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Author: J. Richard Gruber Publisher: University Alabama Press ISBN: Category : Art Languages : en Pages : 64
Book Description
This lushly illustrated volume for the first time focuses specifically on the strong influence the South had on Benton's explorations of America and on his career as an artist. Thomas Hart Benton (1889-1975), a widely recognized American painter, muralist, printmaker, and illustrator, first attained prominence during the 1920s and 1930s as an artist, teacher, critic, writer, and outspoken art world personality. By 1934, when he was the first artist featured on the cover of Time magazine, he had become one of the most recognized artists in the United States. Beginning in the 1920s and continuing throughout his career, Benton traveled the breadth of the country, sketching and recording the details of the changing daily life he encountered on the backroads and in the isolated cultural pockets of America. Inspired by his early campaign travels in Missouri with his father, who had been elected to Congress as a Populist in 1897, and driven by his own conviction that the nation was sacrificing its unique culture and history in its rush to become a new, modern society, Benton set out to capture the essence of contemporary America. The American South held a special fascination for Benton, and from his travels and sketching trips throughout the region came many of his most noted images of America. Representing both the drawings Benton made during his travels to the South and the major paintings and murals that later incorporated details from these sketches and finished drawings, Thomas Hart Benton and the American South is a feast to the eye and reveals much about the artist and the South that so captivated him.
Author: J. Richard Gruber Publisher: University Alabama Press ISBN: Category : Art Languages : en Pages : 64
Book Description
This lushly illustrated volume for the first time focuses specifically on the strong influence the South had on Benton's explorations of America and on his career as an artist. Thomas Hart Benton (1889-1975), a widely recognized American painter, muralist, printmaker, and illustrator, first attained prominence during the 1920s and 1930s as an artist, teacher, critic, writer, and outspoken art world personality. By 1934, when he was the first artist featured on the cover of Time magazine, he had become one of the most recognized artists in the United States. Beginning in the 1920s and continuing throughout his career, Benton traveled the breadth of the country, sketching and recording the details of the changing daily life he encountered on the backroads and in the isolated cultural pockets of America. Inspired by his early campaign travels in Missouri with his father, who had been elected to Congress as a Populist in 1897, and driven by his own conviction that the nation was sacrificing its unique culture and history in its rush to become a new, modern society, Benton set out to capture the essence of contemporary America. The American South held a special fascination for Benton, and from his travels and sketching trips throughout the region came many of his most noted images of America. Representing both the drawings Benton made during his travels to the South and the major paintings and murals that later incorporated details from these sketches and finished drawings, Thomas Hart Benton and the American South is a feast to the eye and reveals much about the artist and the South that so captivated him.
Author: Leo G. Mazow Publisher: Penn State Press ISBN: 0271050837 Category : Art Languages : en Pages : 218
Book Description
"Argues that musical imagery in the art of American painter Thomas Hart Benton was part of a larger belief in the capacity of sound to register and convey meaning"--Provided by publisher.
Author: Austen Barron Bailly Publisher: National Geographic Books ISBN: 3791354221 Category : Art Languages : en Pages : 0
Book Description
This generously illustrated book explores the connections between Thomas Hart Benton’s art and Hollywood movies from groundbreaking perspectives. Thomas Hart Benton was a thoroughly American artist. His regionally focused paintings and murals depicted everyday American life as well as the country’s history. This volume focuses on one of the most American of Benton’s associations: Hollywood. Not only did Benton create commissioned murals and portraits of film stars and movies, but he also developed a style that was highly theatrical and narrative. This volume is the first to collect all the works conceived by Benton for the film industry. It includes related ephemera, photographs, and documents of Benton at work, along with a series of thought-provoking essays that explore a diverse array of topics—from Benton’s engagement with American identity from the 1920s to the 1960s, to parallels between Benton’s use of Old Master methods and film production techniques. Fans of Thomas Hart Benton will find surprising insights into his career, while those fascinated by Hollywood history will discover how one of America’s most revered artists shaped and was in turn influenced by the film industry.
Author: Thomas Hart Benton Publisher: ISBN: Category : Art Languages : en Pages : 502
Book Description
Controversial, flamboyant, contentious, brilliant--Thomas Hart Benton (1889-1975) was certainly all of those. Few American artists have stirred so much love and hatred as he did in a career that lasted almost seventy years. Although his painting aroused much controversy, perhaps equally as much was created by his words, for his piercing wit, profane sarcasms, and insightful condemnations were fired off without restraint. In this fiery and provocative autobiography, Benton presents an intriguing records of American art and society during his lifetime. The first installment of this work was published in 1937, but Benton continued his life story in chapters added to editions published in 1951 and 1968. This new edition includes seventy-six drawings that add much to his narrative, plus a foreword discussing Benton's place in American art and an afterword covering his career after 1968, both written by art historian Matthew Baigell. Although Benton is most famous as a regionalist painter and muralist, his complex and fascinating career brought him into contact with many of the most important artists and thinkers of the century, including Jackson Pollock, Grant Wood, Julian Huxley, Felix Frankfurter, Eugene Debbs, John Reed, and Harry Truman. While living in New York and on Martha's Vineyard in the 1920s and 1930s, Benton often associated with leading intellectuals and radicals. However, when his evolving principles of art led him away from an interest in Marxism, he was bitterly attacked by many of his former friends, and his account of that time reveals strikingly the fierce critical battles he faced in trying to establish his own artistic vision. Critics on the Left were not his only opponents, however, and equally revealing are his responses to the moral condemnations heaped on his murals done for the states of Indiana and Missouri and on his realistic nudes of the late 1930s. Throughout his account, from descriptions of his boyhood in southwest Missouri, his travels, and his career to discussions of specific works of art and other artists, Benton portrays people and events as vividly in words as he does in his paintings.
