Theories of Art: From Impressionism to Kandinsky PDF Download

Author: Moshe Barasch
Publisher: Psychology Press
ISBN: 9780415926270
Category : Aesthetics
Languages : en
Pages : 404

View

Book Description

Author: Moshe Barasch
Publisher: NYU Press
ISBN: 081471272X
Category : Art
Languages : en
Pages : 400

View

Book Description
In this volume, the third in his classic series of texts surveying the history of art theory, Moshe Barasch traces the hidden patterns and interlocking themes in the study of art, from Impressionism to Abstract Art. Barasch details the immense social changes in the creation, presentation, and reception of art which have set the history of art theory on a vertiginous new course: the decreased relevance of workshops and art schools; the replacement of the treatise by the critical review; and the interrelation of new modes of scientific inquiry with artistic theory and praxis. The consequent changes in the ways in which critics as well as artists conceptualized paintings and sculptures were radical, marked by an obsession with intense, immediate sensory experiences, psychological reflection on the effects of art, and a magnetic pull to the exotic and alien, making for the most exciting and fertile period in the history of art criticism.

Author: Moshe Barasch
Publisher: NYU Press
ISBN: 0814712738
Category : Art
Languages : en
Pages : 400

View

Book Description
In this volume, the third in his classic series of texts surveying the history of art theory, Moshe Barasch traces the hidden patterns and interlocking themes in the study of art, from Impressionism to Abstract Art. Barasch details the immense social changes in the creation, presentation, and reception of art which have set the history of art theory on a vertiginous new course: the decreased relevance of workshops and art schools; the replacement of the treatise by the critical review; and the interrelation of new modes of scientific inquiry with artistic theory and praxis. The consequent changes in the ways in which critics as well as artists conceptualized paintings and sculptures were radical, marked by an obsession with intense, immediate sensory experiences, psychological reflection on the effects of art, and a magnetic pull to the exotic and alien, making for the most exciting and fertile period in the history of art criticism.

Author: Wassily Kandinsky
Publisher: Courier Corporation
ISBN: 048613248X
Category : Art
Languages : en
Pages : 111

View

Book Description
Pioneering work by the great modernist painter, considered by many to be the father of abstract art and a leader in the movement to free art from traditional bonds. 12 illustrations.

Author: Moshe Barasch
Publisher:
ISBN:
Category : Aesthetics
Languages : en
Pages : 389

View

Book Description

Author: Wassily Kandinsky
Publisher: Courier Corporation
ISBN: 0486136248
Category : Art
Languages : en
Pages : 194

View

Book Description
This famous work by a pioneer in the movement to free art from the bonds of tradition explores the role of the line, point, and other key elements of non-objective painting. 127 illustrations.

Author: Moshe Barasch
Publisher: Routledge
ISBN: 1135199655
Category : Art
Languages : en
Pages : 404

View

Book Description
In this volume, the third in his classic series on art theory, Moshe Barasch traces the hidden patterns and interlocking themes in the study of art, from impressionism to abstract art. Barasch details the immense social changes in the creation, presentation, and reception of art which have set the history of art theory on a vertiginous new course: the decreased relevance of workshops and art schools; the replacement of the treatise by the critical review; and the emerging interrelationship between scientific inquiry and artistic theory. The consequent changes in the ways in which critics as well as artists conceptualized paintings and sculptures were radical, marked by an obsession with intense sensory experiences, psychological reflection on the effects of art, and an attraction to the exotic and alien--making for the most exciting and fertile period in the history of art criticism.

Author: Philippe Sers
Publisher:
ISBN: 9780500093979
Category : Abstract expressionism
Languages : en
Pages : 0

View

Book Description
An authoritative chronology of the iconic work of one of the great figures of twentieth-century modernism, Wassily Kandinsky

Author: Christopher Short
Publisher: Peter Lang
ISBN: 9783039113996
Category : Art
Languages : en
Pages : 286

View

Book Description
Kandinsky's theory of art has usually been treated as little more than a guide to help our understanding of his paintings. In contrast, this book attends primarily to the artist's writings on art; thus his art theory is treated on its own terms. Drawing on the diverse literature that has been written on Kandinsky's art and theory, the author demonstrates that while many different perspectives on his work have been identified, none holds the 'key' to that work. Instead, the book shows Kandinsky's method in his writings to be highly eclectic, resulting in an exciting and challenging variety of content (a description that also applies, as a postscript to the book shows, to his method in painting). Kandinsky, however, transcended this diversity and consistently sought evidence of the unity of all things: something that would be realised through his understanding of the term 'synthesis'. The book follows Kandinsky's fascinating attempts to establish synthesis (not only in art but also in other disciplines including science, mathematics, law and politics) in his key theoretical publications: On the Spiritual in Art (1911) and Point and Line to Plane (1926). The result is a new and innovative understanding of both Kandinsky's art theory and his art.

Author: Lucinda Hill
Publisher: Routledge
ISBN: 100057170X
Category : Psychology
Languages : en
Pages : 235

View

Book Description
This book explores the nature of Jung’s understanding of modern art, in particular his reception to the work of Picasso and his striking prejudice shown in his controversial essay of 1932. Offering an important contribution towards understanding Jung’s attitudes towards Picasso and modern art, the book addresses the impact that Jung’s unwillingness to engage in a deeper exploration of modern artforms had on the development of his psychological ideas. It explores and uncovers the reasons for Jung’s derogatory view of Picasso and abstract art more generally, revealing how Jung was unable to remain objective due to his own complex and equally fascinating relationship with art and the psychology of image making. The book argues that modern art parallels Jung’s interests by embracing the spirit of experimentation and using new imagery to challenge creative conceptions, which makes Jung’s attitudes towards modern art all the more surprising. Jung’s Reception of Picasso and Abstract Art will be of great interest to researchers, academics and those interested in analytical psychology, Jungian studies, art history and modernism, aesthetics and psychoanalysis.