Author: Theodore Rousseau
Publisher: Metropolitan Museum of Art
ISBN: 0870991957
Category : Art
Languages : en
Pages : 96

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Author: Scott Allan
Publisher: Getty Publications
ISBN: 1606064770
Category : Art
Languages : en
Pages : 228

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Book Description
Théodore Rousseau (1812–1867), arguably the most important French landscape artist of the mid-nineteenth century and a leader of the so-called Barbizon School, occupies a crucial moment of transition from the idealizing effects of academic painting to the radically modern vision of the Impressionists. He was an experimental artist who rejected the traditional historical, biblical, or literary subject matter in favor of “unruly nature,” a Romantic naturalism that confounded his contemporaries with its “bizarre” compositional and coloristic innovations. Lavishly illustrated and thoroughly documented, this volume includes five essays by experts in the field. Scott Allan and Édouard Kopp alternately examine Rousseau’s diverse techniques and working procedures as a painter and as a draftsman, as well as his art’s mixed economic and critical fortunes on the art market and at the Salon. Line Clausen Pedersen’s essay focuses on Mont Blanc Seen from La Faucille, Storm Effect, an early touchstone for the artist and a spectacular example of the Romantic sublime in the Ny Carlsberg Glyptotek’s collection. This catalogue accompanies an eponymous exhibition on view at the J. Paul Getty Museum from June 21 to September 11, 2016, and at the Ny Carlsberg Glyptotek from October 13, 2016, to January 8, 2017.

Author: Théodore Rousseau
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 96

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Book Description

Author: Greg M. Thomas
Publisher:
ISBN: 9780691059464
Category : Art
Languages : en
Pages : 275

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Book Description
These paintings - dreams of nature as a web of life in which human beings occupy a peripheral role - overwhelmed Rousseau's contemporaries with their novel light effects, original perspective, and "sheer profusion of visual sensation." While Baudelaire considered them superior to even Corot's works, they baffled art critics and have never fit convincingly into the received categories of naturalism, "pre-Impressionism," or modernism."--Jacket.

Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 0

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Author: Simon Kelly
Publisher: Bloomsbury Publishing USA
ISBN: 1501343815
Category : Art
Languages : en
Pages : 256

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Book Description
The 19th century in France witnessed the emergence of the structures of the modern art market that remain until this day. This book examines the relationship between the avant-garde Barbizon landscape painter, Théodore Rousseau (1812-1867), and this market, exploring the constellation of patrons, art dealers and critics who surrounded the artist. It argues for the pioneering role of Rousseau, his patrons and his public in the origins of the modern art market, and, in so doing, shifts attention away from the more traditional focus on the novel careers of the Impressionists and their supporters. Drawing on extensive archival research, the book provides new insight into the role of the modern artist as professional. It provides a new understanding of the complex iconographical and formal choices within Rousseau's work, rediscovering the original radical charge that once surrounded the artist's work and led to extensive and peculiarly modern tensions with the market place.

Author: Terence Ball
Publisher: State University of New York Press
ISBN: 079149568X
Category : Fiction
Languages : en
Pages : 224

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Book Description
A long-missing manuscript from a famous eighteenth-century philosopher with a dark secret, the late twentieth-century murder in Paris of a prominent Princeton professor—and the connection between the two—form the core of this fast-paced mystery novel. Set primarily in Paris and Oxford, Rousseau's Ghost weaves a riveting tale of scholarly intrigue and murder. An urgent but cryptic request from Professor Ted Porter summons his old friend and former Rhodes Scholar Jack Davis to Paris. Once there Jack finds his friend dead, apparently electrocuted by a faulty laptop computer. The Parisian police rule the death an accident and close the case. But Jack well knew his friend's deep aversion to modern technology, and to computers in particular, and believes the computer was not Ted's and his death no accident. Unable to convince the police, Jack begins his own investigation, aided by Danielle, a beautiful young French woman who claims to have been Ted's research assistant and sometime lover. Sifting through Ted's notes and an unfinished manuscript titled Rousseau's Ghost, he finds a mysterious entry: "Inst Pol??!!" Not knowing what this might mean, he travels to Oxford to see his old tutor, who surmises that Ted's shorthand query refers to the Institutions Politiques, a manuscript on which Rousseau worked in the 1750s but later abandoned and burned, except for the small section we now know as the Social Contract. Could the rest of the manuscript have survived? Could Ted have found it? If so, was he murdered for his discovery? Could Jack and Danielle be next?

Author: Lorenz Eitner
Publisher: Princeton University Press
ISBN:
Category : Art
Languages : en
Pages : 440

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Book Description
The National Gallery's collection encompasses the neoclassicism of Jacques-Louis David as well as the naturalism of the Barbizon painters. The works of Jean-August-Dominique Ingres, such as the Gallery's famous portrait of Madame Moitessier, are precursors to the classical style that dominated later in the century. Jean-Baptiste-Camille Corot's verdant landscapes, Honoré Daumier's political satires, and Jean-François Millet's realism are also included in this richly illustrated volume.

Author: Theodore S. Hamerow
Publisher: UNC Press Books
ISBN: 1469619598
Category : History
Languages : en
Pages : 464

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Book Description
Between the conclusion of the Napoleonic Wars and the outbreak of the First World War, Europe underwent a transformation unparalleled in its history. No comparable degree of change had occurred on the Continent since the New Stone Age. Theodore Hamerow examines the innovations that challenged nineteenth-century Europe, using a perspective that transcends events that occurred within national boundaries. He brings together political, social, diplomatic, and national developments to demonstrate how they relate to the profound transformations brought about by the industrial revolution. Using a wealth of statistics and other documentation to buttress insightful generalizations, Hamerow broadly appraises the implications of the shift in Europe from an agricultural to an industrial society. Among the subjects he considers are the rise of the middle and working classes, the spread of literacy and the enfranchisement of the masses, the growth of urban centers of manufacture and trade, the acquisition of colonies, the spread of military technologies, and the changes in the functions of governments.

Author: Kenneth D. Alford
Publisher: McFarland
ISBN: 0786489553
Category : History
Languages : en
Pages : 271

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Book Description
During World War II, the Nazis plundered from occupied countries millions of items of incalculable value estimated in the hundreds of millions of dollars. Spearheaded by Hermann Goring the looting program quickly created the largest private art collection in the world, exceeding the collections amassed by the Metropolitan in New York, the British Museum in London, the Louvre in Paris and the Tretiakov Gallery in Moscow. By the end of the war, the Nazis had stolen roughly one-fifth of the entire art treasures of the world. This book explores the formation of the Nazi art collection and the methods used by Goring and his party to strip occupied Europe of a large part of its artistic heritage.