Author: Thomas Hart Benton Publisher: ISBN: Category : BIOGRAPHY & AUTOBIOGRAPHY Languages : en Pages : 476
Book Description
"Thomas Hart Benton's autobiography first appeared in 1937 and met immediately with success. Thus presented, the opinions, judgments, and critical evaluations of this artist, whose works held the center of lively controversy, interested the general reader as well as the world of art. The book reappeared in 1951, bringing up to date the perspectives on life and art of a forthright participant and maker. Now, in his seventy-ninth year, Mr. Benton has added another chapter to his continuing comment on the world of art and the role of the artist in that world. His rare gift of cogent expression in letters as well as in color and line provides the reader with as vigorous and vital an experience as his paintings provide their viewers."--Dust jacket.
Author: Leo Huberman Publisher: NYU Press ISBN: 1583674845 Category : History Languages : en Pages : 387
Book Description
A history of labour and the labour movement in the USA, originally published in the 1930s. Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. Hesperides Press are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork. Contents Include: Here They Come! - Beginnings - Are All Men Equal? - Molasses and Tea - "In Order To Form a More Perfect Union" - A Rifle, An Axe - A Strange, Colourful Frontier, The Last - The Manufacturing North - The Agricultural South - Landlords Fight Money Lords - Materials, Men, Machinery, Money - More Materials, Men, Machinery, Money - The Have-nots vs The Haves - From Rags To Riches - From Riches To Rags - The New Deal..Relief - . Recovery - .Reform - .Foreign Policy - "You Guys Gotta Organize" -
Author: Angela D. Mack Publisher: Univ of South Carolina Press ISBN: 9781570037207 Category : Art Languages : en Pages : 188
Book Description
Through eighty-nine color plates and six thematic essays, this collection examines depictions of plantations, plantation views, and related slave imagery in the context of the history of landscape painting in America, while addressing the impact of these images on US race relations.
Author: Joanne B. Freeman Publisher: Farrar, Straus and Giroux ISBN: 0374717613 Category : History Languages : en Pages : 480
Book Description
The previously untold story of the violence in Congress that helped spark the Civil War In The Field of Blood, Joanne B. Freeman recovers the long-lost story of physical violence on the floor of the U.S. Congress. Drawing on an extraordinary range of sources, she shows that the Capitol was rife with conflict in the decades before the Civil War. Legislative sessions were often punctuated by mortal threats, canings, flipped desks, and all-out slugfests. When debate broke down, congressmen drew pistols and waved Bowie knives. One representative even killed another in a duel. Many were beaten and bullied in an attempt to intimidate them into compliance, particularly on the issue of slavery. These fights didn’t happen in a vacuum. Freeman’s dramatic accounts of brawls and thrashings tell a larger story of how fisticuffs and journalism, and the powerful emotions they elicited, raised tensions between North and South and led toward war. In the process, she brings the antebellum Congress to life, revealing its rough realities—the feel, sense, and sound of it—as well as its nation-shaping import. Funny, tragic, and rivetingly told, The Field of Blood offers a front-row view of congressional mayhem and sheds new light on the careers of John Quincy Adams, Henry Clay, and other luminaries, as well as introducing a host of lesser-known but no less fascinating men. The result is a fresh understanding of the workings of American democracy and the bonds of Union on the eve of their greatest peril.
Author: Erika Doss Publisher: University of Georgia, Georgia Museum of Art ISBN: Category : Art Languages : en Pages : 348
Book Description
Coming Home: American Paintings, 1930/1950, from the Schoen CollectionCatalog of a traveling exhibition held at the Mobile Museum of Art, the Georgia Museum of Art, and three other institutions between Oct. 17, 2003 and Nov. 27, 2005.
Author: J. Richard Gruber
Author: J. Richard Gruber
Author: Leo G. Mazow
Author: Austen Barron Bailly
Author: Theodore Roosevelt
Author: Thomas Hart Benton
Author: Thomas Hart Benton
Author: Leo Huberman
Author: Angela D. Mack
Author: Joanne B. Freeman
Author: Erika Doss