Author: Thomas Shadwell
Publisher: Dissertations-G
ISBN:
Category : Literary Criticism
Languages : en
Pages : 316
Book Description
Thomas Shadwell's the Libertine
Author: Thomas Shadwell
Publisher: Dissertations-G
ISBN:
Category : Literary Criticism
Languages : en
Pages : 316
Book Description
Publisher: Dissertations-G
ISBN:
Category : Literary Criticism
Languages : en
Pages : 316
Book Description
Thomas Shadwell's "Libertine"
Author: August Steiger
Publisher:
ISBN:
Category : Don Juan (Legendary character)
Languages : en
Pages : 84
Book Description
Publisher:
ISBN:
Category : Don Juan (Legendary character)
Languages : en
Pages : 84
Book Description
A Critical Edition of The Libertine by Thomas Shadwell
Author: Helen Taylor Pellegrin
Publisher:
ISBN:
Category :
Languages : en
Pages : 612
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 612
Book Description
Four Restoration Libertine Plays
Author: Deborah Payne Fisk
Publisher: OUP Oxford
ISBN: 019160528X
Category : Drama
Languages : en
Pages : 1559
Book Description
Thomas Shadwell, The Libertine * George Etherege, The Man of Mode * Thomas Durfey, A Fond Husband * Thomas Otway, Friendship in Fashion These four plays in the Oxford English Drama series capture the range of responses to the fashionable and daring libertine movement in the second half of the seventeenth century. A Fond Husband and Friendship in Fashion are lesser-known comic gems of the Restoration stage; The Man of Mode is Etherege's masterpiece, and The Libertine is Shadwell's experimental and dark version of the Don Juan story. The texts are freshly edited using modern spelling. There is a critical introduction, wide-ranging annotation, and an informative bibliography which together illuminate the plays' cultural context and theatrical potential for reader and performer alike. 'The series should shape the canon in a number of significant areas. A splendid and imaginative project.' Professor Anne Barton, Cambridge University
Publisher: OUP Oxford
ISBN: 019160528X
Category : Drama
Languages : en
Pages : 1559
Book Description
Thomas Shadwell, The Libertine * George Etherege, The Man of Mode * Thomas Durfey, A Fond Husband * Thomas Otway, Friendship in Fashion These four plays in the Oxford English Drama series capture the range of responses to the fashionable and daring libertine movement in the second half of the seventeenth century. A Fond Husband and Friendship in Fashion are lesser-known comic gems of the Restoration stage; The Man of Mode is Etherege's masterpiece, and The Libertine is Shadwell's experimental and dark version of the Don Juan story. The texts are freshly edited using modern spelling. There is a critical introduction, wide-ranging annotation, and an informative bibliography which together illuminate the plays' cultural context and theatrical potential for reader and performer alike. 'The series should shape the canon in a number of significant areas. A splendid and imaginative project.' Professor Anne Barton, Cambridge University
The Sensational Restoration
Author: H. James Jensen
Publisher: Indiana University Press
ISBN: 9780253330499
Category : English drama
Languages : en
Pages : 478
Book Description
A collection of English Restoration writings demonstrating attitudes and values surprisingly like those of today.
Publisher: Indiana University Press
ISBN: 9780253330499
Category : English drama
Languages : en
Pages : 478
Book Description
A collection of English Restoration writings demonstrating attitudes and values surprisingly like those of today.
The Works of Thomas Shadwell, Esq
The dramatick works of Thomas Shadwell
Author: Thomas Shadwell
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 396
Book Description
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 396
Book Description
Übersicht über die im Jahre ... auf dem Gebiete der englischen Philologie erschienenen Bücher, Schriften und Aufsätze
Anglia
Author:
Publisher:
ISBN:
Category : Comparative linguistics
Languages : en
Pages : 356
Book Description
Publisher:
ISBN:
Category : Comparative linguistics
Languages : en
Pages : 356
Book Description
English Dramatick Opera, 1661–1706
Author: Andrew R. Walkling
Publisher: Routledge
ISBN: 1315524201
Category : Music
Languages : en
Pages : 363
Book Description
English Dramatick Opera, 1661–1706 is the first comprehensive examination of the distinctively English form known as "dramatick opera", which appeared on the London stage in the mid-1670s and lasted until its displacement by Italian through-composed opera in the first decade of the eighteenth century. Andrew Walkling argues that, while the musical elements of this form are crucial to its definition and history, the origins of the genre lie principally in a tradition of spectacular stagecraft that first manifested itself in England in the mid-1660s as part of a hitherto unidentified dramatic sub-genre, to which Walkling gives the name "spectacle-tragedy". Armed with this new understanding, the book explores a number of historical and interpretive issues, including the physical and rhetorical configurations of performative spectacle, the administrative maneuverings of the two "patent" theatre companies, the construction and deployment of the technologically advanced Dorset Garden Theatre in 1670–71, the critical response to generic, technical, and ideological developments in Restoration drama, and the shifting balance between machine spectacle and song-and-dance entertainment throughout the later decades of the seventeenth century, including in the dramatick operas of Henry Purcell. This study combines the materials and methodologies of music history, theatre history, literary studies, and bibliography to fashion an entirely new approach to the history of spectacular and musical drama on the English Restoration stage. This book serves as a companion to the Routledge publication Masque and Opera in England, 1656–1688 (2017).
Publisher: Routledge
ISBN: 1315524201
Category : Music
Languages : en
Pages : 363
Book Description
English Dramatick Opera, 1661–1706 is the first comprehensive examination of the distinctively English form known as "dramatick opera", which appeared on the London stage in the mid-1670s and lasted until its displacement by Italian through-composed opera in the first decade of the eighteenth century. Andrew Walkling argues that, while the musical elements of this form are crucial to its definition and history, the origins of the genre lie principally in a tradition of spectacular stagecraft that first manifested itself in England in the mid-1660s as part of a hitherto unidentified dramatic sub-genre, to which Walkling gives the name "spectacle-tragedy". Armed with this new understanding, the book explores a number of historical and interpretive issues, including the physical and rhetorical configurations of performative spectacle, the administrative maneuverings of the two "patent" theatre companies, the construction and deployment of the technologically advanced Dorset Garden Theatre in 1670–71, the critical response to generic, technical, and ideological developments in Restoration drama, and the shifting balance between machine spectacle and song-and-dance entertainment throughout the later decades of the seventeenth century, including in the dramatick operas of Henry Purcell. This study combines the materials and methodologies of music history, theatre history, literary studies, and bibliography to fashion an entirely new approach to the history of spectacular and musical drama on the English Restoration stage. This book serves as a companion to the Routledge publication Masque and Opera in England, 1656–1688 (2017).