Author: K. Landris
Publisher: Balboa Press
ISBN: 1504385195
Category : Juvenile Fiction
Languages : en
Pages : 47
Book Description
Do you want to travel with your favorite pet on the Magic Carpet to the wonders of the world? It is very easy to do so by reading this book. The book will tell you unusual stories and transport you into the adventures. Be careful; dont stay there too long. Return home to your family, and tell them about your journey.
Three Magic Nights of Billy and His Faithful Cat Murik
Author: K. Landris
Publisher: Balboa Press
ISBN: 1504385195
Category : Juvenile Fiction
Languages : en
Pages : 47
Book Description
Do you want to travel with your favorite pet on the Magic Carpet to the wonders of the world? It is very easy to do so by reading this book. The book will tell you unusual stories and transport you into the adventures. Be careful; dont stay there too long. Return home to your family, and tell them about your journey.
Publisher: Balboa Press
ISBN: 1504385195
Category : Juvenile Fiction
Languages : en
Pages : 47
Book Description
Do you want to travel with your favorite pet on the Magic Carpet to the wonders of the world? It is very easy to do so by reading this book. The book will tell you unusual stories and transport you into the adventures. Be careful; dont stay there too long. Return home to your family, and tell them about your journey.
Fast Food Nation
Author: Eric Schlosser
Publisher: Houghton Mifflin Harcourt
ISBN: 0547750331
Category : Business & Economics
Languages : en
Pages : 387
Book Description
An exploration of the fast food industry in the United States, from its roots to its long-term consequences.
Publisher: Houghton Mifflin Harcourt
ISBN: 0547750331
Category : Business & Economics
Languages : en
Pages : 387
Book Description
An exploration of the fast food industry in the United States, from its roots to its long-term consequences.
The Lyrics
Author: Bob Dylan
Publisher: Simon and Schuster
ISBN: 9781451648782
Category : Music
Languages : en
Pages : 0
Book Description
WINNER OF THE NOBEL PRIZE IN LITERATURE A beautiful, comprehensive volume of Dylan’s lyrics, from the beginning of his career through the present day—with the songwriter’s edits to dozens of songs, appearing here for the first time. Bob Dylan is one of the most important songwriters of our time, responsible for modern classics such as “Like a Rolling Stone,” “Mr. Tambourine Man,” and “The Times They Are a-Changin’.” The Lyrics is a comprehensive and definitive collection of Dylan’s most recent writing as well as the early works that are such an essential part of the canon. Well known for changing the lyrics to even his best-loved songs, Dylan has edited dozens of songs for this volume, making The Lyrics a must-read for everyone from fanatics to casual fans.
Publisher: Simon and Schuster
ISBN: 9781451648782
Category : Music
Languages : en
Pages : 0
Book Description
WINNER OF THE NOBEL PRIZE IN LITERATURE A beautiful, comprehensive volume of Dylan’s lyrics, from the beginning of his career through the present day—with the songwriter’s edits to dozens of songs, appearing here for the first time. Bob Dylan is one of the most important songwriters of our time, responsible for modern classics such as “Like a Rolling Stone,” “Mr. Tambourine Man,” and “The Times They Are a-Changin’.” The Lyrics is a comprehensive and definitive collection of Dylan’s most recent writing as well as the early works that are such an essential part of the canon. Well known for changing the lyrics to even his best-loved songs, Dylan has edited dozens of songs for this volume, making The Lyrics a must-read for everyone from fanatics to casual fans.
Capturing Sound
Author: Mark Katz
Publisher: Univ of California Press
ISBN: 0520261054
Category : Business & Economics
Languages : en
Pages : 336
Book Description
Fully revised and updated, this text adds coverage of mashups and auto-tune, explores recent developments in file sharing, and includes an expanded conclusion and bibliography.
Publisher: Univ of California Press
ISBN: 0520261054
Category : Business & Economics
Languages : en
Pages : 336
Book Description
Fully revised and updated, this text adds coverage of mashups and auto-tune, explores recent developments in file sharing, and includes an expanded conclusion and bibliography.
