Thematic Catalog of a Manuscript Collection of Eighteenth-Century Italian Instrumental Music PDF Download

Author: University of California, Berkeley. Music Library
Publisher: Univ of California Press
ISBN:
Category :
Languages : en
Pages : 420

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Author: Vincent Duckles
Publisher: Univ of California Press
ISBN: 0520330307
Category : Music
Languages : en
Pages : 414

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This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1963.

Author: Antonio Brioschi
Publisher: A-R Editions, Inc.
ISBN: 0895794039
Category : Music
Languages : en
Pages : 82

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The introd. includes notes on "the composer, the music of [this] edition" and on "performance". Plates (p. xv-xvi) reproduce the t.p. & one p. of music from handwritten score dated 1734 of the Symphony in E-flat major. Music found on p.1-53. Music followed by a "Critical report" (p.55-59) detailing sources & editorial method, & critical notes and commentary.

Author: Henk Lambooij
Publisher:
ISBN:
Category : Cello music
Languages : en
Pages : 708

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Author: Chappell White
Publisher: Taylor & Francis
ISBN: 9782881244957
Category : Music
Languages : en
Pages : 420

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First Published in 1992. Routledge is an imprint of Taylor & Francis, an informa company.

Author:
Publisher: Detroit : Information Coordinators
ISBN:
Category : Music
Languages : en
Pages : 278

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Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 1012

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Author: Library of Congress. Copyright Office
Publisher:
ISBN:
Category : Copyright
Languages : en
Pages : 1156

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Author: Michael Talbot
Publisher: Routledge
ISBN: 1351575163
Category : Music
Languages : en
Pages : 308

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As shown by the ever-increasing volume of recordings, editions and performances of the vast repertory of secular cantatas for solo voice produced, primarily in Italy, in the second half of the seventeenth century and the first half of the eighteenth century, this long neglected genre has at last 'come of age'. However, scholarly interest is currently lagging behind musical practice: incredibly, there has been no general study of the Baroque cantata since Eugen Schmitz's handbook of 1914, and although many academic theses have examined microscopically the cantatas of individual composers, there has been little opportunity to view these against the broader canvas of the genre as a whole. The contributors in this volume choose aspects of the cantata relevant to their special interests in order to say new things about the works, whether historical, analytical, bibliographical, discographical or performance-based. The prime focus is on Italian-born composers working between 1650 and 1750 (thus not Handel), but the opportunity is also taken in one chapter (by Graham Sadler) to compare the French cantata tradition with its Italian parent in association with a startling new claim regarding the intended instrumentation. Many key figures are considered, among them Tomaso Albinoni, Giovanni Bononcini, Giovanni Legrenzi, Benedetto Marcello, Alessandro Scarlatti, Alessandro Stradella, Leonardo Vinci and Antonio Vivaldi. The poetic texts of the cantatas, all too often treated as being of little intrinsic interest, are given their due weight. Space is also found for discussions of the history of Baroque solo cantatas on disc and of the realization of the continuo in cantata arias - a topic more complex and contentious than may at first be apparent. The book aims to stimulate interest in, and to win converts to, this genre, which in its day equalled the instrumental sonata in importance, and in which more than a few composers invested a major part of their creativity.

Author: Darwin Floyd Scott
Publisher: Theodore Front Music
ISBN: 9788888326016
Category : Music
Languages : en
Pages : 324

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