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Author: Arthur Foote Publisher: Forgotten Books ISBN: 9780365113416 Category : Music Languages : en Pages : 402
Book Description
Arthur William Foote is a fitting author for a book on the Theory of Music. He was a classical composer and was a founder of the American Guild of Organists. The American musician also was one of the "Boston Six," which was comprised of respected artists Edward MacDowell, Horatio Parker, Amy Beach, John Knowles Paine, and George Whitefield Chadwick. Published in 1908, Theory of Music was written out of a need to have a musical resource that elaborates on the science of making music without confusing users with highly technical terms and discussions. Even the Harvard-educated Foote himself found music theory books of his time "virtually unintelligible" to him. It was during his serious pursuit in learning more of the science and art of making music that he discovered there was no theory reference that "was in English such as a non-musical person could understand." After more than 2 years of research and preparation, this volume was born. Did Foote's labor of love produce the kind of theory book that he himself was looking for? The answer is YES. Through this edition, the respected composer was able to explain the basics of certain concepts in music using sentence structures and words that are easy to understand. Music students will be delighted with this kind of reference. It should be noted that Foote's version was written more than a hundred years ago and may lack some of the other aspects in music theory present in modern volumes on the same subject. However, the concepts discussed in this edition are essentially similar to current ones. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Arthur Foote Publisher: Forgotten Books ISBN: 9780365113416 Category : Music Languages : en Pages : 402
Book Description
Arthur William Foote is a fitting author for a book on the Theory of Music. He was a classical composer and was a founder of the American Guild of Organists. The American musician also was one of the "Boston Six," which was comprised of respected artists Edward MacDowell, Horatio Parker, Amy Beach, John Knowles Paine, and George Whitefield Chadwick. Published in 1908, Theory of Music was written out of a need to have a musical resource that elaborates on the science of making music without confusing users with highly technical terms and discussions. Even the Harvard-educated Foote himself found music theory books of his time "virtually unintelligible" to him. It was during his serious pursuit in learning more of the science and art of making music that he discovered there was no theory reference that "was in English such as a non-musical person could understand." After more than 2 years of research and preparation, this volume was born. Did Foote's labor of love produce the kind of theory book that he himself was looking for? The answer is YES. Through this edition, the respected composer was able to explain the basics of certain concepts in music using sentence structures and words that are easy to understand. Music students will be delighted with this kind of reference. It should be noted that Foote's version was written more than a hundred years ago and may lack some of the other aspects in music theory present in modern volumes on the same subject. However, the concepts discussed in this edition are essentially similar to current ones. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: C. F. ABDY. WILLIAMS Publisher: Forgotten Books ISBN: 9780260508362 Category : Languages : en Pages : 0
Book Description
Excerpt from The Aristoxenian Theory of Musical Rhythm HE ability to keep time must be possessed by every musician if he is to perform intelligently, and to take part in concerted mus1c. In the early days of counterpoint, ere rhythm was thought of. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Michel Huglo Publisher: Taylor & Francis ISBN: 1000948404 Category : History Languages : en Pages : 387
Book Description
This is the final volume in the set of four collections of Michel Huglo's articles to be published in the Variorum series, and focuses on medieval music theory. The point of departure for Huglo's research was his doctoral dissertation on tonaries, published in 1971: as a consequence, he studied the manuscripts of music theory concerning plainchant, and, later, those with writings on music by authors of Late Antiquity as well as the Liber glossarum, with its many definitions of musical terms. In this volume, certain articles consider the interpretation or dissemination of texts, instruction in the art of plainchant, and musical instruction at the university. Others concern the manuscripts of St Augustine's De musica and of the writings of Calcidius, Macrobius, Helisachar, Hucbald, Gerbert of Aurillac, Abbo of Fleury, John of Afflighem, and Hieronymus de Moravia, amongst others. The volume closes with a bibliography of Michel Huglo complementing that published in 1993 and a summary list of his reviews of books on music and liturgy. Ce volume des articles de Michel Huglo termine la série de quatre dans la collection Variorum. Il est centré sur la théorie musicale médiévale. Le point de départ des recherches de Michel Huglo sur la théorie musicale du Moyen Âge est formé par sa thèse sur les tonaires, éditée en 1971: en consequence il etudia les manuscrits de theorie musicale concernant le plain-chant et, plus tard, les auteurs de l'Antiquité tardive et le Liber glossarum qui contient des définitions de nombreux termes musicaux. Dans ce volume, certains articles traitent de l'interprétation ou de la dissémination des textes, des instructions sur l'art du chant, et sur l'enseignement de la musique à l'Université. Ils concernent les manuscrits du De musica d'Augustin, de Calcidius, Macrobe, Helisachar, Hucbald, Gerbert d'Aurillac, Abbon de Fleury, Jean d'Afflighem, Hieronymus de Moravia, et d'autres auteurs. Le volume se termine par une bibliographie de Michel Huglo complétant celle publiée en 1993 et une liste sommaire de ses recensions d'ouvrages sur la musique et la liturgie.