Understanding Music
Author: N. Alan Clark
Publisher:
ISBN: 9781940771335
Category : Education
Languages : en
Pages : 316
Book Description
Music moves through time; it is not static. In order to appreciate music wemust remember what sounds happened, and anticipate what sounds might comenext. This book takes you on a journey of music from past to present, from the Middle Ages to the Baroque Period to the 20th century and beyond!
Publisher:
ISBN: 9781940771335
Category : Education
Languages : en
Pages : 316
Book Description
Music moves through time; it is not static. In order to appreciate music wemust remember what sounds happened, and anticipate what sounds might comenext. This book takes you on a journey of music from past to present, from the Middle Ages to the Baroque Period to the 20th century and beyond!
Blown to Bits
Author: Harold Abelson
Publisher: Addison-Wesley Professional
ISBN: 0137135599
Category : Computers
Languages : en
Pages : 389
Book Description
'Blown to Bits' is about how the digital explosion is changing everything. The text explains the technology, why it creates so many surprises and why things often don't work the way we expect them to. It is also about things the information explosion is destroying: old assumptions about who is really in control of our lives.
Publisher: Addison-Wesley Professional
ISBN: 0137135599
Category : Computers
Languages : en
Pages : 389
Book Description
'Blown to Bits' is about how the digital explosion is changing everything. The text explains the technology, why it creates so many surprises and why things often don't work the way we expect them to. It is also about things the information explosion is destroying: old assumptions about who is really in control of our lives.
Red Shirt
Author: Lawrence D. Sundberg
Publisher: Sunstone Press
ISBN: 1611392373
Category : Biography & Autobiography
Languages : en
Pages : 645
Book Description
Henry Lafayette Dodge has long been a familiar name in 19th century American Southwestern history. As one of the earliest and most effective Indian agents to the Navajo, he has been portrayed as a congenial, sympathetic and compassionate advocate for the tribe—a veritable role model. The Navajo knew him as Red Shirt, a man they came to respect, appreciate and trust. Those who knew Dodge admitted, although often grudgingly, that he had unrivaled influence over the tribe. By today’s sensibilities, Henry L. Dodge was hardly a role model. In his youth, he was irresponsible, hot-headed and violent. As an adult, he was sued for assault and battery, land fraud, breach of promises and misuse of public funds. He apparently couldn’t be trusted with money, his own or others’. Finally brought down by scandal, he fled Wisconsin in the dead of night, abandoning his career, his wife and his children, leaving them nearly destitute. How then should history assess him? Honestly: precisely as he was, an ambitious and imperfect man. The honest telling gives a straightforward account of not only Henry L. Dodge, but what became the veritable mythology of the West, from the bawdy old French Missouri river towns to the raucous lead mining districts of southwest Wisconsin, through the slaughter of the Winnebago and Black Hawk wars to the invasion of New Mexico and the chaos of the Indian frontier; it is a gritty personal tale of the true West.
Publisher: Sunstone Press
ISBN: 1611392373
Category : Biography & Autobiography
Languages : en
Pages : 645
Book Description
Henry Lafayette Dodge has long been a familiar name in 19th century American Southwestern history. As one of the earliest and most effective Indian agents to the Navajo, he has been portrayed as a congenial, sympathetic and compassionate advocate for the tribe—a veritable role model. The Navajo knew him as Red Shirt, a man they came to respect, appreciate and trust. Those who knew Dodge admitted, although often grudgingly, that he had unrivaled influence over the tribe. By today’s sensibilities, Henry L. Dodge was hardly a role model. In his youth, he was irresponsible, hot-headed and violent. As an adult, he was sued for assault and battery, land fraud, breach of promises and misuse of public funds. He apparently couldn’t be trusted with money, his own or others’. Finally brought down by scandal, he fled Wisconsin in the dead of night, abandoning his career, his wife and his children, leaving them nearly destitute. How then should history assess him? Honestly: precisely as he was, an ambitious and imperfect man. The honest telling gives a straightforward account of not only Henry L. Dodge, but what became the veritable mythology of the West, from the bawdy old French Missouri river towns to the raucous lead mining districts of southwest Wisconsin, through the slaughter of the Winnebago and Black Hawk wars to the invasion of New Mexico and the chaos of the Indian frontier; it is a gritty personal tale of the true West.
