Author: Luis-Martín Lozano
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 204
Book Description
Mexican Modern Art, 1900-1950
Author: Luis-Martín Lozano
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 204
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 204
Book Description
Contemporary Mexican Painting in a Time of Change
Author: Shifra M. Goldman
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 264
Book Description
United by their belief in the importance of the human image in art, they distanced themselves both from the social realism of their predecessors and from the pure abstraction of many of their contemporaries. Shifra Goldman begins with a brief examination of the era and issues of muralism and the art of Rufino Tamayo. She then focuses on the confrontation between socially conscious art and "pure painting" that began in the late 1950s and resulted in the formation of Nueva Presencia.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 264
Book Description
United by their belief in the importance of the human image in art, they distanced themselves both from the social realism of their predecessors and from the pure abstraction of many of their contemporaries. Shifra Goldman begins with a brief examination of the era and issues of muralism and the art of Rufino Tamayo. She then focuses on the confrontation between socially conscious art and "pure painting" that began in the late 1950s and resulted in the formation of Nueva Presencia.
The New Negro
Author: Alain Locke
Publisher:
ISBN:
Category : Literary Collections
Languages : en
Pages : 508
Book Description
Publisher:
ISBN:
Category : Literary Collections
Languages : en
Pages : 508
Book Description
California Art
Author: Nancy Dustin Wall Moure
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 568
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 568
Book Description
Art and Revolution in Latin America, 1910-1990
Author: David Craven
Publisher: Yale University Press
ISBN: 9780300120462
Category : Art
Languages : en
Pages : 246
Book Description
In this uniquely wide-ranging book, David Craven investigates the extraordinary impact of three Latin American revolutions on the visual arts and on cultural policy. The three great upheavals - in Mexico (1910-40), in Cuba (1959-89), and in Nicaragua (1979-90) - were defining moments in twentieth-century life in the Americas. Craven discusses the structural logic of each movement's artistic project - by whom, how, and for whom artworks were produced -- and assesses their legacies. In each case, he demonstrates how the consequences of the revolution reverberated in the arts and cultures far beyond national borders. The book not only examines specific artworks originating from each revolution's attempt to deal with the challenge of 'socializing the arts,' but also the engagement of the working classes in Mexico, Cuba, and Nicaragua with a tradition of the fine arts made newly accessible through social transformation. Craven considers how each revolution dealt with the pressing problem of creating a 'dialogical art' -- one that reconfigures the existing artistic resource rather than one that just reproduces a populist art to keep things as they were. In addition, the author charts the impact on the revolutionary processes of theories of art and education, articulated by such thinkers as John Dewey and Paulo Freire. The book provides a fascinating new view of the Latin American revolutionaries -- from artists to political leaders -- who defined art as a fundamental force for the transformation of society and who bequeathed new ways of thinking about the relations among art, ideology, and class, within a revolutionary process.
Publisher: Yale University Press
ISBN: 9780300120462
Category : Art
Languages : en
Pages : 246
Book Description
In this uniquely wide-ranging book, David Craven investigates the extraordinary impact of three Latin American revolutions on the visual arts and on cultural policy. The three great upheavals - in Mexico (1910-40), in Cuba (1959-89), and in Nicaragua (1979-90) - were defining moments in twentieth-century life in the Americas. Craven discusses the structural logic of each movement's artistic project - by whom, how, and for whom artworks were produced -- and assesses their legacies. In each case, he demonstrates how the consequences of the revolution reverberated in the arts and cultures far beyond national borders. The book not only examines specific artworks originating from each revolution's attempt to deal with the challenge of 'socializing the arts,' but also the engagement of the working classes in Mexico, Cuba, and Nicaragua with a tradition of the fine arts made newly accessible through social transformation. Craven considers how each revolution dealt with the pressing problem of creating a 'dialogical art' -- one that reconfigures the existing artistic resource rather than one that just reproduces a populist art to keep things as they were. In addition, the author charts the impact on the revolutionary processes of theories of art and education, articulated by such thinkers as John Dewey and Paulo Freire. The book provides a fascinating new view of the Latin American revolutionaries -- from artists to political leaders -- who defined art as a fundamental force for the transformation of society and who bequeathed new ways of thinking about the relations among art, ideology, and class, within a revolutionary process.
Catalogue of the Library of the National Gallery of Canada: Mah
Author: National Gallery of Canada. Library
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 798
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 798
Book Description
New Mexico Studies in the Fine Arts
Books in Print Supplement
Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 1774
Book Description
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 1774
Book Description
How a Revolutionary Art Became Official Culture
Author: Mary K. Coffey
Publisher: Duke University Press
ISBN: 0822350378
Category : Art
Languages : en
Pages : 249
Book Description
This is a study of the reciprocal relationship between Mexican muralism and the three major Mexican museums&—the Palace of Fine Arts, the National History Museum, and the National Anthropology Museum.
Publisher: Duke University Press
ISBN: 0822350378
Category : Art
Languages : en
Pages : 249
Book Description
This is a study of the reciprocal relationship between Mexican muralism and the three major Mexican museums&—the Palace of Fine Arts, the National History Museum, and the National Anthropology Museum.
Edward Weston--photographs
Author: Amy Conger
Publisher: Center for Creative Photography
ISBN:
Category : Photography
Languages : en
Pages : 664
Book Description
Publisher: Center for Creative Photography
ISBN:
Category : Photography
Languages : en
Pages : 664
Book Description