Author: J. Jousse Publisher: Forgotten Books ISBN: 9781333286224 Category : Music Languages : en Pages : 120
Book Description
Excerpt from A Catechism of Music What name is applied to musical tones in combination I Harmony. How are musical ideas expressed in writing By characters called notes and rests. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Siegmund Levarie Publisher: Forgotten Books ISBN: 9780331471618 Category : Music Languages : en Pages : 164
Book Description
Excerpt from Fundamentals of Harmony It may seem presumptuous to add one more textbook on harmony to the numerous existing ones. But each writer is convinced of a special need that he wants to meet; otherwise the subject might justly have been considered exhausted two centuries ago, Upon the publication of the original and funda mental treatises by Rameau and C. P. E. Bach. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Theodore Frederic Molt Publisher: Forgotten Books ISBN: 9781528421911 Category : Languages : en Pages : 88
Book Description
Excerpt from Elementary Treatise on Music, More Particularly Adapted to the Piano Forte As far as I have judged it necessary, I have substituted for technical terms, words more adapted to the understanding of a beginner. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Carl Friederich Weitzman Publisher: Forgotten Books ISBN: 9780260840974 Category : Music Languages : en Pages : 318
Book Description
Excerpt from Bowman's-Weitzman's Manual of Musical Theory: A Concise, Comprehensive and Practical d104-Book on the Science of Music The triad is the fundamental harmony. All other tone-combi nations whatsoever, are derived from, and must finally return to it. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Adolphe Danhauser Publisher: Forgotten Books ISBN: 9780656601332 Category : Music Languages : fr Pages : 132
Book Description
Excerpt from Théorie de la Musique Si nous avons atteint le but que nous nous sommes proposé, nous devons en rendre un juste hommage à tout ce que nos devanciers ont écrit (l'excellent sur ce sujet. Nous avons profilé - de leurs nombreux travaux et nous nous sommes efforcé d'éclaipcir quelques points obscurs, d'étre complet tout en restant concis, exact dans les définitions, d'enchaîner toutes les leçons de telle sorte que chacune soit. La conséquence de celle qui la pré cède, et surtout de procéder toujours du connu à l'inconnu. En un mot, notre objectif a été l'ordre. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Maurice S. Logan Publisher: Forgotten Books ISBN: 9781333517335 Category : Music Languages : en Pages : 246
Book Description
Excerpt from Musicology: A Text-Book for Schools and for General Use Keys 'chart 1, 2 Key Patterns, 4 Major, 5 Minor, 6 Forma tion of Signatures, 15 Intermediate Tones, 17 Keyboard, 18 Chart II, 19 Diatonic Scale, 22 Chromatic Scale, 23. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Ebenezer Prout Publisher: Forgotten Books ISBN: 9780365334576 Category : Music Languages : en Pages : 362
Book Description
Excerpt from Harmony: Its Theory and Practice As will be explained later, the chromatic scale is frequently written in a different way from that here given; but, however written, it equally consists of semitones. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Arthur Foote
Author: Arthur Foote
Author: C. F. ABDY. WILLIAMS
Author: Michel Huglo
Author: J. Jousse
Author: Siegmund Levarie
Author: Theodore Frederic Molt
Author: Carl Friederich Weitzman
Author: Adolphe Danhauser
Author: Maurice S. Logan
Author: Ebenezer Prout