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Author: Katherine Anne Porter Publisher: University of Georgia Press ISBN: 0820333530 Category : Literary Criticism Languages : en Pages : 194
Book Description
Between 1920 and 1958 Katherine Anne Porter published more than sixty-five book review, many of which are now largely inaccessible. Although several such pieces have appeared in earlier collections of Porter's nonfiction writings, never have so many of Porter's reviews--nearly fifty--been made available in a single volume. Collectively the review reveal Porter's opinions on topics ranging from the nature of art and the place of the artist in politics and society to feminism and the role of female artists. Particularly evident in the reviews are the critical principles that guided her own work as well as her judgments of the works of other writers. In her introductory essay Darlene Harbour Unrue provides important biographical information on Porter, traces her career as a reviewer, and links critical assumptions in the reviews to the themes and techniques of Porter's fiction. Other scholars as well have regarded Porter's critical reviews as valuable tools both for analyzing the fiction and for constructing a portrait of Porter the artist, primarily because Porter produced so little fiction (three collections of short stories and novellas, Flowering Judas, The Leaning Tower, and Pale Horse, Pale Rider, and a novel, Ship of Fools). In the preface to the first collection of her nonfiction writings, The Days Before, Porter herself urged readers to look closely at her nonfiction, for there they would discover "the shape, direction, and connective tissue of a continuous, central interest and preoccupation of a lifetime." Most of the reviews--which appeared in such publications as the New York Herald Tribune, the New York Times, the Nation, and New Masses--she apparently undertook for financial reasons, but occasionally she would agree to review a friend's latest offering. She published no reviews after the success of her best-selling novel, Ship of Fools. Porter's scope as a reviewer was impressively broad. Because she lived in Mexico City during the revolution, had known Diego Rivera, and had studied "primitive" Mexican art, she was often called on to review books on Mexican art and on the revolution. Porter also reviewed many books by or about women. Her reviews of the Short Novels of Colette and Katharine Anthony's translation of Catherine the Great's memoirs are particularly noteworthy for her comments about women artists and her expression of admiration for women who flout traditional roles. These collected reviews illustrate the evolution of one of the most important American writers of the twentieth century and will interest not only Porter scholars but also anyone who appreciates her fiction.
Author: Katherine Anne Porter Publisher: University of Georgia Press ISBN: 0820333530 Category : Literary Criticism Languages : en Pages : 194
Book Description
Between 1920 and 1958 Katherine Anne Porter published more than sixty-five book review, many of which are now largely inaccessible. Although several such pieces have appeared in earlier collections of Porter's nonfiction writings, never have so many of Porter's reviews--nearly fifty--been made available in a single volume. Collectively the review reveal Porter's opinions on topics ranging from the nature of art and the place of the artist in politics and society to feminism and the role of female artists. Particularly evident in the reviews are the critical principles that guided her own work as well as her judgments of the works of other writers. In her introductory essay Darlene Harbour Unrue provides important biographical information on Porter, traces her career as a reviewer, and links critical assumptions in the reviews to the themes and techniques of Porter's fiction. Other scholars as well have regarded Porter's critical reviews as valuable tools both for analyzing the fiction and for constructing a portrait of Porter the artist, primarily because Porter produced so little fiction (three collections of short stories and novellas, Flowering Judas, The Leaning Tower, and Pale Horse, Pale Rider, and a novel, Ship of Fools). In the preface to the first collection of her nonfiction writings, The Days Before, Porter herself urged readers to look closely at her nonfiction, for there they would discover "the shape, direction, and connective tissue of a continuous, central interest and preoccupation of a lifetime." Most of the reviews--which appeared in such publications as the New York Herald Tribune, the New York Times, the Nation, and New Masses--she apparently undertook for financial reasons, but occasionally she would agree to review a friend's latest offering. She published no reviews after the success of her best-selling novel, Ship of Fools. Porter's scope as a reviewer was impressively broad. Because she lived in Mexico City during the revolution, had known Diego Rivera, and had studied "primitive" Mexican art, she was often called on to review books on Mexican art and on the revolution. Porter also reviewed many books by or about women. Her reviews of the Short Novels of Colette and Katharine Anthony's translation of Catherine the Great's memoirs are particularly noteworthy for her comments about women artists and her expression of admiration for women who flout traditional roles. These collected reviews illustrate the evolution of one of the most important American writers of the twentieth century and will interest not only Porter scholars but also anyone who appreciates her fiction.
