Author: Jeannette King
Publisher: Cambridge University Press
ISBN: 9780521216708
Category : Literary Criticism
Languages : en
Pages : 200
Book Description
How does one dominant literary genre fall into decline, to be superseded by another? The classic instance is the rise of the novel in the nineteenth century, and how it came to embody the tragic vision of life which had previously been the domain of drama. Dr King focuses on three novelists, George Eliot. Thomas Hardy and Henry James. All three, while trying to offer a realistic picture of life in prose narrative, wrote with the concept of tragedy clearly in mind. The concern was widespread, and Victorian literary critics found themselves discussing the problem of how one might reconcile concepts as dissimilar as tragedy and realism. Their criticism provides Dr King with her starting point. Dr King examines the work of her three authors in relation to the large concepts of traditional tragic thought, and also examines how the form of specific novels was affected by their differing ideas of tragedy.
Tragedy in the Victorian Novel
Author: Jeannette King
Publisher: Cambridge University Press
ISBN: 9780521216708
Category : Literary Criticism
Languages : en
Pages : 200
Book Description
How does one dominant literary genre fall into decline, to be superseded by another? The classic instance is the rise of the novel in the nineteenth century, and how it came to embody the tragic vision of life which had previously been the domain of drama. Dr King focuses on three novelists, George Eliot. Thomas Hardy and Henry James. All three, while trying to offer a realistic picture of life in prose narrative, wrote with the concept of tragedy clearly in mind. The concern was widespread, and Victorian literary critics found themselves discussing the problem of how one might reconcile concepts as dissimilar as tragedy and realism. Their criticism provides Dr King with her starting point. Dr King examines the work of her three authors in relation to the large concepts of traditional tragic thought, and also examines how the form of specific novels was affected by their differing ideas of tragedy.
Publisher: Cambridge University Press
ISBN: 9780521216708
Category : Literary Criticism
Languages : en
Pages : 200
Book Description
How does one dominant literary genre fall into decline, to be superseded by another? The classic instance is the rise of the novel in the nineteenth century, and how it came to embody the tragic vision of life which had previously been the domain of drama. Dr King focuses on three novelists, George Eliot. Thomas Hardy and Henry James. All three, while trying to offer a realistic picture of life in prose narrative, wrote with the concept of tragedy clearly in mind. The concern was widespread, and Victorian literary critics found themselves discussing the problem of how one might reconcile concepts as dissimilar as tragedy and realism. Their criticism provides Dr King with her starting point. Dr King examines the work of her three authors in relation to the large concepts of traditional tragic thought, and also examines how the form of specific novels was affected by their differing ideas of tragedy.
The Flirt's Tragedy
Author: Richard A. Kaye
Publisher: University of Virginia Press
ISBN: 0813922003
Category : Literary Criticism
Languages : en
Pages : 258
Book Description
In the flirtation plots of novels by Jane Austen, Charlotte Brontë, and W. M. Thackeray, heroines learn sociability through competition with naughty coquette-doubles. In the writing of George Eliot and Thomas Hardy, flirting harbors potentially tragic consequences, a perilous game then adapted by male flirts in the novels of Oscar Wilde and Henry James. In revising Gustave Flaubert’s Sentimental Education in The Age of Innocence, Edith Wharton critiques the nineteenth-century European novel as morbidly obsessed with deferred desires. Finally, in works by D. H. Lawrence and E. M. Forster, flirtation comes to reshape the modernist representation of homoerotic relations. In The Flirt’s Tragedy: Desire without End in Victorian and Edwardian Fiction, Richard Kaye makes a case for flirtation as a unique, neglected species of eros that finds its deepest, most elaborately sustained fulfillment in the nineteenth-century and early twentieth-century novel. The author examines flirtation in major British, French, and American texts to demonstrate how the changing aesthetic of such fiction fastened on flirtatious desire as a paramount subject for distinctly novelistic inquiry. The novel, he argues, accentuated questions of ambiguity and ambivalence on which an erotics of deliberate imprecision thrived. But the impact of flirtation was not only formal. Kaye views coquetry as an arena of freedom built on a dialectic of simultaneous consent and refusal, as well as an expression of "managed desire," a risky display of female power, and a cagey avenue for the expression of dissident sexualities. Through coquetry, novelists offered their response to important scientific and social changes and to the rise of the metropolis as a realm of increasingly transient amorous relations. Challenging current trends in gender, post-gender, and queer-theory criticism, and considering texts as diverse as Darwin’s The Descent of Man and Gilbert and Sullivan’s The Mikado, Kaye insists that critical appraisals of Victorian and Edwardian fiction must move beyond existing paradigms defining considerations of flirtation in the novel. The Flirt’s Tragedy offers a lively, revisionary, often startling assessment of nineteenth-century fiction that will alter our understanding of the history of the novel.
