Author: J K Curry
Publisher: University of Alabama Press
ISBN: 0817370056
Category : Performing Arts
Languages : en
Pages : 152
Book Description
Stage properties are an often-ignored aspect of theatrical productions, in part because their usage is meant to be seamlessly integrated into the performance instead of a focal point for the audience. The contributors illuminate many aspects of this largely ignored yet crucial part of the theatre.
Theatre Symposium, Vol. 18
Author: J K Curry
Publisher: University of Alabama Press
ISBN: 0817370056
Category : Performing Arts
Languages : en
Pages : 152
Book Description
Stage properties are an often-ignored aspect of theatrical productions, in part because their usage is meant to be seamlessly integrated into the performance instead of a focal point for the audience. The contributors illuminate many aspects of this largely ignored yet crucial part of the theatre.
Publisher: University of Alabama Press
ISBN: 0817370056
Category : Performing Arts
Languages : en
Pages : 152
Book Description
Stage properties are an often-ignored aspect of theatrical productions, in part because their usage is meant to be seamlessly integrated into the performance instead of a focal point for the audience. The contributors illuminate many aspects of this largely ignored yet crucial part of the theatre.
Theatre and Politics in the Twentieth Century
Author: Southeastern Theatre Conference (U.S.)
Publisher:
ISBN: 9780817386948
Category : Drama
Languages : en
Pages : 131
Book Description
Publisher:
ISBN: 9780817386948
Category : Drama
Languages : en
Pages : 131
Book Description
Theatre Symposium, Vol. 29
Author: Andrew Gibb
Publisher: University of Alabama Press
ISBN: 0817370161
Category : Performing Arts
Languages : en
Pages : 175
Book Description
Papers solicited from the presenters for the cancelled 2020 Southeastern Theatre Conference.
Publisher: University of Alabama Press
ISBN: 0817370161
Category : Performing Arts
Languages : en
Pages : 175
Book Description
Papers solicited from the presenters for the cancelled 2020 Southeastern Theatre Conference.
Theatre Symposium, Vol. 23
Author: David S. Thompson
Publisher: University of Alabama Press
ISBN: 0817370102
Category : Performing Arts
Languages : en
Pages : 144
Book Description
The essays in volume 23 of Theatre Symposium offer a rich exploration of depictions of youth in works of theatre as well as the role youth play in the creation and performance of drama.
Publisher: University of Alabama Press
ISBN: 0817370102
Category : Performing Arts
Languages : en
Pages : 144
Book Description
The essays in volume 23 of Theatre Symposium offer a rich exploration of depictions of youth in works of theatre as well as the role youth play in the creation and performance of drama.
Theatre Symposium, Vol. 20
Author: Edward Bert Wallace
Publisher: University of Alabama Press
ISBN: 0817370072
Category : Performing Arts
Languages : en
Pages : 128
Book Description
The audience is an integral part of performance and is in fact what separates a rehearsal from a performance. The relationship, however, between performers and the audience has evolved over time, which is one of the subjects addressed, along with the changing disposition of the audience itself and a number of other topics, in Gods and Groundlings, volume 20 of the annual journal Theatre Symposium. The essays in this volume discuss spectatorship in historical context, the role of the audience in the digital age, the early modern English transvestite theatre, Annie Oakley and the disruption of Victorian audiences, and historical attempts to create ideal audiences. Edited by E. Bert Wallace, this latest publication from the largest regional theatre organization in the United States collects the most current scholarship on theatre history and theory. Contributors To Volume 20 Susan Bennett / Jane Barnette / Becky Becker / Lisa Bernd / Evan Bridenstine / Michael Jaros / Robert I. Lublin / Paulette Marty
Publisher: University of Alabama Press
ISBN: 0817370072
Category : Performing Arts
Languages : en
Pages : 128
Book Description
The audience is an integral part of performance and is in fact what separates a rehearsal from a performance. The relationship, however, between performers and the audience has evolved over time, which is one of the subjects addressed, along with the changing disposition of the audience itself and a number of other topics, in Gods and Groundlings, volume 20 of the annual journal Theatre Symposium. The essays in this volume discuss spectatorship in historical context, the role of the audience in the digital age, the early modern English transvestite theatre, Annie Oakley and the disruption of Victorian audiences, and historical attempts to create ideal audiences. Edited by E. Bert Wallace, this latest publication from the largest regional theatre organization in the United States collects the most current scholarship on theatre history and theory. Contributors To Volume 20 Susan Bennett / Jane Barnette / Becky Becker / Lisa Bernd / Evan Bridenstine / Michael Jaros / Robert I. Lublin / Paulette Marty
Theatre symposium : a journal of the Southeastern Theatre Conference
Author: [Anonymus AC02238415]
Publisher:
ISBN: 9789994401291
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN: 9789994401291
Category :
Languages : en
Pages :
Book Description
Theatre Symposium, Vol. 28
Author: Andrew Gibb
Publisher: University Alabama Press
ISBN: 0817370153
Category : Performing Arts
Languages : en
Pages : 126
Book Description
Peer-reviewed journal of theater history and scholarship published annually by the Southeastern Theatre Conference (SETC)
Publisher: University Alabama Press
ISBN: 0817370153
Category : Performing Arts
Languages : en
Pages : 126
Book Description
Peer-reviewed journal of theater history and scholarship published annually by the Southeastern Theatre Conference (SETC)