Author: Abby H. P. Werlock Publisher: Infobase Publishing ISBN: 143812743X Category : American literature Languages : en Pages : 859
Book Description
Praise for the previous edition:Booklist/RBB "Twenty Best Bets for Student Researchers"RUSA/ALA "Outstanding Reference Source"" ... useful ... Recommended for public libraries and undergraduates."
Author: Thomas Austenfeld Publisher: University of North Texas Press ISBN: 157441593X Category : Literary Criticism Languages : en Pages : 260
Book Description
Containing pieces by distinguished scholars including Darlene Harbour Unrue and Robert Brinkmeyer, this book is the first full investigation of the links between Porter's only novel and European intellectual history. Beginning with Sebastian Brant, author of the late medieval Narrenschiff, whom she acknowledges in her Preface to Ship of Fools, Porter's image of Europe emerges as more complex, more knowledgeable, and more politically nuanced than previous critics of her novel have acknowledged. Ship of Fools is in conversation with Europe's humanistic tradition as well as with the political moments of 1931 and 1962; i.e., the years that elapsed from the novel's conception to its completion. The novel and the 1965 film based upon it intervene into the history of film, the assessment of Weimar Germany, and Porter's clear-eyed judgment of her own times through the lens of her art.
Author: Janis P. Stout Publisher: University of Virginia Press ISBN: 9780813915685 Category : Biography & Autobiography Languages : en Pages : 432
Book Description
Katherine Anne Porter's life closely paralleled that of her century not only in its span (1890-1980) but in its interests and contradictions. A communist sympathizer who became a quasi fascist; a cosmopolitan who embraced southern agrarianism, a femme fatale whose writings nonetheless evince feminist feeling, Porter embodied, often at their extremes, the major currents of her time and ours. In this new biography Janis P. Stout argues that these inconsistencies can be viewed as part and parcel of modernism itself. Drawing on Porter's rich and voluminous correspondence as well as published works, Stout here sets out to craft an intellectual biography of a woman who, by her own admission, was "not really an intellectual". Stout reveals the extent of Porter's involvement in events of public significance and her interactions with prominent figures, from President Alvaro Obregon of Mexico in 1920 to Hermann Goering in Berlin in 1931, to Robert Penn Warren, Eudora Welty, Allen Tate, and others in the 1930s and 1940s, to members of the Lyndon Johnson White House in the 1960s. Against the backdrop of world war and cold war, Porter's conflicting views on politics, race, religion, and feminism reflected Porter's ambivalence toward her own Texas roots.
Author: Darlene Harbour Unrue Publisher: University of Georgia Press ISBN: 0820333549 Category : Literary Criticism Languages : en Pages : 286
Book Description
My stories are fragments of a larger plan, Katherine Anne Porter once wrote. And on another occasion she praised a critic who perceived that all her work, from the very beginning, was part of an "unbroken progression, all related." In Truth and Vision in Katherine Anne Porter's Fiction, Darlene Unrue examines the encompassing themes that underlie Porter's shorter fiction and that combined to create the haunting events of her complex metaphorical novel, Ship of Fools. Porter believed that men and women are compelled toward discovering the truth about their existence, but that the nature of our world makes those truths difficult to discern. In her writing, Unrue finds, Porter explored not only this basic human need to confront the truth, but also the bewilderment and suffering that are so often the results of failing to fulfill that need. Often in Porter's fiction the movement toward truth is obstructed by the hollow beliefs and illusions that abound in the world--by the seductions of ideology and dogmatic religion, by romantic love or the vision of a golden past. Clinging to such illusions, using them to lend a false coherence to their lives, Porter's characters are led away from the hard realization that truth requires accepting the existence of the unknowable at the center of life, and that what is knowable lies within themselves. Drawing on essays, reviews, letters, and notes, as well as on the intricate fabric of the fiction, this study traces Porter's pursuit of the truth through the creation of a body of fiction in which, from fragments of life, she could assemble an honest vision of the world.
Author: Rachel Adams Publisher: University of Chicago Press ISBN: 0226005534 Category : Literary Criticism Languages : en Pages : 324
Book Description
North America is more a political and an economic invention than a place people call home. Nonetheless, the region shared by the United States and its closest neighbors, North America, is an intriguing frame for comparative American studies. Continental Divides is the first book to study the patterns of contact, exchange, conflict, and disavowal among cultures that span the borders of Canada, the United States, and Mexico. Rachel Adams considers a broad range of literary, filmic, and visual texts that exemplify cultural traffic across North American borders. She investigates how our understanding of key themes, genres, and periods within U.S. cultural study is deepened, and in some cases transformed, when Canada and Mexico enter the picture. How, for example, does the work of the iconic American writer Jack Kerouac read differently when his Franco-American origins and Mexican travels are taken into account? Or how would our conception of American modernism be altered if Mexico were positioned as a center of artistic and political activity? In this engaging analysis, Adams charts the lengthy and often unrecognized traditions of neighborly exchange, both hostile and amicable, that have left an imprint on North America’s varied cultures.
