Author: Ruth W. Mellinkoff
Publisher: Wipf and Stock Publishers
ISBN: 1579100880
Category : Religion
Languages : en
Pages : 313
Book Description
An interdisciplinary study touching not only upon medieval art, but also upon such disciplines as medieval history, history of the Church, Latin and vernacular literature both religious and secular, medieval drama, mythology, and folklore. Mellinkoff's goal is to provide an iconographical interpretation of horned Moses in as deep a sense as possible.
The Horned Moses in Medieval Art and Thought
Author: Ruth W. Mellinkoff
Publisher: Wipf and Stock Publishers
ISBN: 1579100880
Category : Religion
Languages : en
Pages : 313
Book Description
An interdisciplinary study touching not only upon medieval art, but also upon such disciplines as medieval history, history of the Church, Latin and vernacular literature both religious and secular, medieval drama, mythology, and folklore. Mellinkoff's goal is to provide an iconographical interpretation of horned Moses in as deep a sense as possible.
Publisher: Wipf and Stock Publishers
ISBN: 1579100880
Category : Religion
Languages : en
Pages : 313
Book Description
An interdisciplinary study touching not only upon medieval art, but also upon such disciplines as medieval history, history of the Church, Latin and vernacular literature both religious and secular, medieval drama, mythology, and folklore. Mellinkoff's goal is to provide an iconographical interpretation of horned Moses in as deep a sense as possible.
˜Theœ horned Moses in medieval art
The Horned Moses in Medieval Art and Tought
Ruth Mellinkoff: The horned Moses in medieval art and thought. 1970. [Review].
Review article of Ruth Mellinkoff
Moses the Egyptian in the Illustrated Old English Hexateuch (London, British Library Cotton MS Claudius B.iv)
Author: Herbert R. Broderick
Publisher: University of Notre Dame Pess
ISBN: 0268102082
Category : Religion
Languages : en
Pages : 387
Book Description
In Moses the Egyptian, Herbert Broderick analyzes the iconography of Moses in the famous illuminated eleventh-century manuscript known as the Illustrated Old English Hexateuch. A translation into Old English of the first six books of the Bible, the manuscript contains over 390 images, of which 127 depict Moses with a variety of distinctive visual attributes. Broderick presents a compelling thesis that these motifs, in particular the image of the horned Moses, have a Hellenistic Egyptian origin. He argues that the visual construct of Moses in the Old English Hexateuch may have been based on a Late Antique, no longer extant, prototype influenced by works of Hellenistic Egyptian Jewish exegetes, who ascribed to Moses the characteristics of an Egyptian-Hellenistic king, military commander, priest, prophet, and scribe. These Jewish writings were utilized in turn by early Christian apologists such as Clement of Alexandria and Eusebius of Caesarea. Broderick’s analysis of this Moses imagery ranges widely across religious divides, art-historical religious themes, and classical and early Jewish and Christian sources. Herbert Broderick is one of the foremost historians in the field of Anglo-Saxon art, with a primary focus on Old Testament iconography. Readers with interests in the history of medieval manuscript illustration, art history, and early Jewish and Christian apologetics will find much of interest in this profusely illustrated study.
Publisher: University of Notre Dame Pess
ISBN: 0268102082
Category : Religion
Languages : en
Pages : 387
Book Description
In Moses the Egyptian, Herbert Broderick analyzes the iconography of Moses in the famous illuminated eleventh-century manuscript known as the Illustrated Old English Hexateuch. A translation into Old English of the first six books of the Bible, the manuscript contains over 390 images, of which 127 depict Moses with a variety of distinctive visual attributes. Broderick presents a compelling thesis that these motifs, in particular the image of the horned Moses, have a Hellenistic Egyptian origin. He argues that the visual construct of Moses in the Old English Hexateuch may have been based on a Late Antique, no longer extant, prototype influenced by works of Hellenistic Egyptian Jewish exegetes, who ascribed to Moses the characteristics of an Egyptian-Hellenistic king, military commander, priest, prophet, and scribe. These Jewish writings were utilized in turn by early Christian apologists such as Clement of Alexandria and Eusebius of Caesarea. Broderick’s analysis of this Moses imagery ranges widely across religious divides, art-historical religious themes, and classical and early Jewish and Christian sources. Herbert Broderick is one of the foremost historians in the field of Anglo-Saxon art, with a primary focus on Old Testament iconography. Readers with interests in the history of medieval manuscript illustration, art history, and early Jewish and Christian apologetics will find much of interest in this profusely illustrated study.
Acheloios, Thales, and the Origin of Philosophy
Author: Nicholas J. Molinari
Publisher: Archaeopress Publishing Ltd
ISBN: 180327087X
Category : Antiques & Collectibles
Languages : en
Pages : 262
Book Description
Through careful analysis of the archaeological record, close reading of ancient sources, and deep investigations into the languages of our past, this study demonstrates the importance of the influence of the cult of Acheloios on Thales, fundamentally changing our understanding of the origin of the philosophical experience in 6th century Ionia.
