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Author: Edward Martin Reifel Publisher: ISBN: 9780494780961 Category : Languages : en Pages : 244
Book Description
This dissertation examines and critiques timpani instruction literature with a focus on timpani technique. It begins with an historical account of the origins of modern timpani. What follows is a look at the development of technique through documented timpani instruction beginning with Johann Ernst Altenburg's treatise from 1795. Based on material examined in a literature survey of instructional texts from the twentieth and twenty-first centuries, an examination of basic timpani technique and symphonic repertoire is presented in relation to discussions with four professional timpanists. Ian Bernard (Former Principal Timpanist of the National Arts Centre Orchestra), Tom Greenleaves (Leipzig Gewandhaus Orchestra), Brian Jones (Dallas Symphony Orchestra) and Benedickt Leithner (Deutsche Oper Berlin) all comment on timpani instruction literature, discuss ways it could be enhanced, and share their opinions on technique. Conclusions are drawn challenging the efficacy of timpani instructional literature with particular emphasis on lacunae. In a brief appendix, selected material from violin and trumpet literature is discussed in relation to timpani literature. A second appendix offers new suggestions for technical development related to orchestral timpani parts.
Author: Edward Martin Reifel Publisher: ISBN: 9780494780961 Category : Languages : en Pages : 244
Book Description
This dissertation examines and critiques timpani instruction literature with a focus on timpani technique. It begins with an historical account of the origins of modern timpani. What follows is a look at the development of technique through documented timpani instruction beginning with Johann Ernst Altenburg's treatise from 1795. Based on material examined in a literature survey of instructional texts from the twentieth and twenty-first centuries, an examination of basic timpani technique and symphonic repertoire is presented in relation to discussions with four professional timpanists. Ian Bernard (Former Principal Timpanist of the National Arts Centre Orchestra), Tom Greenleaves (Leipzig Gewandhaus Orchestra), Brian Jones (Dallas Symphony Orchestra) and Benedickt Leithner (Deutsche Oper Berlin) all comment on timpani instruction literature, discuss ways it could be enhanced, and share their opinions on technique. Conclusions are drawn challenging the efficacy of timpani instructional literature with particular emphasis on lacunae. In a brief appendix, selected material from violin and trumpet literature is discussed in relation to timpani literature. A second appendix offers new suggestions for technical development related to orchestral timpani parts.
Author: Nancy Zeltsman Publisher: Hal Leonard Corporation ISBN: 1476865434 Category : Music Languages : en Pages : 307
Book Description
(Percussion). This book contains a lot of music, from musical etudes designed for beginning and intermediate players, to recital material appropriate for intermediate and advanced marimbists. It includes: examples taken from contemporary solo and chamber works, with commentary and performance tips; 50 studies to develop four-mallet technique in a musical way; 18 classic and contemporary solos for recitals, auditions or juries, written by Beethoven, Handel, Chopin, Debussy, Leonard Bernstein, Duke Ellington and others; and helpful guidelines for mallet selection, grip, strokes, tone production, rolls, stickings, phrasing and other important topics.
Author: Daniel Levitin Publisher: Penguin UK ISBN: 0241987369 Category : Music Languages : en Pages : 229
Book Description
From the author of The Changing Mind and The Organized Mind comes a New York Times bestseller that unravels the mystery of our perennial love affair with music ***** 'What do the music of Bach, Depeche Mode and John Cage fundamentally have in common?' Music is an obsession at the heart of human nature, even more fundamental to our species than language. From Mozart to the Beatles, neuroscientist, psychologist and internationally-bestselling author Daniel Levitin reveals the role of music in human evolution, shows how our musical preferences begin to form even before we are born and explains why music can offer such an emotional experience. In This Is Your Brain On Music Levitin offers nothing less than a new way to understand music, and what it can teach us about ourselves. ***** 'Music seems to have an almost wilful, evasive quality, defying simple explanation, so that the more we find out, the more there is to know . . . Daniel Levitin's book is an eloquent and poetic exploration of this paradox' Sting 'You'll never hear music in the same way again' Classic FM magazine 'Music, Levitin argues, is not a decadent modern diversion but something of fundamental importance to the history of human development' Literary Review
Author: Neville H. Fletcher Publisher: Springer Science & Business Media ISBN: 0387216030 Category : Science Languages : en Pages : 763
Book Description
While the history of musical instruments is nearly as old as civilisation itself, the science of acoustics is quite recent. By understanding the physical basis of how instruments are used to make music, one hopes ultimately to be able to give physical criteria to distinguish a fine instrument from a mediocre one. At that point science may be able to come to the aid of art in improving the design and performance of musical instruments. As yet, many of the subtleties in musical sounds of which instrument makers and musicians are aware remain beyond the reach of modern acoustic measurements. This book describes the results of such acoustical investigations - fascinating intellectual and practical exercises. Addressed to readers with a reasonable grasp of physics who are not put off by a little mathematics, this book discusses most of the traditional instruments currently in use in Western music. A guide for all who have an interest in music and how it is produced, as well as serving as a comprehensive reference for those undertaking research in the field.
