Three Vesalian Essays to Accompany the Icones Anatomicae of 1934 PDF Download

Author: Samuel Lambert
Publisher:
ISBN:
Category :
Languages : en
Pages : 128

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Author: Samuel Waldron Lambert
Publisher:
ISBN:
Category : Medical illustration
Languages : en
Pages : 164

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Author: Barbara Hodgson
Publisher: Chronicle Books
ISBN: 1452116873
Category : Fiction
Languages : en
Pages : 319

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A scholar’s search for her husband unfolds a hallucinatory tale of vengeance in a mystery illustrated by the artist and author of The Tattooed Map. When her journalist husband suddenly goes missing, art historian Helen Martin travels to Vienna to find him. But soon after her arrival, she finds herself entering a strange world of twilight, dream logic, and danger. Traveling by train with a mysterious box of wonders, Helen’s search for her husband takes her headlong into a tense mystery with provocative links to the past. The clues Helen must piece together—jewels, notes, ancient anatomy texts—are all presented to the reader in Barbara Hodgson’s illustrations. Both a complex thriller and an investigation of the senses, The Sensualist explores the limitations of looking and the boundless power of seeing.

Author: Andrew Cunningham
Publisher: Routledge
ISBN: 1351894978
Category : Medical
Languages : en
Pages : 443

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The central proposition of this book is that the great anatomists of the Renaissance, from Vesalius to Fabricius and Harvey - the forebears of modern scientific biology and medicine - consciously resurrected not merely the methods but also the research projects of Aristotle and other Ancients. The Moderns' choice of topics and subjects, their aims, and their evaluation of their investigations were all made in a spirit of emulation, not rejection, of their distant predecessors. First published in 1997, Andrew Cunningham’s masterly analysis of the history of the ’scientific renaissance' - a history not of things found, but of projects of enquiry - provoked a reappraisal of the intellectual roots of the Renaissance as well as illuminating debates on the history of the body and its images.

Author: Sachiko Kusukawa
Publisher: Reaktion Books
ISBN: 1789148774
Category : Medical
Languages : en
Pages : 330

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A revisionist biography of Andreas Vesalius—the father of modern anatomy—as deeply shaped by Renaissance culture. In 1543 the young and ambitious physician Andreas Vesalius published one of the most famous books in the history of medicine, On the Fabric of the Human Body. While we often think of dissection as destroying the body, Vesalius believed that it helped him understand how to construct the human body. In this book, Sachiko Kusukawa shows how Vesalius’s publication emerged from the interplay of Renaissance art, printing technology, and classical tradition. She challenges the conventional view of Vesalius as a proto-modern, anti-authoritarian father of anatomy through a more nuanced account of how Vesalius exploited cultural and technological developments to create a big and beautiful book that propelled him into imperial circles and secured his enduring fame.

Author: Vivian Nutton
Publisher: Springer Nature
ISBN: 3031695658
Category :
Languages : en
Pages : 295

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Author: Dániel Margócsy
Publisher: BRILL
ISBN: 9004336303
Category : Medical
Languages : en
Pages : 537

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Winner of the Third Neu-Whitrow Prize (2021) granted by the Commission on Bibliography and Documentation of IUHPS-DHST Additional background information This book provides bibliographic information, ownership records, a detailed worldwide census and a description of the handwritten annotations for all the surviving copies of the 1543 and 1555 editions of Vesalius’ De humani corporis fabrica. It also offers a groundbreaking historical analysis of how the Fabrica traveled across the globe, and how readers studied, annotated and critiqued its contents from 1543 to 2017. The Fabrica of Andreas Vesalius sheds a fresh light on the book’s vibrant reception history and documents how physicians, artists, theologians and collectors filled its pages with copious annotations. It also offers a novel interpretation of how an early anatomical textbook became one of the most coveted rare books for collectors in the 21st century.

