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Author: Cori Dauber Publisher: ISBN: 9781461108252 Category : Languages : en Pages : 136
Book Description
There is a vast literature on the potential for new technologies to create a Revolution in Military Affairs or "networked warfare," but that is a discussion of the impact of military technology on the way the force itself can be used. Today there is a question regarding the impact of new communication and information technologies in the hands of civilians-some of whom are combatants-on the environment in which the force will be used. This monograph argues that the impact of these technologies has been, and will be, great enough that the way they are shaping the battlefield needs to be understood. Waging war against terrorists (or insurgents using a terrorist playbook) is a qualitatively different enterprise from earlier wars. By definition, terrorists are too weak to fight successful conventional battles. They fight to shape the perceptions and attitudes of the public-a battle over the public's will to continue fighting, whether that is the indigenous public insurgents seek to intimidate or the domestic American public they seek to influence so as to force counterinsurgents to withdraw from the battlefield prematurely. And in the modern world, this will be a battle to shape media coverage. Terrorist attacks ought to be understood as consciously crafted media events, and while that has always been the case, today it is more true than ever before in two ways. First, the terrorist attack is itself often designed and intended for the cameras. Terrorist attacks are designed for an audience. Their true target is not that which is blown up-that item, or those people-for that is merely a stage prop. What is really being targeted are those watching at home. The goal, after all, is to have a psychological effect (to terrorize), and it isn't possible to have such an effect on the dead. This means that the terrorist attack is a media event in the sense that it is designed to attract the attention of the media, the same way that a political campaign event is a media event designed to attract the media's attention and thus garner coverage. When we discuss media attention, we are really first and foremost talking about television, and we are really then talking about gaining the attention of the cameras-and the way to do that is to provide good visuals, however those are defined in a particular context. Understanding the interaction between media needs and the way terrorist attacks satisfy those needs is essential. This is the case because developing strategies to fight an insurgent enemy has become more challenging as today's wars are taking place in a radically new information and media environment, and today's terrorists and insurgents have been brilliant at capitalizing on this environment in their operational art. For today, terrorism is a media event in a second sense. Terrorists and insurgents are now no longer dependent upon the professional media to communicate. In fact, to an unprecedented degree, the professional media have become dependent upon them. This is due to technological developments which permit any terrorist to film, edit, and upload their actions virtually in real time whether Western media are there to serve witness or not. Several new technologies, all of which have become relatively mature at relatively the same time, together have made this new information environment, and it is this environment on which terrorists and insurgents are capitalizing. An information or communication technology becomes mature when it meets several criteria. First, it must be available off-the-shelf. Second, it must be affordable, something within financial reach of a decent percentage of the population. Third, critically, it must be small enough to be easily portable. Fourth, it must be available in most of the world, and not just in the developed countries.
Author: Cori Dauber Publisher: ISBN: 9781461108252 Category : Languages : en Pages : 136
Book Description
There is a vast literature on the potential for new technologies to create a Revolution in Military Affairs or "networked warfare," but that is a discussion of the impact of military technology on the way the force itself can be used. Today there is a question regarding the impact of new communication and information technologies in the hands of civilians-some of whom are combatants-on the environment in which the force will be used. This monograph argues that the impact of these technologies has been, and will be, great enough that the way they are shaping the battlefield needs to be understood. Waging war against terrorists (or insurgents using a terrorist playbook) is a qualitatively different enterprise from earlier wars. By definition, terrorists are too weak to fight successful conventional battles. They fight to shape the perceptions and attitudes of the public-a battle over the public's will to continue fighting, whether that is the indigenous public insurgents seek to intimidate or the domestic American public they seek to influence so as to force counterinsurgents to withdraw from the battlefield prematurely. And in the modern world, this will be a battle to shape media coverage. Terrorist attacks ought to be understood as consciously crafted media events, and while that has always been the case, today it is more true than ever before in two ways. First, the terrorist attack is itself often designed and intended for the cameras. Terrorist attacks are designed for an audience. Their true target is not that which is blown up-that item, or those people-for that is merely a stage prop. What is really being targeted are those watching at home. The goal, after all, is to have a psychological effect (to terrorize), and it isn't possible to have such an effect on the dead. This means that the terrorist attack is a media event in the sense that it is designed to attract the attention of the media, the same way that a political campaign event is a media event designed to attract the media's attention and thus garner coverage. When we discuss media attention, we are really first and foremost talking about television, and we are really then talking about gaining the attention of the cameras-and the way to do that is to provide good visuals, however those are defined in a particular context. Understanding the interaction between media needs and the way terrorist attacks satisfy those needs is essential. This is the case because developing strategies to fight an insurgent enemy has become more challenging as today's wars are taking place in a radically new information and media environment, and today's terrorists and insurgents have been brilliant at capitalizing on this environment in their operational art. For today, terrorism is a media event in a second sense. Terrorists and insurgents are now no longer dependent upon the professional media to communicate. In fact, to an unprecedented degree, the professional media have become dependent upon them. This is due to technological developments which permit any terrorist to film, edit, and upload their actions virtually in real time whether Western media are there to serve witness or not. Several new technologies, all of which have become relatively mature at relatively the same time, together have made this new information environment, and it is this environment on which terrorists and insurgents are capitalizing. An information or communication technology becomes mature when it meets several criteria. First, it must be available off-the-shelf. Second, it must be affordable, something within financial reach of a decent percentage of the population. Third, critically, it must be small enough to be easily portable. Fourth, it must be available in most of the world, and not just in the developed countries.
