Category : Cover crops
Languages : en
Pages : 319
Book Description
Cover Crops in West Africa Contributing to Sustainable Agriculture
In Defiance of Painting
Author: Christine PoggiPublisher: Yale University Press
ISBN: 9780300051094
Category : Art
Languages : en
Pages : 318
Book Description
The invention of collage by Picasso and Braque in 1912 proved to be a dramatic turning point in the development of Cubism and Futurism and ultimately one of the most significant innovations in twentieth-century art. Collage has traditionally been viewed as a new expression of modernism, one allied with modernism's search for purity of means, anti-illusionism, unity, and autonomy of form. This book - the first comprehensive study of collage and its relation to modernism - challenges this view. Christine Poggi argues that collage did not become a new language of modernism but a new language with which to critique modernism. She focuses on the ways Cubist collage - and the Futurist multimedia work that was inspired by it - undermined prevailing notions of material and stylistic unity, subverted the role of the frame and pictorial ground, and brought the languages of high and low culture into a new relationship of exchange.
The Violence of Modernity
Author: Debarati SanyalPublisher: JHU Press
ISBN: 1421429292
Category : Literary Criticism
Languages : en
Pages : 289
Book Description
The Violence of Modernity turns to Charles Baudelaire, one of the most canonical figures of literary modernism, in order to reclaim an aesthetic legacy for ethical inquiry and historical critique. Works of modern literature are commonly theorized as symptomatic responses to the trauma of history. In a climate that tends to privilege crisis over critique, Debarati Sanyal argues that it is urgent to rethink literary experience in terms that recall its contestatory potential. Examining Baudelaire's poems afresh, she shifts the focus of critical attention toward an account of modernism as an active engagement with violence, specifically the violence of history in nineteenth-century France. Sanyal analyzes a literary current that uses the traditional hallmarks of modernism—irony, intertextuality, self-reflexivity, and formalism—to challenge the historical violence of modernity. Baudelaire and the committed ironists writing in his wake teach us how to read and resist the violence of history, and thereby to challenge the melancholy tenor of our contemporary "wound culture." In a series of provocative readings, Sanyal presents Baudelaire's poetry as an aesthetic form that contests historical violence through rhetorical strategies of complicity, counterviolence, and critique. The book develops a new account of Baudelaire's significance as a modernist by dislodging him both from his traditional status as a practitioner of "art for art's sake" and from his more recent incarnation as the poet of trauma. Following her extended analysis of Baudelaire's poetry, Sanyal in later chapters considers a number of authors influenced by his strategies—including Rachilde, Virginie Despentes, Albert Camus, and Jean-Paul Sartre—to examine the relevance of their interventions for our current climate of trauma and terror. The result is a study that underscores how Baudelaire's legacy continues to energize literary engagements with the violence of modernity.
Revolutionary Paris and the Market for Netherlandish Art
Author: Darius A. SpiethPublisher: BRILL
ISBN: 9004276750
Category : Art
Languages : en
Pages : 535
Book Description
Seventeenth-century Dutch and Flemish paintings were aesthetic, intellectual, and economic touchstones in the Parisian art world of the Revolutionary era, but their importance within this framework, while frequently acknowledged, never attracted much subsequent attention. Darius A. Spieth’s inquiry into Revolutionary Paris and the Market for Netherlandish Art reveals the dominance of “Golden Age” pictures in the artistic discourse and sales transactions before, during, and after the French Revolution. A broadly based statistical investigation, undertaken as part of this study, shows that the upheaval reduced prices for Netherlandish paintings by about 55% compared to the Old Regime, and that it took until after the July Revolution of 1830 for art prices to return where they stood before 1789.