˜Theœ Art of Arp After 1945 PDF Download

Author: Loretta Würtenberger
Publisher:
ISBN: 9783927473300
Category :
Languages : en
Pages :

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Author: Catherine Craft
Publisher:
ISBN: 9780991233885
Category :
Languages : en
Pages : 227

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Author: Robert Motherwell
Publisher: Harvard University Press
ISBN: 9780674185005
Category : Art
Languages : en
Pages : 466

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Presents a collection of essays, manifestos, and illustrations that provide an overview of the Dada movement in art, describing its convictions, antics, and spirit, through the words and art of its principal practitioners.

Author: Eric Robertson
Publisher: Yale University Press
ISBN: 9780300106909
Category : Art
Languages : en
Pages : 292

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"Examining major works in the light of recent critical and theoretical perspectives, this book also considers the extent to which Arp's resistance to single, reductive interpretations may be linked to his bilingual, bicultural upbringing in Alsace and his experience of two world wars."--BOOK JACKET.

Author: Catherine Craft
Publisher: University of Chicago Press
ISBN: 0226116808
Category : Art
Languages : en
Pages : 326

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Book Description
An Audience of Artists turns this time line for the postwar New York art world on its head, presenting a new pedigree for these artistic movements. Drawing on an array of previously unpublished material, Catherine Craft reveals that Neo-Dada, far from being a reaction to Abstract Expressionism, actually originated at the heart of that movement's concerns about viewers, originality, and artists' debts to the past and one another. Furthermore, she argues, the original Dada movement was not incompatible with Abstract Expressionism. In fact, Dada provided a vital historical reference for artists and critics seeking to come to terms with the radical departure from tradition that Abstract Expressionism seemed to represent. Tracing the activities of artists such as Robert Motherwell, Barnett Newman, and Jackson Pollock alongside Marcel Duchamp's renewed embrace of Dada in the late 1940s, Craft explores the challenges facing artists trying to work in the wake of a destructive world war and the paintings, objects, writings, and installations that resulted from their efforts."--Jacket.

Author: Jodi Hauptman
Publisher: The Museum of Modern Art
ISBN: 9780870706646
Category : Architecture
Languages : en
Pages : 236

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Published on the occasion of the exhibition held at the Museum of Modern Art, New York, Mar. 30-Aug. 29, 2005.

Author: Paul Crowther
Publisher: Routledge
ISBN: 1136455019
Category : Art
Languages : en
Pages : 312

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Traditional art is based on conventions of resemblance between the work and that which it is a representation "of". Abstract art, in contrast, either adopts alternative modes of visual representation or reconfigures mimetic convention. This book explores the relation of abstract art to nature (taking nature in the broadest sense—the world of recognisable objects, creatures, organisms, processes, and states of affairs). Abstract art takes many different forms, but there are shared key structural features centered on two basic relations to nature. The first abstracts from nature, to give selected aspects of it a new and extremely unfamiliar appearance. The second affirms a natural creativity that issues in new, autonomous forms that are not constrained by mimetic conventions. (Such creativity is often attributed to the power of the unconscious.) The book covers three categories: classical modernism (Mondrian, Malevich, Kandinsky, Arp, early American abstraction); post-war abstraction (Pollock, Still, Newman, Smithson, Noguchi, Arte Povera, Michaux, postmodern developments); and the broader historical and philosophical scope.

Author: Penelope Curtis
Publisher: Oxford University Press, USA
ISBN: 9780192842282
Category : Art
Languages : en
Pages : 306

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This book provides a comprehensive analysis of the significant growth of sculpture as an artistic form in Europe and America from 1900-1945. Using a clearly-defined thematic structure it identifies key issues and developments throughout this important period in the history of art. Individualchapters cover: public sculpture, the monument, the object, image-making, the built environment, the figurative ideal, and different materials. These themes broadly reflect the changing cultural and political climate of a turbulent period which included two world wars, each preceded by widespreadrising nationalism. The practice of sculpture is considered within the wider artistic context of painting and architecture and the development of international art markets. Auguste Rodin, whose ground-breaking exhibition opened in Paris in 1900, serves as the book's point of departure, and as arecurrent point of reference.

Author: Pilar Ordovas
Publisher:
ISBN: 9781999668150
Category : Art
Languages : en
Pages : 80

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Book Description
Peggy Guggenheim needs little introduction for her contributions to twentieth-century art. Yet her formative years as a gallerist and her London gallery, Guggenheim Jeune, that she opened at the age of forty, have been relatively overlooked. Situated in a former pawnbroker's shop at 30 Cork Street, Guggenheim Jeune operated for eighteen months between January 1938 and June 1939. While its lifespan may have been brief its influence was considerable, both on the art world at the time and on Guggenheim herself; by the time Guggenheim Jeune closed she was a self-confessed art addict. Peggy Guggenheim and London, on display from 24 September until 14 December 2019, is intended as an anniversary celebration of Guggenheim as one of the first female gallerists in London and will showcase her parallel collecting interests in Abstraction and Surrealism through a display of works by Jean (Hans) Arp and Yves Tanguy. The accompanying catalogue includes an essay from Susan Davidson, curator and art historian, with previously unpublished material that came to light as a result of research undertaken for this exhibition; copies of a number of key documents will be illustrated, including unseen floor plans of the gallery space.

Author: Irene V. Small
Publisher: Princeton University Press
ISBN: 1890951951
Category : Art
Languages : en
Pages : 344

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Book Description
A major rethinking of twentieth-century abstract art mobilized by the work of Brazilian artist Lygia Clark What would it mean to treat an interval of space as a line, thus drawing an empty void into a constellation of art and meaning-laden things? In this book, Irene Small elucidates the signal discovery of the Brazilian artist Lygia Clark in 1954: a fissure of space between material elements that Clark called “the organic line.” For much of the history of art, Clark’s discovery, much like the organic line, has escaped legibility. Once recognized, however, the line has seismic repercussions for rethinking foundational concepts such as mark, limit, surface, and edge. A spatial cavity that binds discrepant entities together, the organic line transforms planes into flexible topologies, borders into membranes, and interstices into points of connection. As a paradigm, the organic line has profound historiographic implications as well, inviting us to set aside traditional notions of influence and origin in favor of what Small terms weak links and plagiotropic relations. These fragile, oblique, and transversal ties have their own efficacy, and Small’s innovative readings of canonical modernist works such as Kazimir Malevich’s Black Square, John Cage’s 4’33”, and Le Corbusier’s machine-à-habiter, as well as contemporary works by such artists as Adam Pendleton, Ricardo Basbaum, and Mika Rottenberg, reveal the organic line’s remarkable potential as an analytic instrument. Mobilizing a rich repertoire of archival sources and moving across multiple chronologies, geographies, and disciplines, this book invites us to envision modernism not as a stable construct defined by centers and peripheries, inclusions and exclusions, but as a topological field of interactive, destabilizing tensions. More than a history of a little-known artistic device, The Organic Line: Toward a Topology of Modernism is a user’s guide and manifesto for reimagining modern and contemporary art for the present.