Author: U. S. Army U.S. Army War College Press Publisher: CreateSpace ISBN: 9781505903430 Category : Languages : en Pages : 136
Book Description
There is a vast literature on the potential for new technologies to create a Revolution in Military Affairs or "networked warfare," but that is a discussion of the impact of military technology on the way the force itself can be used. Today there is a question regarding the impact of new communication and information technologies in the hands of civilians-some of whom are combatants-on the environment in which the force will be used. This book argues that the impact of these technologies has been, and will be, great enough that the way they are shaping the battlefield needs to be understood. Waging war against terrorists (or insurgents using a terrorist playbook) is a qualitatively different enterprise from earlier wars. By definition, terrorists are too weak to fight successful conventional battles. They fight to shape the perceptions and attitudes of the public-a battle over the public's will to continue fighting, whether that is the indigenous public insurgents seek to intimidate or the domestic American public they seek to influence so as to force counterinsurgents to withdraw from the battlefield prematurely. And in the modern world, this will be a battle to shape media coverage.
Author: Cori E. Dauber Publisher: Good Press ISBN: Category : Nature Languages : en Pages : 121
Book Description
"YouTube War" is a book by Cori E. Dauber, an Associate Professor of Communication at the University of North Carolina. It presents a scientific monograph of its own kind researching an influence of new technologies of communication and information in the hands of private citizen and the surroundings in which they will be forced.
Author: Peter Maslowski Publisher: Simon and Schuster ISBN: 1439106312 Category : History Languages : en Pages : 703
Book Description
A chronicle of the frontline photographers of World War II recounts the sometimes harrowing exploits of the American Military Photographers, men armed with cameras who accompanied the Army, Marines, Air Force, and Navy into battle.
Author: Alexandra S. D. Hinrichs Publisher: Getty Publications ISBN: 1606067486 Category : Juvenile Nonfiction Languages : en Pages : 44
Book Description
This poetic and beautiful picture book chronicles the travels of Lewis Hine, who used his camera to document child labor in the early twentieth century. Stunning visuals and poetic text combine to tell the inspiring story of Lewis Hine (1874–1940), a teacher and photographer who employed his art as a tool for social reform. Working for the National Child Labor Committee, Hine traveled the United States, taking pictures of children as young as five toiling under dangerous conditions in cotton mills, seafood canneries, farms, and coal mines. He often wore disguises to sneak into factories, impersonating a machinery inspector or traveling salesman. He said, “If I could tell this story in words, I wouldn’t need to lug a camera.” His poignant pictures attracted national attention and were instrumental in the passage of child labor laws. The Traveling Camera contains extensive back matter, including a time line, original photos, and a bibliography. Ages six to nine.
Author: Randy Carlisle Publisher: Booktango ISBN: 146895640X Category : Fiction Languages : en Pages : 157
Book Description
In life, Rebecca had no opportunity to be anything but a servant. In death, she became more than just a creature of the night. Even in this new, dark world, there are those who are trying to manipulate her destiny, but she is no longer the helpless girl of her youth. As she journeys from the world of light and color to the world of blackness, she learns to take control of her own destiny. It is a long and treacherous trek from color and light to black.
Author: Seán Crosson Publisher: Routledge ISBN: 1135167451 Category : Performing Arts Languages : en Pages : 253
Book Description
The sports film has become one of commercial cinema's most recognizable genres. From classic boxing films such as Raging Bull (1980) to soccer-themed box-office successes like Bend it Like Beckham (2002), the sports film stands at the interface of two of our most important cultural forms. This book examines the social, historical and ideological significance of representations of sport in film internationally, an essential guide for all students and enthusiasts of sport, film, media and culture. Sport and Film traces the history of the sports film, from the beginnings of cinema in the 1890s, its consolidation as a distinct fiction genre in the mid 1920s in Hollywood films such as Harold Lloyd’s The Freshman (1925), to its contemporary manifestation in Oscar-winning films such as Million Dollar Baby (2004) and The Fighter (2010). Drawing on an extensive range of films as source material, the book explores key issues in the study of sport, film and wider society, including race, social class, gender and the legacy of 9/11. It also offers an invaluable guide to 'reading' a film, to help students fully engage with their source material. Comprehensive, authoritative and accessible, this book is an important addition to the literature in both film and media studies, sport studies and cultural studies more generally.