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Author: Bradbrook Publisher: Foundation Books ISBN: 9788175963276 Category : Literary Criticism Languages : en Pages : 284
Book Description
The first edition of this book formed the basis of the modern approach to Elizabethan poetic drama as a performing art, an approach pursued in subsequent volumes by Professor Bradbrook. Its influence has also extended to other fields; it has been studied by Grigori Kozintsev and Sergei Eisenstein for instance. Conventions of open stage, stylized plot and characters, and actors' traditions of presentation are realted to the special expectations which a rhetorical training produced in the listeners. The general discussion of tragic conventions is followed by individual studies of how these were used by Marlowe, Tourneur, Webster and Middleton. For this second edition, Professor Bradbrook has revised her material and written a new introduction. A new final chapter on performance and characterization describes the conventions of role-playing. Dramatists before and after Shakespeare are compared with him in their methods of showing a complex identity on stage. This chapter also considers the work of Marston, Chapman and Ford in relation to the themes and conventions studied in earlier chapters.
Author: Bradbrook Publisher: Foundation Books ISBN: 9788175963276 Category : Literary Criticism Languages : en Pages : 284
Book Description
The first edition of this book formed the basis of the modern approach to Elizabethan poetic drama as a performing art, an approach pursued in subsequent volumes by Professor Bradbrook. Its influence has also extended to other fields; it has been studied by Grigori Kozintsev and Sergei Eisenstein for instance. Conventions of open stage, stylized plot and characters, and actors' traditions of presentation are realted to the special expectations which a rhetorical training produced in the listeners. The general discussion of tragic conventions is followed by individual studies of how these were used by Marlowe, Tourneur, Webster and Middleton. For this second edition, Professor Bradbrook has revised her material and written a new introduction. A new final chapter on performance and characterization describes the conventions of role-playing. Dramatists before and after Shakespeare are compared with him in their methods of showing a complex identity on stage. This chapter also considers the work of Marston, Chapman and Ford in relation to the themes and conventions studied in earlier chapters.
Author: Clifford Leech Publisher: Taylor & Francis ISBN: 1315280000 Category : Drama Languages : en Pages : 107
Book Description
Cover -- Half Title Page -- Title Page -- Copyright Page -- 2017 Reprint Acknowledgement -- Original Title Page -- Original Copyright Page -- Dedication Page -- Contents -- General Editor's Preface -- Prefatory Note -- 1 Some Definitions and Observations -- 2 Tragedy in Practice and in Theory -- 3 The Tragic Hero -- 4 Cleansing? or Sacrifice? -- 5 The Sense of Balance -- 6 Peripeteia, Anagnorisis, Suffering -- 7 The Chorus and the Unities -- 8 The Sense of Overdoing It -- Select Bibliography -- Index
Author: Wolfgang Clemen Publisher: Routledge ISBN: 1136811109 Category : Drama Languages : en Pages : 304
Book Description
First published in English in 1961, this reissue relates the problems of form and style to the development of dramatic speech in pre-Shakespearean tragedy. The work offers positive standards by which to assess the development of pre-Shakespearean drama and, by tracing certain characteristics in Elizabethan tragedy which were to have a bearing on Shakespeare’s dramatic technique, helps to illuminate the foundations on which Shakespeare built his dramatic oeuvre.
Author: Kristian Smidt Publisher: Springer ISBN: 1349111201 Category : Literary Criticism Languages : en Pages : 278
Book Description
This work attempts to analyze Shakespeare's tragedies, concentrating on the accidental irregularities and the inspired "unconformities" to the found there. The aim is to understand Shakespeare's mind and craft by an interpretion of the plays to see what problems of consistency they present.
Author: Andrew Hiscock Publisher: A&C Black ISBN: 144117771X Category : Literary Criticism Languages : en Pages : 222
Book Description
A comprehensive introduction to Thomas Middleton's Women Beware Women - introducing its critical history, performance history, the current critical landscape and new directions in research.
Author: Jean-Christophe Agnew Publisher: Cambridge University Press ISBN: 9780521379106 Category : History Languages : en Pages : 284
Book Description
Drawing on a variety of disciplines and documents, Professor Agnew illuminates one of the most fascinating chapters in the formations of Anglo-American market culture. Worlds Apart traces the history of our concepts of the marketplace and the theatre and the ways in which these concepts are bound together. Focusing on Britain and America in the years 1550 to 1750, the book discusses the forms and conventions that structured both commerce and theatre. As marketing practice broke free of its traditional boundaries and restraints, it challenged longstanding popular assumptions about the constituents of value, the nature of identity, the signs of authenticity, and the limits of liability. New exchange relations bred new legal and commercial fictions to authorise them, but they also bred new doubts about the precise grounds upon which the self and its 'interests' were to be represented. Those same doubts, Professor Agnew shows, animated the theatre as well. As actors and playwrights shifted from ecclesiastical and civic drama to professional entertainments, they too devised authenticating fictions, fictions that effectively replicated the bewildering representational confusions of the new 'placeless market'.
Author: J. B. Steane Publisher: CUP Archive ISBN: 9780521065450 Category : Drama Languages : en Pages : 396
Book Description
This is a thorough critical study of Marlowe's entire output - plays, translations and poems - prefaced by a biographical chapter. It is an attempt to provide the 'life and works' study for the general reader. Mr Steane takes the poetry as the centre of his interest; offering a literary judgement on Marlowe's art rather than further discussion of sources and background. He provides a balanced account of a great poetic dramatist, a writer of exceptional power whose poetry also reveals profound human flaws.
Author: Bradbrook
Author: Bradbrook
Author: Clifford Leech
Author: Wolfgang Clemen
Author: Wolfgang Clemen
Author: Kristian Smidt
Author: Andrew Hiscock
Author: Jean-Christophe Agnew
Author: Arthur Garfield Kennedy
Author: Michael Scott
Author: J. B. Steane