Publisher: University of Virginia Press
ISBN: 0813922003
Category : Literary Criticism
Languages : en
Pages : 258
Book Description
In the flirtation plots of novels by Jane Austen, Charlotte Brontë, and W. M. Thackeray, heroines learn sociability through competition with naughty coquette-doubles. In the writing of George Eliot and Thomas Hardy, flirting harbors potentially tragic consequences, a perilous game then adapted by male flirts in the novels of Oscar Wilde and Henry James. In revising Gustave Flaubert’s Sentimental Education in The Age of Innocence, Edith Wharton critiques the nineteenth-century European novel as morbidly obsessed with deferred desires. Finally, in works by D. H. Lawrence and E. M. Forster, flirtation comes to reshape the modernist representation of homoerotic relations. In The Flirt’s Tragedy: Desire without End in Victorian and Edwardian Fiction, Richard Kaye makes a case for flirtation as a unique, neglected species of eros that finds its deepest, most elaborately sustained fulfillment in the nineteenth-century and early twentieth-century novel. The author examines flirtation in major British, French, and American texts to demonstrate how the changing aesthetic of such fiction fastened on flirtatious desire as a paramount subject for distinctly novelistic inquiry. The novel, he argues, accentuated questions of ambiguity and ambivalence on which an erotics of deliberate imprecision thrived. But the impact of flirtation was not only formal. Kaye views coquetry as an arena of freedom built on a dialectic of simultaneous consent and refusal, as well as an expression of "managed desire," a risky display of female power, and a cagey avenue for the expression of dissident sexualities. Through coquetry, novelists offered their response to important scientific and social changes and to the rise of the metropolis as a realm of increasingly transient amorous relations. Challenging current trends in gender, post-gender, and queer-theory criticism, and considering texts as diverse as Darwin’s The Descent of Man and Gilbert and Sullivan’s The Mikado, Kaye insists that critical appraisals of Victorian and Edwardian fiction must move beyond existing paradigms defining considerations of flirtation in the novel. The Flirt’s Tragedy offers a lively, revisionary, often startling assessment of nineteenth-century fiction that will alter our understanding of the history of the novel.
Tess of the D'Urbervilles
Author: Thomas Hardy
Publisher:
ISBN:
Category : English fiction
Languages : en
Pages : 284
Book Description
Publisher:
ISBN:
Category : English fiction
Languages : en
Pages : 284
Book Description
What the Birds See
Author: Sonya Hartnett
Publisher: Candlewick Press
ISBN: 1536206652
Category : Young Adult Fiction
Languages : en
Pages : 209
Book Description
"Hartnett again captures the ineffable fragility of childhood in this keenly observed tale." — Publishers Weekly (starred review) Nine-year-old Adrian watches his world closely, but there is much he cannot understand. He does not, for instance, know why three neighborhood children might set out to buy ice cream one summer’s day and never be seen again...In a suburb that is no longer safe and innocent, in a broken family of self-absorbed souls, Sonya Hartnett sets the story of a lone little boy — unwanted, unloved, and intensely curious — a story as achingly beautiful as it is shattering. A Children’s Literature Choice List Title Two starred reviews (Publishers Weekly, Kirkus Reviews)
Publisher: Candlewick Press
ISBN: 1536206652
Category : Young Adult Fiction
Languages : en
Pages : 209
Book Description
"Hartnett again captures the ineffable fragility of childhood in this keenly observed tale." — Publishers Weekly (starred review) Nine-year-old Adrian watches his world closely, but there is much he cannot understand. He does not, for instance, know why three neighborhood children might set out to buy ice cream one summer’s day and never be seen again...In a suburb that is no longer safe and innocent, in a broken family of self-absorbed souls, Sonya Hartnett sets the story of a lone little boy — unwanted, unloved, and intensely curious — a story as achingly beautiful as it is shattering. A Children’s Literature Choice List Title Two starred reviews (Publishers Weekly, Kirkus Reviews)
Jude the Obscure
A Pair of Blue Eyes
Thomas Hardy
Author: Dale Kramer
Publisher: Springer
ISBN: 134902743X
Category : Literary Criticism
Languages : en
Pages : 189
Book Description
Publisher: Springer
ISBN: 134902743X
Category : Literary Criticism
Languages : en
Pages : 189
Book Description
The Aristotelian Tragic Hero in Thomas Hardy ́s Novels. A Comparative Study
Author: Martin Mares
Publisher: GRIN Verlag
ISBN: 3346121410
Category : Literary Collections
Languages : en
Pages : 49
Book Description
Academic Paper from the year 2013 in the subject Literature - Modern Literature, Masaryk University , language: English, abstract: The aim of this paper is to analyse the character of Jocelyn Pierston as a tragic hero. The paper focuses on two novels - "The Pursuit of the Well-Beloved" and "The Well- Beloved" - and is divided into two main chapters, while the latter novel is preferred. The first half of the work is dedicated to the Aristotelian concept of the tragic hero, its usage and the conditions for a protagonist to be labeled as such. In addition, some of Thomas Hardy’s opinions on humanity, fate and nature will be shown and discussed with several sources, as well as his attitude towards tragic heroes. In the second half the main protagonist is thoroughly examined in both novels in order to find his tragic flaw and understand his character.By the analysis of various tragic effects depicted in the source texts the thesis tries to argue whether Pierston fulfills those conditions and is a tragic hero or whether he simply lacks the needed qualities.