Publisher: Archaeopress Publishing Ltd
ISBN: 180327087X
Category : Antiques & Collectibles
Languages : en
Pages : 262
Book Description
Through careful analysis of the archaeological record, close reading of ancient sources, and deep investigations into the languages of our past, this study demonstrates the importance of the influence of the cult of Acheloios on Thales, fundamentally changing our understanding of the origin of the philosophical experience in 6th century Ionia.
Cultural Exchange
Author: Joseph Shatzmiller
Publisher: Princeton University Press
ISBN: 0691176183
Category : History
Languages : en
Pages : 203
Book Description
Demonstrating that similarities between Jewish and Christian art in the Middle Ages were more than coincidental, Cultural Exchange meticulously combines a wide range of sources to show how Jews and Christians exchanged artistic and material culture. Joseph Shatzmiller focuses on communities in northern Europe, Iberia, and other Mediterranean societies where Jews and Christians coexisted for centuries, and he synthesizes the most current research to describe the daily encounters that enabled both societies to appreciate common artistic values. Detailing the transmission of cultural sensibilities in the medieval money market and the world of Jewish money lenders, this book examines objects pawned by peasants and humble citizens, sacred relics exchanged by the clergy as security for loans, and aesthetic goods given up by the Christian well-to-do who required financial assistance. The work also explores frescoes and decorations likely painted by non-Jews in medieval and early modern Jewish homes located in Germanic lands, and the ways in which Jews hired Christian artists and craftsmen to decorate Hebrew prayer books and create liturgical objects. Conversely, Christians frequently hired Jewish craftsmen to produce liturgical objects used in Christian churches. With rich archival documentation, Cultural Exchange sheds light on the social and economic history of the creation of Jewish and Christian art, and expands the general understanding of cultural exchange in brand-new ways.
Publisher: Princeton University Press
ISBN: 0691176183
Category : History
Languages : en
Pages : 203
Book Description
Demonstrating that similarities between Jewish and Christian art in the Middle Ages were more than coincidental, Cultural Exchange meticulously combines a wide range of sources to show how Jews and Christians exchanged artistic and material culture. Joseph Shatzmiller focuses on communities in northern Europe, Iberia, and other Mediterranean societies where Jews and Christians coexisted for centuries, and he synthesizes the most current research to describe the daily encounters that enabled both societies to appreciate common artistic values. Detailing the transmission of cultural sensibilities in the medieval money market and the world of Jewish money lenders, this book examines objects pawned by peasants and humble citizens, sacred relics exchanged by the clergy as security for loans, and aesthetic goods given up by the Christian well-to-do who required financial assistance. The work also explores frescoes and decorations likely painted by non-Jews in medieval and early modern Jewish homes located in Germanic lands, and the ways in which Jews hired Christian artists and craftsmen to decorate Hebrew prayer books and create liturgical objects. Conversely, Christians frequently hired Jewish craftsmen to produce liturgical objects used in Christian churches. With rich archival documentation, Cultural Exchange sheds light on the social and economic history of the creation of Jewish and Christian art, and expands the general understanding of cultural exchange in brand-new ways.
Environmental Values in Christian Art
Author: Susan Power Bratton
Publisher: SUNY Press
ISBN: 0791479242
Category : Art
Languages : en
Pages : 294
Book Description
Publisher: SUNY Press
ISBN: 0791479242
Category : Art
Languages : en
Pages : 294
Book Description
Portraying the Land
Author: Rehav Rubin
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110570653
Category : History
Languages : en
Pages : 352
Book Description
The book presents and discusses a large corpus of Jewish maps of the Holy Land that were drawn by Jewish scholars from the 11th to the 20th century, and thus fills a significant lacuna both in the history of cartography and in Jewish studies. The maps depict the biblical borders of the Holy Land, the allotments of the tribes, and the forty years of wanderings in the desert. Most of these maps are in Hebrew although there are several in Yiddish, Ladino and in European languages. The book focuses on four aspects: it presents an up-to-date corpus of known maps of various types and genres; it suggests a classification of these maps according to their source, shape and content; it presents and analyses the main topics that were depicted in the maps; and it puts the maps in their historical and cultural contexts, both within the Jewish world and the sphere of European cartography of their time. The book is an innovative contribution to the fields of history of cartography and Jewish studies. It is written for both professional readers and the general public. The Hebrew edition (2014), won the Izhak Ben-Zvi Prize.
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110570653
Category : History
Languages : en
Pages : 352
Book Description
The book presents and discusses a large corpus of Jewish maps of the Holy Land that were drawn by Jewish scholars from the 11th to the 20th century, and thus fills a significant lacuna both in the history of cartography and in Jewish studies. The maps depict the biblical borders of the Holy Land, the allotments of the tribes, and the forty years of wanderings in the desert. Most of these maps are in Hebrew although there are several in Yiddish, Ladino and in European languages. The book focuses on four aspects: it presents an up-to-date corpus of known maps of various types and genres; it suggests a classification of these maps according to their source, shape and content; it presents and analyses the main topics that were depicted in the maps; and it puts the maps in their historical and cultural contexts, both within the Jewish world and the sphere of European cartography of their time. The book is an innovative contribution to the fields of history of cartography and Jewish studies. It is written for both professional readers and the general public. The Hebrew edition (2014), won the Izhak Ben-Zvi Prize.