Author: Alan Male
Publisher: John Wiley & Sons
ISBN: 111918553X
Category : Art
Languages : en
Pages : 688

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A contemporary synthesis of the philosophical, theoretical and practical methodologies of illustration and its future development Illustration is contextualized visual communication; its purpose is to serve society by influencing the many aspects of its cultural infrastructure; it dispenses knowledge and education, it commentates and delivers journalistic opinion, it persuades, advertises and promotes, it entertains and provides for all forms of narrative fiction. A Companion to Illustration explores the definition of illustration through cognition and research and its impact on culture. It explores illustration’s boundaries and its archetypal distinction, the inflected forms of its parameters, its professional, contextual, educational and creative applications. This unique reference volume offers insights into the expanding global intellectual conversation on illustration through a compendium of readings by an international roster of scholars, academics and practitioners of illustration and visual communication. Encompassing a wide range of thematic dialogues, the Companion offers twenty-five chapters of original theses, examining the character and making of imagery, illustration education and research, and contemporary and post-contemporary context and practice. Topics including conceptual strategies for the contemporary illustrator, the epistemic potential of active imagination in science, developing creativity in a polymathic environment, and the presentation of new insights on the intellectual and practical methodologies of illustration. Evaluates innovative theoretical and contextual teaching and learning strategies Considers the influence of illustration through cognition, research and cultural hypotheses Discusses the illustrator as author, intellectual and multi-disciplinarian Explores state-of-the-art research and contemporary trends in illustration Examines the philosophical, theoretical and practical framework of the discipline A Companion to Illustration is a valuable resource for students, scholars and professionals in disciplines including illustration, graphic and visual arts, visual communications, cultural and media and advertising studies, and art history.

Author: Jonathan Sawday
Publisher: Routledge
ISBN: 1134526423
Category : Art
Languages : en
Pages : 382

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An outstanding piece of scholarship and a fascinating read, The Body Emblazoned is a compelling study of the culture of dissection the English Renaissance, which informed intellectual enquiry in Europe for nearly two hundred years. In this outstanding work, Jonathan Sawday explores the dark, morbid eroticism of the Renaissance anatomy theatre, and relates it to not only the great monuments of Renaissance art, but to the very foundation of the modern idea of knowledge. Though the dazzling displays of the exterior of the body in Renaissance literature and art have long been a subject of enquiry, The Body Emblazoned considers the interior of the body, and what it meant to men and women in early modern culture. A richly interdisciplinary work, The Body Emblazoned re-assesses modern understanding of the literature and culture of the Renaissance and its conceptualization of the body within the domains of the medical and moral, the cultural and political.

Author: Sachiko Kusukawa
Publisher: University of Chicago Press
ISBN: 0226465292
Category : Art
Languages : en
Pages : 350

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Because of their spectacular, naturalistic pictures of plants and the human body, Leonhart Fuchs’s De historia stirpium and Andreas Vesalius’s De humani corporis fabrica are landmark publications in the history of the printed book. But as Picturing the Book of Nature makes clear, they do more than bear witness to the development of book publishing during the Renaissance and to the prominence attained by the fields of medical botany and anatomy in European medicine. Sachiko Kusukawa examines these texts, as well as Conrad Gessner’s unpublished Historia plantarum, and demonstrates how their illustrations were integral to the emergence of a new type of argument during this period—a visual argument for the scientific study of nature. To set the stage, Kusukawa begins with a survey of the technical, financial, artistic, and political conditions that governed the production of printed books during the Renaissance. It was during the first half of the sixteenth century that learned authors began using images in their research and writing, but because the technology was so new, there was a great deal of variety of thought—and often disagreement—about exactly what images could do: how they should be used, what degree of authority should be attributed to them, which graphic elements were bearers of that authority, and what sorts of truths images could and did encode. Kusukawa investigates the works of Fuchs, Gessner, and Vesalius in light of these debates, scrutinizing the scientists’ treatment of illustrations and tracing their motivation for including them in their works. What results is a fascinating and original study of the visual dimension of scientific knowledge in the sixteenth century.