Author: Theodor Damian
Publisher: Edwin Mellen Press
ISBN:
Category : Art
Languages : en
Pages : 360
Book Description
Offers a message of hope and trust for the spiritual ecumenism of our time, which combines the sanctity of man with the transformation of creation.
Theological and Spiritual Dimensions of Icons According to St. Theodore of Studion
Author: Theodor Damian
Publisher: Edwin Mellen Press
ISBN:
Category : Art
Languages : en
Pages : 360
Book Description
Offers a message of hope and trust for the spiritual ecumenism of our time, which combines the sanctity of man with the transformation of creation.
Publisher: Edwin Mellen Press
ISBN:
Category : Art
Languages : en
Pages : 360
Book Description
Offers a message of hope and trust for the spiritual ecumenism of our time, which combines the sanctity of man with the transformation of creation.
Theodore the Stoudite
Author: Roman Cholij
Publisher: Oxford University Press, USA
ISBN: 9780199248469
Category : Biography & Autobiography
Languages : en
Pages : 300
Book Description
Roman Cholij's study of the life and thought of Theodore the Stoudite provides a complete analysis of, and guide to, all the primary source material attributed to Theodore.
Publisher: Oxford University Press, USA
ISBN: 9780199248469
Category : Biography & Autobiography
Languages : en
Pages : 300
Book Description
Roman Cholij's study of the life and thought of Theodore the Stoudite provides a complete analysis of, and guide to, all the primary source material attributed to Theodore.
Byzantium/Modernism
Author:
Publisher: BRILL
ISBN: 9004300015
Category : History
Languages : en
Pages : 395
Book Description
Byzantium/Modernism features contributions by fourteen international scholars and brings together a diverse range of interdisciplinary essays on art, architecture, theatre, film, literature, and philosophy, which examine how and why Byzantine art and image theory can contribute to our understanding of modern and contemporary visual culture. Particular attention is given to intercultural dialogues between the former dominions of the Byzantine Empire, with a special focus on Greece, Turkey, and Russia, and the artistic production of Western Europe and America. Together, these essays invite the reader to think critically and theoretically about the dialogic interchange between Byzantium and modernism and to consider this cross-temporal encounter as an ongoing and historically deep narrative, rather than an ephemeral or localized trend. Contributors are Tulay Atak, Charles Barber, Elena Boeck, Anthony Cutler, Rico Franses, Dimitra Kotoula, Marie-José Mondzain, Myroslava M. Mudrak, Robert S. Nelson, Robert Ousterhout, Stratis Papaioannou, Glenn Peers, Jane A. Sharp and Devin Singh.
Publisher: BRILL
ISBN: 9004300015
Category : History
Languages : en
Pages : 395
Book Description
Byzantium/Modernism features contributions by fourteen international scholars and brings together a diverse range of interdisciplinary essays on art, architecture, theatre, film, literature, and philosophy, which examine how and why Byzantine art and image theory can contribute to our understanding of modern and contemporary visual culture. Particular attention is given to intercultural dialogues between the former dominions of the Byzantine Empire, with a special focus on Greece, Turkey, and Russia, and the artistic production of Western Europe and America. Together, these essays invite the reader to think critically and theoretically about the dialogic interchange between Byzantium and modernism and to consider this cross-temporal encounter as an ongoing and historically deep narrative, rather than an ephemeral or localized trend. Contributors are Tulay Atak, Charles Barber, Elena Boeck, Anthony Cutler, Rico Franses, Dimitra Kotoula, Marie-José Mondzain, Myroslava M. Mudrak, Robert S. Nelson, Robert Ousterhout, Stratis Papaioannou, Glenn Peers, Jane A. Sharp and Devin Singh.
