Author: Carel van Mander
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 344
Book Description
The Lives of the Illustrious Netherlandish and German Painters, from the First Edition of the Schilder-boeck (1603-1604)
Author: Carel van Mander
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 464
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 464
Book Description
The Lives of the Illustrious Netherlandish and German Painters, from the First Edition of the Schilder-boeck (1603-1604): Commentary on lives
Author: Carel van Mander
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 344
Book Description
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 344
Book Description
The Lives of the Illustrious Netherlandish and German Painters, from the First Edition of the Schilder-boeck (1603-1604): Commentary on Biography and Lives : fol. 196r01-211r35
Author: Carel van Mander
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 428
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 428
Book Description
Flemish and Dutch Artists in Early Modern England
Author: MaryBryanH. Curd
Publisher: Routledge
ISBN: 1351566989
Category : Art
Languages : en
Pages : 257
Book Description
By examining their production practices in a variety of genres?including manuscript illustration, glass painting and staining, tapestry manufacture, portrait painting, and engraving?this book explores how Netherlandish artists migrating to England in the early modern period overcame difficulties raised by their outsider status. This study examines, for the first time in this context, the challenges of alien status to artistic production and the effectiveness of cooperation as a countermeasure. The author demonstrates that collaboration was chief among the strategies that these foreigners chose to secure a position in London's changing art market. Curd's exploration of these collaborations primarily follows Pierre Bourdieu's model of "establishment and challenger" in which dominance in a field of cultural production depends upon how much cultural, political, and economic capital can be accumulated and the effectiveness of the strategies used to confront competition. The analysis presented here challenges received opinion that a collaborative work is only a joint effort of artists working together on a single monument by demonstrating that the participation of patrons and middlemen can also shape the final appearance of a work of art. Furthermore, this book shows that the strategic use of collaboration served the goal of competition by helping to establish foreign artists in the London art market and suggests that their coping strategies have implications for the study of immigrant behaviors today.
Publisher: Routledge
ISBN: 1351566989
Category : Art
Languages : en
Pages : 257
Book Description
By examining their production practices in a variety of genres?including manuscript illustration, glass painting and staining, tapestry manufacture, portrait painting, and engraving?this book explores how Netherlandish artists migrating to England in the early modern period overcame difficulties raised by their outsider status. This study examines, for the first time in this context, the challenges of alien status to artistic production and the effectiveness of cooperation as a countermeasure. The author demonstrates that collaboration was chief among the strategies that these foreigners chose to secure a position in London's changing art market. Curd's exploration of these collaborations primarily follows Pierre Bourdieu's model of "establishment and challenger" in which dominance in a field of cultural production depends upon how much cultural, political, and economic capital can be accumulated and the effectiveness of the strategies used to confront competition. The analysis presented here challenges received opinion that a collaborative work is only a joint effort of artists working together on a single monument by demonstrating that the participation of patrons and middlemen can also shape the final appearance of a work of art. Furthermore, this book shows that the strategic use of collaboration served the goal of competition by helping to establish foreign artists in the London art market and suggests that their coping strategies have implications for the study of immigrant behaviors today.
Karel Van Mander, the Lives of the Illustrious Netherlandish and German Painters, from the First Edition of the Schilder-boeck (1603-1604): Lives
Author: Carel van Mander
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 342
Book Description
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 342
Book Description
The Lives of the Illustrious Netherlandish and German Painters, from the First Edition of the Schilder-boeck (1603-1604): Commentary on Biography and Lives : fol. 196r01-211r35
Author: Carel van Mander
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 428
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 428
Book Description
Imago and Contemplatio in the Visual Arts and Literature (1400–1700)
Author: Stijn Bussels
Publisher: BRILL
ISBN: 9004682643
Category : History
Languages : en
Pages : 541
Book Description
This volume contains twenty-four essays, which, in their subjects and methodology, pay tribute to the scholarship of Walter S. Melion. The contributions are grouped under three categories: “Devotion,” “Art and Image Theory,” and “Vision and Contemplation.” The Devotion section addresses votive practices, theological theory and polemic literature. The Art and Image Theory section focuses on Jesuit image theory, the reflexive dimension of works, and artists’ reflections on the function of images. Finally, the Vision and Contemplation section discusses the ‘early modern eye’ as a tool for thoughtful, prolonged looking to ascertain visual wit, deception, self-assessment and friendship, sacred and profane allegories.
Publisher: BRILL
ISBN: 9004682643
Category : History
Languages : en
Pages : 541
Book Description
This volume contains twenty-four essays, which, in their subjects and methodology, pay tribute to the scholarship of Walter S. Melion. The contributions are grouped under three categories: “Devotion,” “Art and Image Theory,” and “Vision and Contemplation.” The Devotion section addresses votive practices, theological theory and polemic literature. The Art and Image Theory section focuses on Jesuit image theory, the reflexive dimension of works, and artists’ reflections on the function of images. Finally, the Vision and Contemplation section discusses the ‘early modern eye’ as a tool for thoughtful, prolonged looking to ascertain visual wit, deception, self-assessment and friendship, sacred and profane allegories.