Publisher: GRIN Verlag
ISBN: 3346121410
Category : Literary Collections
Languages : en
Pages : 49
Book Description
Academic Paper from the year 2013 in the subject Literature - Modern Literature, Masaryk University , language: English, abstract: The aim of this paper is to analyse the character of Jocelyn Pierston as a tragic hero. The paper focuses on two novels - "The Pursuit of the Well-Beloved" and "The Well- Beloved" - and is divided into two main chapters, while the latter novel is preferred. The first half of the work is dedicated to the Aristotelian concept of the tragic hero, its usage and the conditions for a protagonist to be labeled as such. In addition, some of Thomas Hardy’s opinions on humanity, fate and nature will be shown and discussed with several sources, as well as his attitude towards tragic heroes. In the second half the main protagonist is thoroughly examined in both novels in order to find his tragic flaw and understand his character.By the analysis of various tragic effects depicted in the source texts the thesis tries to argue whether Pierston fulfills those conditions and is a tragic hero or whether he simply lacks the needed qualities.
Modern Literature and the Tragic
Author: K. M. Newton
Publisher: Edinburgh University Press
ISBN: 0748636749
Category : Literary Criticism
Languages : en
Pages : 192
Book Description
This book explores modern literature's responses to the tragic. It examines writers from the latter half of the nineteenth century through to the later twentieth century who respond to ideas about tragedy. Although Ibsen has been accused of being responsible for the 'death of tragedy', Ken Newton argues that Ibsen instead generates an anti-tragic perspective that had a major influence on dramatists such as Shaw and Brecht. By contrast, writers such as Hardy and Conrad, influenced by Schopenhauerean pessimism and Darwinism, attempt to modernise the concept of the tragic. Nietzsche's revisionist interpretation of the tragic influenced writers who either take pessimism or the 'Dionysian' commitment to life to an extreme, as in Strindberg and D. H. Lawrence. Different views emerge in the period following the second world war with the 'Theatre of the Absurd' and postmodern anti-foundationalism.
Publisher: Edinburgh University Press
ISBN: 0748636749
Category : Literary Criticism
Languages : en
Pages : 192
Book Description
This book explores modern literature's responses to the tragic. It examines writers from the latter half of the nineteenth century through to the later twentieth century who respond to ideas about tragedy. Although Ibsen has been accused of being responsible for the 'death of tragedy', Ken Newton argues that Ibsen instead generates an anti-tragic perspective that had a major influence on dramatists such as Shaw and Brecht. By contrast, writers such as Hardy and Conrad, influenced by Schopenhauerean pessimism and Darwinism, attempt to modernise the concept of the tragic. Nietzsche's revisionist interpretation of the tragic influenced writers who either take pessimism or the 'Dionysian' commitment to life to an extreme, as in Strindberg and D. H. Lawrence. Different views emerge in the period following the second world war with the 'Theatre of the Absurd' and postmodern anti-foundationalism.
Thomas Hardy's Novel Universe
Author: Pamela Gossin
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754603368
Category : Literary Criticism
Languages : en
Pages : 332
Book Description
In the first book-length study of astronomy in Hardy's writing, historian of science and literary scholar Pamela Gossin offers complex and inspired readings of seven novels that enrich previous Darwinian, feminist and formalist perspectives on his work. S
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754603368
Category : Literary Criticism
Languages : en
Pages : 332
Book Description
In the first book-length study of astronomy in Hardy's writing, historian of science and literary scholar Pamela Gossin offers complex and inspired readings of seven novels that enrich previous Darwinian, feminist and formalist perspectives on his work. S