The Masterwork in Music PDF Download

Author: Heinrich Schenker
Publisher: CUP Archive
ISBN:
Category : Schenkerian analysis
Languages : en
Pages : 158

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Author: Heinrich Schenker
Publisher: Courier Corporation
ISBN: 0486799360
Category : Music
Languages : en
Pages : 162

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Volume II of three-volume set features an essay on Mozart's Symphony No. 40 in G Minor, studies of Bach keyboard and solo cello works, and theoretical writings on sonata form and fugue and Schenkerian theory.

Author: Julian Littlewood
Publisher: Plumbago Books and Arts
ISBN: 0954012348
Category : Variations
Languages : en
Pages : 384

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Book Description
Variation is a fundamental musical principle, yet its most naked expression - variation form - resists all but the broadest of descriptions. This book offers listener, performer, analyst and composer an eclectic array of approaches to `Theme and Variations', including: patterns of departure and return; real versus perceived time; strategies of propulsion and closure in an intrinsically cyclic and open-ended form; the interplay of authorial voices deriving from dialogue between the `self' of variations and the `other' of their theme; critique of a theme through a set's generic references; drama and narrative achieved through textural and tonal control; and the intrinsic sound of a variation, so different from that of a freely composed work. These topics are introduced through a general survey of the form, seen through the prisms of the provenance of themes and the ideologies of sets, before being developed through close study of Brahms's variation sets and movements. Brahms was supremely aware of his place in music history and was uncommonly self-conscious in his manipulation of different techniques of composition. His variation sets - some of the most well-crafted and beloved examples - place the interplay of forms and styles at the heart of their identity. Moreover, in their stunning breadth and diversity they offer a microcosm of Brahms's entire output, a succinct revelation of his life-long concerns. Through them we marvel at his technical and poetic mastery, and journey to the heart of his creative character.

Author: Johann Ladislaus Dussek
Publisher: A-R Editions, Inc.
ISBN: 0895791226
Category : Music
Languages : en
Pages : 138

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Author: Susan Ratcliffe
Publisher: Oxford University Press, USA
ISBN:
Category : Reference
Languages : en
Pages : 618

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The Oxford Dictionary of Thematic Quotations is a collection of over 7,000 quotations, arranged thematically for easy look-up. Covering an enormous range of nearly 600 themes, there is every subject you can think of, from the more traditional topics of Courage or Parliament, to topical themessuch as The Internet or Genetic Engineering. The quotations that stand together in each particular theme range from the very old to the modern: both Horace and Maeve Binchy comment on the theme The Present, while Desmond Morris and Jeremy Bentham give their views on the category of Animal Rights. Auseful author index (including descriptions and context lines) gives quick and easy access to what is in the dictionary and provides information on each author. Whether you wish to discuss a particular subject with friends, or if you want to discover what people have said about a certain topic overthe centuries, this is an amusing and fascinating guide to who said what about what.

Author: John Paynter
Publisher: Psychology Press
ISBN: 9780415086950
Category : Music
Languages : en
Pages : 616

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Author: Ruth Finnegan
Publisher: Open Book Publishers
ISBN: 1906924333
Category : Language Arts & Disciplines
Languages : en
Pages : 350

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Book Description
Quoting is all around us. But do we really know what it means? How do people actually quote today, and how did our present systems come about? This book brings together a down-to-earth account of contemporary quoting with an examination of the comparative and historical background that lies behind it and the characteristic way that quoting links past and present, the far and the near.Drawing from anthropology, cultural history, folklore, cultural studies, sociolinguistics, literary studies and the ethnography of speaking, Ruth Finnegan 's fascinating study sets our present conventions into crosscultural and historical perspective. She traces the curious history of quotation marks, examines the long tradition of quotation collections with their remarkable recycling across the centuries, and explores the uses of quotation in literary, visual and oral traditions. The book tracks the changing defi nitions and control of quoting over the millennia and in doing so throws new light on ideas such as imitation, allusion, authorship, originality and plagiarism .

Author: Philip Rupprecht
Publisher: Cambridge University Press
ISBN: 1139441280
Category : Music
Languages : en
Pages : 370

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Book Description
Blending insights from linguistic and social theories of speech, ritual and narrative with music-analytic and historical criticism, Britten's Musical Language offers interesting perspectives on the composer's fusion of verbal and musical utterance in opera and song and provides close interpretative studies of the major scores.

Author: Leon Botstein
Publisher: W. W. Norton & Company
ISBN: 9780393047080
Category : Music
Languages : en
Pages : 456

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Book Description
The 1997 centennial of Brahms's death has intensified interest among concertgoers and music lovers in the composer's prodigious body of work.

Author: Thomas Hardy
Publisher: Springer
ISBN: 1349066524
Category : Literary Criticism
Languages : en
Pages : 625

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