Author: Darlene Harbour Unrue Publisher: Univ. Press of Mississippi ISBN: 1626744475 Category : Literary Collections Languages : en Pages : 412
Book Description
Katherine Anne Porter (1890–1980) produced a relatively small body of fiction, but she wrote thousands and thousands of letters. The present selection of 135 unexpurgated letters, written to seventy-four different persons, begins with a 1916 letter written from a tuberculosis sanatorium in Texas and ends with a 1979 letter dictated to an unnamed nursing-home attendant in Maryland. Different from any previous selection, this body of letters does not omit Porter's frank criticism of fellow writers and spans her entire life. Within that circumscription is the chronicle of Porter, a twentieth-century woman searching for love while she struggles to become the writer who she is sure she can be. Porter's letters vividly showcase the twentieth century as the writer observes it from her historical vantage points—tuberculosis sanatoria and the influenza pandemic of 1918; the leftist community in Greenwich Village in the 1920s; the Mexican cultural revolution of the 1920s and early 1930s; the expatriate community in Paris in the 1930s; the rise of Nazism in Europe between the World Wars; the Second World War and its concomitant suppression of civil liberties; Hollywood and the university circuit as a haven for financially strapped writers in the 1940s and 1950s; the Cold War and its competition for supremacy in space; the women's rights and the civil rights movements; and the evolution and demise of literary modernism.
Author: Katherine Anne Porter Publisher: Univ of South Carolina Press ISBN: 9781570030840 Category : Biography & Autobiography Languages : en Pages : 230
Book Description
Katherine Anne Porter's Poetry makes available for the first time the complete poetic canon of one of America's most-celebrated writers. Widely known and revered for her award-winning short stories, Porter published just thirty-two poems and poetry translations during her lifetime, although she composed - and subsequently destroyed - hundreds. Her poetry is virtually unknown even by her most devoted followers. From fragmentary notes and letters found among Porter's papers, Darlene Harbour Unrue has recovered and edited eighteen unpublished poems. In a significant addition to the Porter canon, these newly found poems join Porter's published verse - including the entire text of the now-rare Katherine Anne Porter's French Song-Book - to create a unique commentary on the writer's life and work. Interspersed with photographs of Porter from the years and places in which she composed the poems, the volume features a substantial critical and biographical essay in which Unrue explains the significance of individual poems and details the relationship between Porter's poetry and fiction. Unrue describes Porter's verse as an index to the stages of her developing intellectual thought and, in some cases, an intermediate phase in a creative process that began with random notes and letters and culminated in fiction.
Author: Katherine Anne Porter Publisher: Library of America ISBN: 1598533363 Category : Fiction Languages : en Pages : 265
Book Description
The classic 1944 collection of ten short stories by the Pulitzer Prize and National Book Award–winning author and journalist Incomparable in their dramatic clarity and emotional force, the ten gems in this collection affirm Katherine Anne Porter’s genius for writing stories, as Eudora Welty observed, “with a power that stamps them to their very last detail on the memory.” The collection includes The Old Order, a sequence of short stories that paints a devastating portrait of the racial inequities that plague life in the American South, as well as other selected stories such as “The Leaning Tower” and “The Downward Path to Wisdom”.
Author: Katherine Anne Porter Publisher: Library of America ISBN: 1598533304 Category : Fiction Languages : en Pages : 256
Book Description
The Library of America presents an exclusive e-book edition of the astonishing 1930 collection that introduced a major new voice in American literature. “If Katherine Anne Porter had written nothing but these short narratives," observed the New York Times, "she would be among the most distinguished masters of her craft in this country.”
Author: Katherine Anne Porter
Author: Katherine Anne Porter
Author: Abby H. P. Werlock
Author: Thomas Austenfeld
Author: Janis P. Stout
Author: Darlene Harbour Unrue
Author: Rachel Adams
Author: Darlene Harbour Unrue
Author: Katherine Anne Porter
Author: Katherine Anne Porter
Author: Katherine Anne Porter