The Death Penalty, Volume I
Author: Jacques Derrida
Publisher: University of Chicago Press
ISBN: 022609068X
Category : Philosophy
Languages : en
Pages : 308
Book Description
In this newest installment in Chicago’s series of Jacques Derrida’s seminars, the renowned philosopher attempts one of his most ambitious goals: the first truly philosophical argument against the death penalty. While much has been written against the death penalty, Derrida contends that Western philosophy is massively, if not always overtly, complicit with a logic in which a sovereign state has the right to take a life. Haunted by this notion, he turns to the key places where such logic has been established—and to the place it has been most effectively challenged: literature. With his signature genius and patient yet dazzling readings of an impressive breadth of texts, Derrida examines everything from the Bible to Plato to Camus to Jean Genet, with special attention to Kant and post–World War II juridical texts, to draw the landscape of death penalty discourses. Keeping clearly in view the death rows and execution chambers of the United States, he shows how arguments surrounding cruel and unusual punishment depend on what he calls an “anesthesial logic,” which has also driven the development of death penalty technology from the French guillotine to lethal injection. Confronting a demand for philosophical rigor, he pursues provocative analyses of the shortcomings of abolitionist discourse. Above all, he argues that the death penalty and its attendant technologies are products of a desire to put an end to one of the most fundamental qualities of our finite existence: the radical uncertainty of when we will die. Arriving at a critical juncture in history—especially in the United States, one of the last Christian-inspired democracies to resist abolition—The Death Penalty is both a timely response to an important ethical debate and a timeless addition to Derrida’s esteemed body of work.
Publisher: University of Chicago Press
ISBN: 022609068X
Category : Philosophy
Languages : en
Pages : 308
Book Description
In this newest installment in Chicago’s series of Jacques Derrida’s seminars, the renowned philosopher attempts one of his most ambitious goals: the first truly philosophical argument against the death penalty. While much has been written against the death penalty, Derrida contends that Western philosophy is massively, if not always overtly, complicit with a logic in which a sovereign state has the right to take a life. Haunted by this notion, he turns to the key places where such logic has been established—and to the place it has been most effectively challenged: literature. With his signature genius and patient yet dazzling readings of an impressive breadth of texts, Derrida examines everything from the Bible to Plato to Camus to Jean Genet, with special attention to Kant and post–World War II juridical texts, to draw the landscape of death penalty discourses. Keeping clearly in view the death rows and execution chambers of the United States, he shows how arguments surrounding cruel and unusual punishment depend on what he calls an “anesthesial logic,” which has also driven the development of death penalty technology from the French guillotine to lethal injection. Confronting a demand for philosophical rigor, he pursues provocative analyses of the shortcomings of abolitionist discourse. Above all, he argues that the death penalty and its attendant technologies are products of a desire to put an end to one of the most fundamental qualities of our finite existence: the radical uncertainty of when we will die. Arriving at a critical juncture in history—especially in the United States, one of the last Christian-inspired democracies to resist abolition—The Death Penalty is both a timely response to an important ethical debate and a timeless addition to Derrida’s esteemed body of work.