Author: Gregory Maguire Publisher: Harper Collins ISBN: 0061792942 Category : Fiction Languages : en Pages : 430
Book Description
The New York Times bestseller and basis for the Tony-winning hit musical, soon to be a major motion picture starring Cynthia Erivo and Ariana Grande With millions of copies in print around the world, Gregory Maguire’s Wicked is established not only as a commentary on our time but as a novel to revisit for years to come. Wicked relishes the inspired inventions of L. Frank Baum’s 1900 novel, The Wonderful Wizard of Oz, while playing sleight of hand with our collective memories of the 1939 MGM film starring Margaret Hamilton (and Judy Garland). In this fast-paced, fantastically real, and supremely entertaining novel, Maguire has populated the largely unknown world of Oz with the power of his own imagination. Years before Dorothy and her dog crash-land, another little girl makes her presence known in Oz. This girl, Elphaba, is born with emerald-green skin—no easy burden in a land as mean and poor as Oz, where superstition and magic are not strong enough to explain or overcome the natural disasters of flood and famine. Still, Elphaba is smart, and by the time she enters Shiz University, she becomes a member of a charmed circle of Oz’s most promising young citizens. But Elphaba’s Oz is no utopia. The Wizard’s secret police are everywhere. Animals—those creatures with voices, souls, and minds—are threatened with exile. Young Elphaba, green and wild and misunderstood, is determined to protect the Animals—even if it means combating the mysterious Wizard, even if it means risking her single chance at romance. Ever wiser in guilt and sorrow, she can find herself grateful when the world declares her a witch. And she can even make herself glad for that young girl from Kansas. Recognized as an iconoclastic tour de force on its initial publication, the novel has inspired the blockbuster musical of the same name—one of the longest-running plays in Broadway history. Popular, indeed. But while the novel’s distant cousins hail from the traditions of magical realism, mythopoeic fantasy, and sprawling nineteenth-century sagas of moral urgency, Maguire’s Wicked is as unique as its green-skinned witch.
Author: Barry Blesser Publisher: MIT Press ISBN: 0262250705 Category : Architecture Languages : en Pages : 453
Book Description
How we experience space by listening: the concepts of aural architecture, with examples ranging from Gothic cathedrals to surround sound home theater. We experience spaces not only by seeing but also by listening. We can navigate a room in the dark, and "hear" the emptiness of a house without furniture. Our experience of music in a concert hall depends on whether we sit in the front row or under the balcony. The unique acoustics of religious spaces acquire symbolic meaning. Social relationships are strongly influenced by the way that space changes sound. In Spaces Speak, Are You Listening?, Barry Blesser and Linda-Ruth Salter examine auditory spatial awareness: experiencing space by attentive listening. Every environment has an aural architecture.The audible attributes of physical space have always contributed to the fabric of human culture, as demonstrated by prehistoric multimedia cave paintings, classical Greek open-air theaters, Gothic cathedrals, acoustic geography of French villages, modern music reproduction, and virtual spaces in home theaters. Auditory spatial awareness is a prism that reveals a culture's attitudes toward hearing and space. Some listeners can learn to "see" objects with their ears, but even without training, we can all hear spatial geometry such as an open door or low ceiling. Integrating contributions from a wide range of disciplines—including architecture, music, acoustics, evolution, anthropology, cognitive psychology, audio engineering, and many others—Spaces Speak, Are You Listening? establishes the concepts and language of aural architecture. These concepts provide an interdisciplinary guide for anyone interested in gaining a better understanding of how space enhances our well-being. Aural architecture is not the exclusive domain of specialists. Accidentally or intentionally, we all function as aural architects.
Author: Samuel Z. Solomon Publisher: Oxford University Press ISBN: 0199920362 Category : Music Languages : en Pages : 313
Book Description
Introduction. How this book is organized ; Instruments covered ; Working with percussionists ; Location specifics ; The value of not reading this book.
Author: Ton de Leeuw Publisher: Amsterdam University Press ISBN: 9053567658 Category : Music Languages : en Pages : 223
Book Description
Ton de Leeuw was a truly groundbreaking composer. As evidenced by his pioneering study of compositional methods that melded Eastern traditional music with Western musical theory, he had a profound understanding of the complex and often divisive history of twentieth-century music. Now his renowned chronicle Music of the Twentieth Century is offered here in a newly revised English-language edition. Music of the Twentieth Century goes beyond a historical survey with its lucid and impassioned discussion of the elements, structures, compositional principles, and terminologies of twentieth-century music. De Leeuw draws on his experience as a composer, teacher, and music scholar of non-European music traditions, including Indian, Indonesian, and Japanese music, to examine how musical innovations that developed during the twentieth century transformed musical theory, composition, and scholarly thought around the globe.
Author: Edward Martin Reifel
Author: Edward Martin Reifel
Author: Nancy Zeltsman
Author: Daniel Levitin
Author: Pat Frank
Author: 
Author: Neville H. Fletcher
Author: Gregory Maguire
Author: Barry Blesser
Author: Samuel Z. Solomon
Author: Ton de Leeuw