The Gospel according to Heretics
Author: David E. Wilhite
Publisher: Baker Academic
ISBN: 1441223517
Category : Religion
Languages : en
Pages : 274
Book Description
Since what Christian doctrine denies can be as important as what it affirms, it is important to understand teachings about Jesus that the early church rejected. Historians now acknowledge that proponents of alternative teachings were not so much malicious malcontents as they were misguided or even misunderstood. Here a recognized expert in early Christian theology teaches orthodox Christology by explaining the false starts (heresies), making the history of theology relevant for today's church. This engaging introduction to the christological heresies is suitable for beginning students. In addition, pastors and laypeople will find it useful for apologetic purposes.
Publisher: Baker Academic
ISBN: 1441223517
Category : Religion
Languages : en
Pages : 274
Book Description
Since what Christian doctrine denies can be as important as what it affirms, it is important to understand teachings about Jesus that the early church rejected. Historians now acknowledge that proponents of alternative teachings were not so much malicious malcontents as they were misguided or even misunderstood. Here a recognized expert in early Christian theology teaches orthodox Christology by explaining the false starts (heresies), making the history of theology relevant for today's church. This engaging introduction to the christological heresies is suitable for beginning students. In addition, pastors and laypeople will find it useful for apologetic purposes.
On the Holy Icons
Author: Saint Theodore (Studites)
Publisher: RSM Press
ISBN: 9780913836767
Category : Art
Languages : en
Pages : 126
Book Description
To many modern Christians the question of icon veneration may seem a marginal issue in theology. To St Theodore the Studite, writing in the midst of the iconoclastic controversy of the eighth and ninth centuries, it was clear that iconoclasm is a serious error, which alienates its followers from God as much as any other heresy. That is to say, rejection of Christian veneration of images effectively denies God's incarnation, which alone makes human salvation possible. If Christ could not be portrayed, then He was not truly man, and humanity was not truly united with God in Him. In our own day, when the material world so often is regarded as mere matter, incapable of being transfigured in Christ, St Theodore's message remains remarkably pertinent.
Publisher: RSM Press
ISBN: 9780913836767
Category : Art
Languages : en
Pages : 126
Book Description
To many modern Christians the question of icon veneration may seem a marginal issue in theology. To St Theodore the Studite, writing in the midst of the iconoclastic controversy of the eighth and ninth centuries, it was clear that iconoclasm is a serious error, which alienates its followers from God as much as any other heresy. That is to say, rejection of Christian veneration of images effectively denies God's incarnation, which alone makes human salvation possible. If Christ could not be portrayed, then He was not truly man, and humanity was not truly united with God in Him. In our own day, when the material world so often is regarded as mere matter, incapable of being transfigured in Christ, St Theodore's message remains remarkably pertinent.
The Art of the Icon
The Ceramic Icon in Medieval Bulgaria
Author: Toti︠u︡ Totev
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 266
Book Description
The ceramic icon painting is one of the scarcely studied themes in the art of medieval Bulgaria. All that is known in this field has been based on fragmented and few in number painted and embossed white clay icons and meddalions. Using the entire icon material available and investigating it with modern scientific methods is the main merit of this volume, which aims to describe and analyse the medieval Bulgarian ceramic icon from its appearance and flourishing in the late 9th century. The work is based mainly on materials obtained archaelogically (mostly excavations) by the author.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 266
Book Description
The ceramic icon painting is one of the scarcely studied themes in the art of medieval Bulgaria. All that is known in this field has been based on fragmented and few in number painted and embossed white clay icons and meddalions. Using the entire icon material available and investigating it with modern scientific methods is the main merit of this volume, which aims to describe and analyse the medieval Bulgarian ceramic icon from its appearance and flourishing in the late 9th century. The work is based mainly on materials obtained archaelogically (mostly excavations) by the author.
The Ukrainian Catholic Church, 1945-1975
Author: Miroslav Labunka
Publisher:
ISBN:
Category : Church and state
Languages : en
Pages : 182
Book Description
Publisher:
ISBN:
Category : Church and state
Languages : en
Pages : 182
Book Description
Byzantium and the Rise of Russia
Author: John Meyendorff
Publisher: Cambridge University Press
ISBN: 9780521135337
Category : History
Languages : en
Pages : 358
Book Description
This book describes the role of Byzantine diplomacy in the emergence of Moscow in the fourteenth century.
