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Author: Joan Silber Publisher: Graywolf Press ISBN: 9781555975302 Category : Reference Languages : en Pages : 120
Book Description
Fiction imagines for us a stopping point from which life can be seen as intelligible," asserts Joan Silber in The Art of Time in Fiction. The end point of a story determines its meaning, and one of the main tasks a writer faces is to define the duration of a plot. Silber uses wide-ranging examples from F. Scott Fitzgerald, Chinua Achebe, and Arundhati Roy, among others, to illustrate five key ways in which time unfolds in fiction. In clear-eyed prose, Silber elucidates a tricky but vital aspect of the art of fiction.
Author: Joan Silber Publisher: Graywolf Press ISBN: 9781555975302 Category : Reference Languages : en Pages : 120
Book Description
Fiction imagines for us a stopping point from which life can be seen as intelligible," asserts Joan Silber in The Art of Time in Fiction. The end point of a story determines its meaning, and one of the main tasks a writer faces is to define the duration of a plot. Silber uses wide-ranging examples from F. Scott Fitzgerald, Chinua Achebe, and Arundhati Roy, among others, to illustrate five key ways in which time unfolds in fiction. In clear-eyed prose, Silber elucidates a tricky but vital aspect of the art of fiction.
Author: Michael Kane Publisher: Springer Nature ISBN: 3030374491 Category : Literary Criticism Languages : en Pages : 173
Book Description
Postmodern Time and Space in Fiction and Theory seeks to place the contemporary transformation of notions of space and time, often attributed to the technologies we use, in the context of the ongoing transformations of modernity. Bringing together examples of modern and contemporary fiction (from Defoe to DeLillo, Frankenstein to Finnegans Wake) and theoretical discussions of the modern and the post-modern, the author explores the legacy of modern transformations of space and time under five headings: “The Space of Nature”; “The Space of the City”; “Postmodern or Most Modern Time”; “The Time and Space of the Work of Art in the Age of Digital Reproduction”; and “Travel: from Modernity to...?”. These five essays re-examine the meanings of modernity and its aftermath in relation to the spaces and times of the natural, the urban and the media environment.
Author: Karen Newman Publisher: Routledge ISBN: 1136715533 Category : Literary Criticism Languages : en Pages : 268
Book Description
Time and the literary: the immediacy of information technology has supposedly annihilated both. Email, cell phones, satellite broadcasting seem to have ended the long-standing tradition of encoding our experience of time through writing. Paul de Man's seminal essay "Literary History and Literary Modernity" and newly commissioned essays on everything from the human genome to grammatical tenses argue, however that the literary constantly reconstructs our understanding of time. From eleventh-century France or a science-fiction future, Time and the Literary shows how these two concepts have been and will continue to influence each other.
Author: Jack Finney Publisher: Simon and Schuster ISBN: 1439144427 Category : Fiction Languages : en Pages : 310
Book Description
Jack Finney's beloved sequel to his classic, New York Times bestselling illustrated novel Time and Again. Simon Morley, whose logic-defying trip to the New York City of the 1880s in Time and Again has enchanted readers for twenty-five years, embarks on another trip across the borders of time. This time Reuben Prien at the secret, government-sponsored Project wants Si to leave his home in the 1880s and visit New York in 1912. Si's mission: to protect a man who is traveling across the Atlantic with vital documents that could avert World War I. So one fateful day in 1912, Si finds himself aboard the world's most famous ship...the Titanic.
Author: Werner Wolf Publisher: BRILL ISBN: 9004651195 Category : Literary Criticism Languages : en Pages : 284
Book Description
This volume is a pioneering study in the theory and history of the imitation of music in fiction and constitutes an important contribution to current intermediality research. Starting with a comparison of basic similarities and differences between literature and music, the study goes on to provide outlines of a general theory of intermediality and its fundamental forms, in which a more specialized theory of the musicalization of (narrative) literature based on contemporary narratology and a typology of the forms of musico-literary intermediality are embedded. It also addresses the question of how to recognize a musicalized fiction when reading one and why Sterne's Tristram Shandy, contrary to what has been previously said, is not to be regarded as a musicalized fiction. In its historical part, the study explores forms and functions of experiments with the musicalization of fiction in English literature. After a survey of the major preconditions for musicalization - the increasing appreciation of music in 18th and 19th-century aesthetics and its main causes - exemplary fictional texts from romanticism to postmodernism are analyzed. Authors interpreted are De Quincey, Joyce, Woolf, A. Huxley, Beckett, Burgess and Josipovici. Whilst the limitations of a transposition of music into fiction remain apparent, experiments in this field yield valuable insights into mainly a-mimetic and formalist aesthetic tendencies in the development of more recent fiction as a whole and also show to what extent traditional conceptions of music continue to influence the use of this medium in literature. The volume is of relevance for students and scholars of English, comparative and general literature as well as for readers who take an interest in intermediality or interart research.
