Three Japanese Dances PDF Download

Author: Bernard Rogers
Publisher:
ISBN:
Category : Band music, Arranged
Languages : en
Pages : 48

View

Book Description

Author: Timothy Topolewsky
Publisher: Donald Hunsberger Wind Library
ISBN: 9780757901423
Category : Music
Languages : en
Pages : 0

View

Book Description
Rogers describes these dances as "acts of fancy." The dances include: "Dance with Pennons," "Mourning Dance" (for off-stage soprano solo), and "Dance with Swords." They are dazzling in color yet rich, sonorous, and naive. Rogers' 1956 re-scoring of the dances for winds added a singularly unique composition to the repertoire. This edition represents the first full score available for winds. Three Japanese Dances is a composition of great clarity and detail.

Author: Marcelle Azra Hincks
Publisher:
ISBN:
Category : Dance
Languages : en
Pages : 56

View

Book Description

Author: Tomie Hahn
Publisher: Wesleyan University Press
ISBN: 9780819568359
Category : History
Languages : en
Pages : 232

View

Book Description
DVD contains: Examples of performances.

Author: University of Michigan. School of Music, Theatre & Dance
Publisher:
ISBN:
Category : Concert programs
Languages : en
Pages : 1074

View

Book Description

Author: Haruki Murakami
Publisher: Vintage
ISBN: 0307777685
Category : Fiction
Languages : en
Pages : 417

View

Book Description
Dance Dance Dance—a follow-up to A Wild Sheep Chase—is a tense, poignant, and often hilarious ride through Murakami’s Japan, a place where everything that is not up for sale is up for grabs. As Murakami’s nameless protagonist searches for a mysteriously vanished girlfriend, he is plunged into a wind tunnel of sexual violence and metaphysical dread. In this propulsive novel, featuring a shabby but oracular Sheep Man, one of the most idiosyncratically brilliant writers at work today fuses together science fiction, the hardboiled thriller, and white-hot satire.

Author: David Daniels
Publisher: Rowman & Littlefield
ISBN: 1442275219
Category : Music
Languages : en
Pages : 1464

View

Book Description
Daniels’ Orchestral Music is the gold standard for all orchestral professionals—from conductors, librarians, programmers, students, administrators, and publishers, to even instructors—seeking to research and plan an orchestral program, whether for a single concert or a full season. This sixth edition, celebrating the fiftieth anniversary of the original edition, has the largest increase in entries for a new edition of Orchestral Music: 65% more works (roughly 14,050 total) and 85% more composers (2,202 total) compared to the fifth edition. Composition details are gleaned from personal inspection of scores by orchestral conductors, making it a reliable one-stop resource for repertoire. Users will find all the familiar and useful features of the fifth edition as well as significant updates and corrections. Works are organized alphabetically by composer and title, containing information on duration, instrumentation, date of composition, publication, movements, and special accommodations if any. Individual appendices make it easy to browse works with chorus, solo voices, or solo instruments. Other appendices list orchestral works by instrumentation and duration, as well as works intended for youth concerts. Also included are significant anniversaries of composers, composer groups for thematic programming, a title index, an introduction to Nieweg charts, essential bibliography, internet sources, institutions and organizations, and a directory of publishers necessary for the orchestra professional. This trusted work used around the globe is a must-have for orchestral professionals, whether conductors or orchestra librarians, administrators involved in artistic planning, music students considering orchestral conducting, authors of program notes, publishers and music dealers, and instructors of conducting.

Author: David Daniels
Publisher: Scarecrow Press
ISBN: 0810856743
Category : Music
Languages : en
Pages : 634

View

Book Description
Also Available: Orchestral Music Online This fourth edition of the highly acclaimed, classic sourcebook for planning orchestral programs and organizing rehearsals has been expanded and revised to feature 42% more compositions over the third edition, with clearer entries and a more useful system of appendixes. Compositions cover the standard repertoire for American orchestra. Features from the previous edition that have changed and new additions include: · Larger physical format (8.5 x 11 vs. 5.5 x 8.5) · Expanded to 6400 entries and almost 900 composers (only 4200 in 3rd Ed.) · Merged with the American Symphony Orchestra League's OLIS (Orchestra Library Information Service) · Enhanced specific information on woodwind & brass doublings · Lists of required percussion equipment for many works · New, more intuitive format for instrumentation · More contents notes and durations of individual movements · Composers' citizenship, birth and death dates and places, integrated into the listings · Listings of useful websites for orchestra professionals

Author: Louis Harvy Chalif
Publisher:
ISBN:
Category :
Languages : en
Pages : 52

View

Book Description

Author:
Publisher: BRILL
ISBN: 9004648178
Category : Drama
Languages : en
Pages : 224

View

Book Description
Most of the essays in this volume developed from a series of lectures on the forms and functions of theatre in different cultures, and correspondences between them, organized by the Leiden University Department of Theatre and Film Studies. Some contributions to this volume discuss origins, forms and functions of theatre in the Far and in the Middle East, as well as how in some cases the contemporary theatre in these cultures have managed to incorporate Western theatrical elements into their local traditions. Other articles consider how such twentieth-century Western dramatists as Yeats, Brecht and Beckett have been inspired by Asian theatre forms; how Western theatre-goers have misunderstood the true nature of Russian drama; how the inspiration of the best known of those Russian playwrights has manifested itself in the work of an American film-maker; and how African dance has helped to reshape North Atlantic modern and post-modern choreography. Thus this collection is arranged to take the reader on a journey of discovery, or possibly recovery, from China to Japan, from India to Africa, from Iran to Turkey, to Russia and finally from Moscow to Manhattan. Theatre Intercontinental will be of value to scholars, teachers and students with an interest in how theatre manifests itself in various cultures, how it originated, what needs it fulfils and how it is affected by cross-cultural influences. It provides a few tentative conclusions, some thought provoking questions and, we hope, the stimulus to compare the issues raised here with theatrical cultures not covered by this book.