Three Thousand Years of Chinese Painting PDF Download

Author: Richard M. Barnhart
Publisher: Yale University Press
ISBN: 0300094477
Category : Art
Languages : en
Pages : 422

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Book Description
Written by a team of eminent international scholars, this book is the first to recount the history of Chinese painting over a span of some 3000 years.

Author: Richard M. Barnhart
Publisher:
ISBN: 0300070136
Category : Art
Languages : en
Pages : 402

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Book Description
Drawing on museum collections and archaeological sites previously closed to Westerners, a group of scholars traces the development of Chinese painting over three millennia

Author: Maxwell K. Hearn
Publisher: Metropolitan Museum of Art
ISBN: 1588392813
Category : Art
Languages : en
Pages : 185

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Book Description
"Together the text and illustrations gradually reveal many of the major themes and characteristics of Chinese painting. To "read" these works is to enter a dialogue with the past. Slowly perusing a scroll or album, one shares an intimate experience that has been repeated over the centuries. And it is through such readings that meaning is gradually revealed."--BOOK JACKET.

Author: Jerome Silbergeld
Publisher:
ISBN: 9780295959214
Category : Art
Languages : en
Pages : 68

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Book Description
Westerners seeking to appreciate and understand Chinese art have long felt the need of a fundamental book that explains both the technical means used by Chinese artists and the traditional stylistic modes of artistic expression. In Chinese Painting Style Jerome Silbergeld addresses this need, beginning with a discussion of basic materials and methods and continuing with in-depth studies of the complex paintings created by these methods. No other work so thoroughly or systematically describes the Chinese artistic processes, ranging from the distinctively Chinese manner of handling the brush to the blending of brushlines, wash, color, and texture into a painted composition. The final chapters examine Chinese composition in terms of naturalistic representation and of abstract expression. Throughout the book, artistic problems are set against a background of Chinese history, ideas, and geography. The illustrations include drawings that reveal the principles of Chinese brushwork, together with a broad range of Chinese paintings and calligraphy. A unique feature is the precise coding of text and illustrations, by which the reader is invited to inspect the specific turn of the brush or adjustment of composition by which the artist achieves his effects. Chinese Painting Style provides a penetrating look into the formal basis of this age-old art, and one that will be useful and engaging both to the general reader and to the serious student.

Author: Sharmaine Kwan
Publisher: Flame Tree Illustrated
ISBN: 9781787553002
Category : Art
Languages : en
Pages : 0

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Book Description
Traditional Chinese painting is one of the purest art forms in existence, continuing as it does the techniques and themes that have been employed over centuries to create the most exquisite works in ink and wash. Whether meticulously realist or vibrantly expressive, often expertly combining skilful calligraphy with stunning draughtsmanship, these works all pay homage to what went before them. Focusing on classical painting, especially the colour-infused work of the Ming (1368–1644) and Qing dynasties (1644–1912), this delightful book reveals the fascinating history of Chinese painting. From Dai Jin to Ma Quan; from dramatic mountainscapes and tranquil rivers, through intricate and vivid depictions of animals and flowers, to peaceful pastoral scenes and busy tableaux of court life, the engaging text and lush reproductions ensure an enchanting read.

Author: Michael Sullivan
Publisher: Univ of California Press
ISBN: 9780520033672
Category : Art
Languages : en
Pages : 292

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Book Description
Sullivan has thoroughly revised this classic history of Chinese art which covers the period from Neolithic times to the 1990s. 224 photos. 164 color illustrations. 14 maps.

Author: Kunfeng Huang
Publisher: Shanghai Press
ISBN: 1938368711
Category : Art
Languages : en
Pages : 409

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Book Description
Over thousands of years, the art of Chinese painting has evolved, while also staying loyal to its traditional roots. Despite various schools of thought, styles and techniques, three primary categories have emerged across the discipline: landscape, figure and bird-and-flower. Using fine ink and water brush strokes on paper or silk, Chinese artists have developed a unique style—one that's famous throughout the world.This book highlights 50 Chinese paintings, pulled from museum collections in China and around the world, including British Museum (London), Museum of Fine Arts (Boston), Metropolitan Museum of Art (New York), Nelson-Atkins Museum of Art (Kansas), Osaka City Museum of Art (Osaka), Palace Museum (Beijing), Palace Museum (Taibei) and Shanghai Museum. The paintings shown are representative of the categories, historical periods and styles of this artistic tradition.Detailed professional interpretations and notes allow readers to learn more about the pieces themselves, the artists and the context in which they were created. Plus, photo enlargements of key details get readers up close to these masterpieces.As one of the world's oldest continuous art forms, Chinese painting has a truly special history. This comprehensive guide allows modern readers to travel through time, experiencing important moments in Chinese history and society through beautiful pieces of artwork.

Author: Mario Bussagli
Publisher:
ISBN:
Category : Painting, Chinese
Languages : en
Pages : 168

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Book Description
From earliest times the delicate precision of Chinese painting has captivated Western art lovers. The sophisticated techniques, the evident love of nature and the glimpses of a quiet civilised life all add to the enchantment. This book begins with the quick sketch-like painting from the Lo-Yang tombs, dating from the 3rd century, and continues with the closely observed T'ang paintings of people, not only Emperors and court dignitaries, but also peasants and grooms with the celebrated T'ang horses. Sung painters produced some of the most powerful landscapes in Chinese art, with their strangely shaped mountains looming menacingly up through the mists, and with man, absorbed in fishing or in meditation, dwarfed by the immensity of his environment. Nautre always present in Chinese art, now preoccupied painters almost to the exclusion of all else, and the studies of trees, particularly bamboo and pines, set in mountainous river landscapes are superb. Bussagli takes the account right up to the 19th and 20th centuries, a period seldom covered in books on Chinese painting. -- Book jacket.

Author: Jeannette Shambaugh Elliot
Publisher: University of Washington Press
ISBN: 0295997559
Category : Art
Languages : en
Pages : 193

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Book Description

Author: Yi Gu
Publisher: BRILL
ISBN: 1684176131
Category : Art
Languages : en
Pages : 336

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Book Description
"How did modern Chinese painters see landscape? Did they depict nature in the same way as premodern Chinese painters? What does the artistic perception of modern Chinese painters reveal about the relationship between artists and the nation-state? Could an understanding of modern Chinese landscape painting tell us something previously unknown about art, political change, and the epistemological and sensory regime of twentieth-century China? Yi Gu tackles these questions by focusing on the rise of open-air painting in modern China. Chinese artists almost never painted outdoors until the late 1910s, when the New Culture Movement prompted them to embrace direct observation, linear perspective, and a conception of vision based on Cartesian optics. The new landscape practice brought with it unprecedented emphasis on perception and redefined artistic expertise. Central to the pursuit of open-air painting from the late 1910s right through to the early 1960s was a reinvigorated and ever-growing urgency to see suitably as a Chinese and to see the Chinese homeland correctly. Examining this long-overlooked ocular turn, Gu not only provides an innovative perspective from which to reflect on complicated interactions of the global and local in China, but also calls for rethinking the nature of visual modernity there."