Author: University of GlasgowPublisher:
ISBN:
Category :
Languages : en
Pages : 918
Book Description
University of Glasgow Calendar
Author: University of GlasgowPublisher:
ISBN:
Category :
Languages : en
Pages : 918
Book Description
Glasgow University Calendar
Author: University of GlasgowPublisher:
ISBN:
Category :
Languages : en
Pages : 782
Book Description
The Glasgow University Calendar...
Author: University of GlasgowPublisher:
ISBN:
Category :
Languages : en
Pages : 888
Book Description
Glasgow University Calendar for the Year ...
Author: University of GlasgowPublisher:
ISBN:
Category :
Languages : en
Pages : 820
Book Description
Historical Painting Techniques, Materials, and Studio Practice
Author: Arie WallertPublisher: Getty Publications
ISBN: 0892363223
Category : Art
Languages : en
Pages : 241
Book Description
Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.
An American in London
Author: Margaret F. MacDonaldPublisher: Philip Wilson Publishers
ISBN: 9781781300060
Category : Art
Languages : en
Pages : 192
Book Description
Catalog of the exhibition of the same name held at: Dulwich Picture Gallery, London, from October 16, 2013, through January 12, 2014; Addison Gallery of American Art, Philips Academy, Andover, Massachusetts, from February 1, 2013, through April 13, 2014; and Freer Gallery of Art, Smithsonian Institution, Washington, D. C., May 2-17, 2014.
Whistler's Venice
Author: Alastair Ian GrievePublisher: Paul Mellon Ctr for Studies
ISBN: 9780300084498
Category : Art
Languages : en
Pages : 216
Book Description
Planning a brief stay in Venice to create twelve commissioned etchings, Whistler became enchanted with the beauty of the city in 1879 and remained there for more than a year. He worked in all areas of the city, producing about fifty etchings, a few oils, and, most remarkably, one hundred pastels. This beautifully illustrated book is the first to follow Whistler's progress through Venice as he made his powerful and evocative portraits of the city. Alongside each of Whistler's etchings, pastels, and oils are photographs of the actual sites where he made them. Alastair Grieve's detailed comparisons of Whistler's works and their corresponding sites reveal much about the artist's methods and techniques, about the changing fabric of the city, and about Whistler's genius as a topographical artist. Grieve also compares Whistler's approach with that of other artists and photographers working in Venice at the same time. Whistler arrived in Venice bankrupt in the wake of a sensational libel trial against John Ruskin in London. Venice proved both restorative and transforming for Whistler -- it released a flood of creativity that enabled him to reestablish his finances, his reputation, and to a degree his personal life. His representations of well-known landmarks, including the church of Santa Maria della Salute and the Rialto Bridge, as well as many minor courts, alleys, and back canals, established a new and original iconography of the city. Upon his return to London, Whistler exhibited his Venice works and gradually reassumed a leading place in the Victorian art avant-garde.
Whistler V. Ruskin
Author: James McNeill WhistlerPublisher:
ISBN:
Category : Art criticism
Languages : en
Pages : 44
Book Description
Japonisme in Britain
Author: Ayako OnoPublisher: Routledge
ISBN: 1136625038
Category : History
Languages : en
Pages : 273
Book Description
Japan held a profound fascination for western artists in the latter half of the nineteenth century and the influence of Japonisme on western art was pervasive. Paradoxically, just as western artists were beginning to find inspiration in Japan and Japanese art, Japan was opening to the western world and beginning a process of thorough modernisation, some have said westernisation. The mastery of western art was included in the programme. This book examines the nineteenth century art world against this background and explores Japanese influences on four artists working in Britain in particular: the American James McNeill Whistler, the Australian Mortimer Menpes, and the 'Glasgow boys' George Henry and Edward Atkinson Hornel. Japonisme in Britian is richly illustrated throughout.
"Ten O'clock,"
Author: James McNeill WhistlerPublisher:
ISBN:
Category : Art
Languages : en
Pages : 42
Book Description