Author: Daniel O'Gorman Publisher: Routledge ISBN: 1134743777 Category : Literary Criticism Languages : en Pages : 629
Book Description
The study of contemporary fiction is a fascinating yet challenging one. Contemporary fiction has immediate relevance to popular culture, the news, scholarly organizations, and education – where it is found on the syllabus in schools and universities – but it also offers challenges. What is ‘contemporary’? How do we track cultural shifts and changes? The Routledge Companion to Twenty-First Century Literary Fiction takes on this challenge, mapping key literary trends from the year 2000 onwards, as the landscape of our century continues to take shape around us. A significant and central intervention into contemporary literature, this Companion offers essential coverage of writers who have risen to prominence since then, such as Hari Kunzru, Jennifer Egan, David Mitchell, Jonathan Lethem, Ali Smith, A. L. Kennedy, Hilary Mantel, Marilynne Robinson, and Colson Whitehead. Thirty-eight essays by leading and emerging international scholars cover topics such as: • Identity, including race, sexuality, class, and religion in the twenty-first century; • The impact of technology, terrorism, activism, and the global economy on the modern world and modern literature; • The form and format of twenty-first century literary fiction, including analysis of established genres such as the pastoral, graphic novels, and comedic writing, and how these have been adapted in recent years. Accessible to experts, students, and general readers, The Routledge Companion to Twenty-First Century Literary Fiction provides a map of the critical issues central to the discipline, as well as uncovering new perspectives and new directions for the development of the field. It is essential reading for anyone interested in the past, present, and future of contemporary literature.
Author: Jack Finney Publisher: Atria Books ISBN: 198214601X Category : Fiction Languages : en Pages : 512
Book Description
The 50th anniversary edition of the beloved classic that Stephen King has called “THE great time-travel story.” Featuring a brand-new introduction by the New York Times bestselling author of Recursion, Blake Crouch. When advertising artist Si Morley is recruited to join a covert government operation exploring the possibility of time travel, he jumps at the chance to leave his mundane 20th-century existence and step into the past. But he also has another motivation for going back in time: a half-burned letter that tells of a mysterious, tragic death and ominously of “fire which will destroy the whole world.” Traveling to New York City in January 1882 to investigate, he finds a Manhattan teeming with a different kind of life, the waterfront unimpeded by skyscrapers, open-air markets packed with activity, Central Park bustling with horse drawn sleighs—a city on the precipice of great things. At first, Si welcomes these trips as a temporary escape but when he falls in love with a woman he meets in the past, he must choose whether to return to modern life or live in 1882 for good. “Pure New York fun” (Alice Hoffman, New York Times bestselling author), Time and Again is meticulous recreation of New York in the late nineteenth century, exploring the possibilities of time travel to tell an ageless story of love, longing, and adventure. Finney’s magnum opus has been a source of inspiration for countless science fiction writers since its first publication in 1970.
Author: R. Reginald Publisher: Wildside Press LLC ISBN: 0941028763 Category : Reference Languages : en Pages : 802
Book Description
Science Fiction and Fantasy Literature, A Checklist, 1700-1974, Volume one of Two, contains an Author Index, Title Index, Series Index, Awards Index, and the Ace and Belmont Doubles Index.
Author: Cecilia Miller Publisher: Routledge ISBN: 1317357019 Category : History Languages : en Pages : 335
Book Description
The easy accessibility of political fiction in the long eighteenth century made it possible for any reader or listener to enter into the intellectual debates of the time, as much of the core of modern political and economic theory was to be found first in the fiction, not the theory, of this age. Amusingly, many of these abstract ideas were presented for the first time in stories featuring less-than-gifted central characters. The five particular works of fiction examined here, which this book takes as embodying the core of the Enlightenment, focus more on the individual than on social group. Nevertheless, in these same works of fiction, this individual has responsibilities as well as rights—and these responsibilities and rights apply to every individual, across the board, regardless of social class, financial status, race, age, or gender. Unlike studies of the Enlightenment which focus only on theory and nonfiction, this study of fiction makes evident that there was a vibrant concern for the constructive as well as destructive aspects of emotion during the Enlightenment, rather than an exclusive concern for rationality.
Author: Joan Silber
Author: Joan Silber
Author: Michael Kane
Author: Harry Raphael Garvin
Author: Karen Newman
Author: Jack Finney
Author: Werner Wolf
Author: Daniel O'Gorman
Author: Jack Finney
Author: R. Reginald
Author: Cecilia Miller