Mediating Religious Cultures in Early Modern Europe
Author: Torrance Kirby
Publisher: Cambridge Scholars Publishing
ISBN: 1443863386
Category : Art
Languages : en
Pages : 302
Book Description
In recent years, writing on early-modern culture has turned from examining the upheavals of the Reformation as the ruptured birth of early modernity out of the late medieval towards a striking emphasis on processes of continuity, transition, and adaptation. No longer is the ‘religious’ seen as institutional or doctrinaire, but rather as a cultural and social phenomenon that exceeds the rigid parameters of modern definition. Recent analyses of early-modern cultures offer nuanced accounts that move beyond the limits of traditional historiography, and even the bounds of religious studies. At their centre is recognition that the scope of the religious can never be extricated from early-modern culture. Despite its many conflicts and tensions, the lingua franca for cultural self-understanding of the early-modern period remains ineluctably religious. The early-modern world wrestled with the radical challenges concerning the nature of belief within the confines of church or worship, but also beyond them. This process of negotiation was complex and fuelled European social dynamics. Without religion we cannot begin to comprehend the myriad facets of early-modern life, from markets, to new forms of art, to public and private associations. In discussions of images, the Eucharist, suicide, music, street lighting, or whether or not the sensible natural world represented an otherworldly divine, religion was the fundamental preoccupation of the age. Yet, even in contexts where unbelief might be considered, we find the religious providing the fundamental terminology for explicating the secular theories and views which sought to undermine it as a valid aspect of human life. This collection of essays takes up these themes in diverse ways. We move from the 15th century to the 18th, from the core problem of sacramental mediation of the divine within the strict parameters of eucharistic and devotional life, through discussion of images and iconoclasm, music and word, to more blurred contexts of death, street life, and atheism. Throughout the early-modern period, the very processes of adaption – even change itself – were framed by religious concepts and conceits.
Publisher: Cambridge Scholars Publishing
ISBN: 1443863386
Category : Art
Languages : en
Pages : 302
Book Description
In recent years, writing on early-modern culture has turned from examining the upheavals of the Reformation as the ruptured birth of early modernity out of the late medieval towards a striking emphasis on processes of continuity, transition, and adaptation. No longer is the ‘religious’ seen as institutional or doctrinaire, but rather as a cultural and social phenomenon that exceeds the rigid parameters of modern definition. Recent analyses of early-modern cultures offer nuanced accounts that move beyond the limits of traditional historiography, and even the bounds of religious studies. At their centre is recognition that the scope of the religious can never be extricated from early-modern culture. Despite its many conflicts and tensions, the lingua franca for cultural self-understanding of the early-modern period remains ineluctably religious. The early-modern world wrestled with the radical challenges concerning the nature of belief within the confines of church or worship, but also beyond them. This process of negotiation was complex and fuelled European social dynamics. Without religion we cannot begin to comprehend the myriad facets of early-modern life, from markets, to new forms of art, to public and private associations. In discussions of images, the Eucharist, suicide, music, street lighting, or whether or not the sensible natural world represented an otherworldly divine, religion was the fundamental preoccupation of the age. Yet, even in contexts where unbelief might be considered, we find the religious providing the fundamental terminology for explicating the secular theories and views which sought to undermine it as a valid aspect of human life. This collection of essays takes up these themes in diverse ways. We move from the 15th century to the 18th, from the core problem of sacramental mediation of the divine within the strict parameters of eucharistic and devotional life, through discussion of images and iconoclasm, music and word, to more blurred contexts of death, street life, and atheism. Throughout the early-modern period, the very processes of adaption – even change itself – were framed by religious concepts and conceits.
Dutch Paintings in the Metropolitan Museum of Art
Author: Walter A. Liedtke
Publisher: Metropolitan Museum of Art
ISBN: 1588392732
Category : Painters
Languages : en
Pages : 1109
Book Description
Presents a catalog that surveys the Dutch paintings found in the Metropolitan Museum of Art.
Publisher: Metropolitan Museum of Art
ISBN: 1588392732
Category : Painters
Languages : en
Pages : 1109
Book Description
Presents a catalog that surveys the Dutch paintings found in the Metropolitan Museum of Art.
Pieter Bruegel and the Art of Laughter
Author: Walter S. Gibson
Publisher: Univ of California Press
ISBN: 0520245210
Category : Art
Languages : en
Pages : 291
Book Description
In this delightfully engaging book, Walter S. Gibson takes a new look at Bruegel, arguing that the artist was no erudite philosopher, but a man very much in the world, and that a significant part of his art is best appreciated in the context of humour.
Publisher: Univ of California Press
ISBN: 0520245210
Category : Art
Languages : en
Pages : 291
Book Description
In this delightfully engaging book, Walter S. Gibson takes a new look at Bruegel, arguing that the artist was no erudite philosopher, but a man very much in the world, and that a significant part of his art is best appreciated in the context of humour.