Composing for the Cinema
Author: Ennio Morricone
Publisher: Scarecrow Press
ISBN: 0810892421
Category : Performing Arts
Languages : en
Pages : 311
Book Description
With nearly 400 scores to his credit, Ennio Morricone is one of the most prolific and influential film composers working today. He has collaborated with many significant directors, and his scores for such films as The Good, the Bad, and the Ugly; Once Upon a Time in America; Days of Heaven; The Mission; The Untouchables; Malèna; and Cinema Paradiso leave moviegoers with the conviction that something special was achieved—a conviction shared by composers, scholars, and fans alike. In Composing for the Cinema: The Theory and Praxis of Music in Film, Morricone and musicologist Sergio Miceli present a series of lectures on the composition and analysis of film music. Adapted from several lectures and seminars, these lessons show how sound design can be analyzed and offer a variety of musical solutions to many different kinds of film. Though aimed at composers, Morricone’s expositions are easy to understand and fascinating even to those without any musical training. Drawing upon scores by himself and others, the composer also provides insight into his relationships with many of the directors with whom he has collaborated, including Sergio Leone, Giuseppe Tornatore, Franco Zeffirelli, Warren Beatty, Ridley Scott, Roland Joffé, the Taviani Brothers, and others. Translated and edited by Gillian B. Anderson, an orchestral conductor and musicologist, these lessons reveal Morricone’s passion about musical expression. Delivered in a conversational mode that is both comprehensible and interesting, this groundbreaking work intertwines analysis with practical details of film music composition. Aimed at a wide audience of composers, musicians, film historians, and fans, Composing for the Cinema contains a treasure trove of practical information and observations from a distinguished musicologist and one of the most accomplished composers on the international film scene.
Publisher: Scarecrow Press
ISBN: 0810892421
Category : Performing Arts
Languages : en
Pages : 311
Book Description
With nearly 400 scores to his credit, Ennio Morricone is one of the most prolific and influential film composers working today. He has collaborated with many significant directors, and his scores for such films as The Good, the Bad, and the Ugly; Once Upon a Time in America; Days of Heaven; The Mission; The Untouchables; Malèna; and Cinema Paradiso leave moviegoers with the conviction that something special was achieved—a conviction shared by composers, scholars, and fans alike. In Composing for the Cinema: The Theory and Praxis of Music in Film, Morricone and musicologist Sergio Miceli present a series of lectures on the composition and analysis of film music. Adapted from several lectures and seminars, these lessons show how sound design can be analyzed and offer a variety of musical solutions to many different kinds of film. Though aimed at composers, Morricone’s expositions are easy to understand and fascinating even to those without any musical training. Drawing upon scores by himself and others, the composer also provides insight into his relationships with many of the directors with whom he has collaborated, including Sergio Leone, Giuseppe Tornatore, Franco Zeffirelli, Warren Beatty, Ridley Scott, Roland Joffé, the Taviani Brothers, and others. Translated and edited by Gillian B. Anderson, an orchestral conductor and musicologist, these lessons reveal Morricone’s passion about musical expression. Delivered in a conversational mode that is both comprehensible and interesting, this groundbreaking work intertwines analysis with practical details of film music composition. Aimed at a wide audience of composers, musicians, film historians, and fans, Composing for the Cinema contains a treasure trove of practical information and observations from a distinguished musicologist and one of the most accomplished composers on the international film scene.
Music and Social Movements
Author: Ron Eyerman
Publisher: Cambridge University Press
ISBN: 1139936263
Category : Social Science
Languages : en
Pages : 208
Book Description
Building on their studies of sixties culture and theory of cognitive praxis, Ron Eyerman and Andrew Jamison examine the mobilization of cultural traditions and formulation of new collective identities through the music of activism. They combine a sophisticated theoretical argument with historical-empirical studies of nineteenth-century populists and twentieth-century labour and ethnic movements, focusing on the interrelations between music and social movements in the United States and the transfer of those experiences to Europe. Specific chapters examine folk and country music, black music, music of the 1960s movements, and music of the Swedish progressive movement. This highly readable book is among the first to link the political sociology of social movements to cultural theory.
Publisher: Cambridge University Press
ISBN: 1139936263
Category : Social Science
Languages : en
Pages : 208
Book Description
Building on their studies of sixties culture and theory of cognitive praxis, Ron Eyerman and Andrew Jamison examine the mobilization of cultural traditions and formulation of new collective identities through the music of activism. They combine a sophisticated theoretical argument with historical-empirical studies of nineteenth-century populists and twentieth-century labour and ethnic movements, focusing on the interrelations between music and social movements in the United States and the transfer of those experiences to Europe. Specific chapters examine folk and country music, black music, music of the 1960s movements, and music of the Swedish progressive movement. This highly readable book is among the first to link the political sociology of social movements to cultural theory.