Publisher: Cambridge University Press
ISBN: 9780521135337
Category : History
Languages : en
Pages : 358
Book Description
This book describes the role of Byzantine diplomacy in the emergence of Moscow in the fourteenth century.
The Beauty of the Cross
Author: Richard Viladesau
Publisher: Oxford University Press
ISBN: 0198040660
Category : Religion
Languages : en
Pages : 225
Book Description
From the earliest period of its existence, Christianity has been recognized as the "religion of the cross." Some of the great monuments of Western art are representations of the brutal torture and execution of Christ. Despite the horror of crucifixion, we often find such images beautiful. The beauty of the cross expresses the central paradox of Christian faith: the cross of Christ's execution is the symbol of God's victory over death and sin. The cross as an aesthetic object and as a means of devotion corresponds to the mystery of God's wisdom and power manifest in suffering and apparent failure. In this volume, Richard Viladesau seeks to understand the beauty of the cross as it developed in both theology and art from their beginnings until the eve of the renaissance. He argues that art and symbolism functioned as an alternative strand of theological expression -- sometimes parallel to, sometimes interwoven with, and sometimes in tension with formal theological reflection on the meaning of the Crucifixion and its role insalvation history. Using specific works of art to epitomize particular artistic and theological paradigms, Viladesau then explores the contours of each paradigm through the works of representative theologians as well as liturgical, poetic, artistic, and musical sources. The beauty of the cross is examined from Patristic theology and the earliest representations of the Logos on the cross, to the monastic theology of victory and the Romanesque crucified "majesty," to the Anselmian "revolution" that centered theological and artistic attention on the suffering humanity of Jesus, and finally to the breakdown of the high scholastic theology of the redemption in empirically concentrated nominalism and the beginnings of naturalism in art. By examining the relationship between aesthetic and conceptual theology, Viladesau deepens our understanding of the foremost symbol of Christianity. This volume makes an important contribution to an emerging field, breaking new ground in theological aesthetics. The Beauty of the Cross is a valuable resource for scholars, students, and anyone interested in the passion of Christ and its representation.
Publisher: Oxford University Press
ISBN: 0198040660
Category : Religion
Languages : en
Pages : 225
Book Description
From the earliest period of its existence, Christianity has been recognized as the "religion of the cross." Some of the great monuments of Western art are representations of the brutal torture and execution of Christ. Despite the horror of crucifixion, we often find such images beautiful. The beauty of the cross expresses the central paradox of Christian faith: the cross of Christ's execution is the symbol of God's victory over death and sin. The cross as an aesthetic object and as a means of devotion corresponds to the mystery of God's wisdom and power manifest in suffering and apparent failure. In this volume, Richard Viladesau seeks to understand the beauty of the cross as it developed in both theology and art from their beginnings until the eve of the renaissance. He argues that art and symbolism functioned as an alternative strand of theological expression -- sometimes parallel to, sometimes interwoven with, and sometimes in tension with formal theological reflection on the meaning of the Crucifixion and its role insalvation history. Using specific works of art to epitomize particular artistic and theological paradigms, Viladesau then explores the contours of each paradigm through the works of representative theologians as well as liturgical, poetic, artistic, and musical sources. The beauty of the cross is examined from Patristic theology and the earliest representations of the Logos on the cross, to the monastic theology of victory and the Romanesque crucified "majesty," to the Anselmian "revolution" that centered theological and artistic attention on the suffering humanity of Jesus, and finally to the breakdown of the high scholastic theology of the redemption in empirically concentrated nominalism and the beginnings of naturalism in art. By examining the relationship between aesthetic and conceptual theology, Viladesau deepens our understanding of the foremost symbol of Christianity. This volume makes an important contribution to an emerging field, breaking new ground in theological aesthetics. The Beauty of the Cross is a valuable resource for scholars, students, and anyone interested in the passion of Christ and its representation.