Theatre Symposium, Vol. 21
Author: Edward Bert Wallace
Publisher: University of Alabama Press
ISBN: 0817370080
Category : Art
Languages : en
Pages : 146
Book Description
Volume 21 of Theatre Symposium presents essays that explore the intricate and vital relationships between theatre, religion, and ritual. Whether or not theatre arose from ritual and/or religion, from prehistory to the present there have been clear and vital connections among the three. Ritual, Religion, and Theatre, volume 21 of the annual journal Theatre Symposium, presents a series of essays that explore the intricate and vital relationships that exist, historically and today, between these various modes of expression and performance. The essays in this volume discuss the stage presence of the spiritual meme; ritual performance and spirituality in The Living Theatre; theatricality, themes, and theology in James Weldon Johnson’s God’s Trombones; Jordan Harrison’s Act a Lady and the ritual of queerness; Gerpla and national identity in Iceland; confession in Hamlet and Measure for Measure; Christian liturgical drama; Muslim theatre and performance; cave rituals and the Brain’s Theatre; and other, more general issues. Edited by E. Bert Wallace, this latest publication by the largest regional theatre organization in the United States collects the most current scholarship on theatre history and theory. CONTRIBUTORS Cohen Ambrose / David Callaghan / Gregory S. Carr Matt DiCintio / William Doan / Tom F. Driver / Steve Earnest Jennifer Flaherty / Charles A. Gillespie / Thomas L. King Justin Kosec / Mark Pizzato / Kate Stratton
Publisher: University of Alabama Press
ISBN: 0817370080
Category : Art
Languages : en
Pages : 146
Book Description
Volume 21 of Theatre Symposium presents essays that explore the intricate and vital relationships between theatre, religion, and ritual. Whether or not theatre arose from ritual and/or religion, from prehistory to the present there have been clear and vital connections among the three. Ritual, Religion, and Theatre, volume 21 of the annual journal Theatre Symposium, presents a series of essays that explore the intricate and vital relationships that exist, historically and today, between these various modes of expression and performance. The essays in this volume discuss the stage presence of the spiritual meme; ritual performance and spirituality in The Living Theatre; theatricality, themes, and theology in James Weldon Johnson’s God’s Trombones; Jordan Harrison’s Act a Lady and the ritual of queerness; Gerpla and national identity in Iceland; confession in Hamlet and Measure for Measure; Christian liturgical drama; Muslim theatre and performance; cave rituals and the Brain’s Theatre; and other, more general issues. Edited by E. Bert Wallace, this latest publication by the largest regional theatre organization in the United States collects the most current scholarship on theatre history and theory. CONTRIBUTORS Cohen Ambrose / David Callaghan / Gregory S. Carr Matt DiCintio / William Doan / Tom F. Driver / Steve Earnest Jennifer Flaherty / Charles A. Gillespie / Thomas L. King Justin Kosec / Mark Pizzato / Kate Stratton
Theatre Symposium, Vol. 15
Author: M. Scott Phillips
Publisher: University of Alabama Press
ISBN: 0817354573
Category : Performing Arts
Languages : en
Pages : 140
Book Description
The essays gathered together in Volume 15 of the annual journal Theatre Symposium investigate how, historically, the theatre has been perceived both as a source of moral anxiety and as an instrument of moral and social reform. Essays consider, among other subjects, ethnographic depictions of the savage “other” in Buffalo Bill’s engagement at the Columbian Exposition of 1893; the so-called “Moral Reform Melodrama” in the nineteenth century; charity theatricals and the ways they negotiated standards of middle-class respectability; the figure of the courtesan as a barometer of late nineteenth and early twentieth-century moral and sexual discourse; Aphra Behn’s subversion of Restoration patriarchal sexual norms in The Feigned Courtesans; and the controversy surrounding one production of Tony Kushner Angels in America, during which officials at one of the nation’s more prominent liberal arts colleges attempted to censor the production, a chilling reminder that academic and artistic freedom cannot be taken for granted in today’s polarized moral and political atmosphere.
Publisher: University of Alabama Press
ISBN: 0817354573
Category : Performing Arts
Languages : en
Pages : 140
Book Description
The essays gathered together in Volume 15 of the annual journal Theatre Symposium investigate how, historically, the theatre has been perceived both as a source of moral anxiety and as an instrument of moral and social reform. Essays consider, among other subjects, ethnographic depictions of the savage “other” in Buffalo Bill’s engagement at the Columbian Exposition of 1893; the so-called “Moral Reform Melodrama” in the nineteenth century; charity theatricals and the ways they negotiated standards of middle-class respectability; the figure of the courtesan as a barometer of late nineteenth and early twentieth-century moral and sexual discourse; Aphra Behn’s subversion of Restoration patriarchal sexual norms in The Feigned Courtesans; and the controversy surrounding one production of Tony Kushner Angels in America, during which officials at one of the nation’s more prominent liberal arts colleges attempted to censor the production, a chilling reminder that academic and artistic freedom cannot be taken for granted in today’s polarized moral and political atmosphere.
Theatre Symposium, Vol 27
Author: Sarah Elizabeth McCarroll
Publisher:
ISBN: 9780817392499
Category : Theater
Languages : en
Pages : 123
Book Description
Publisher:
ISBN: 9780817392499
Category : Theater
Languages : en
Pages : 123
Book Description