Theater of Anger PDF Download

Author: Olivia Landry
Publisher: University of Toronto Press
ISBN: 1487507690
Category : Drama
Languages : en
Pages : 253

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Book Description
Theatre of Anger examines contemporary transnational theatre in Berlin through the political scope of anger, and its trajectory from Aristotle all the way to Audre Lorde and bell hooks.

Author: Peter Nagy
Publisher: Routledge
ISBN: 1136402896
Category : Performing Arts
Languages : en
Pages : 1069

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Book Description
This new paperback edition of the The World Encyclopedia of Contemporary Theatre: Europe covers theatre since World War II in forty-seven European nations, including the nations which re-emerged following the break-up of the former USSR, Czechoslovakia and Yugoslavia. Each national article is divided into twelve sections - History, Structure of the National Theatre Community, Artistic profile, Music Theatre, Theatre for Young Audiences, Puppet Theatre, Design, Theatre, Space and Architecture, Training, Criticism, Scholarship and Publishing and Further Reading - allowing the reader to use the book as a source for both area and subject studies. A new preface and further reading sections by the Series Editor brings the Encyclopedia bang up-to-date making it invaluable to anyone interested in European theatre, as well as students and scholars of performance studies, history, anthropology and cultural studies.

Author: Anselm Heinrich
Publisher: Routledge
ISBN: 1317628861
Category : History
Languages : en
Pages : 300

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Book Description
The Second World War went beyond previous military conflicts. It was not only about specific geographical gains or economic goals, but also about the brutal and lasting reshaping of Europe as a whole. Theatre in Europe Under German Occupation explores the part that theatre played in the Nazi war effort. Using a case-study approach, it illustrates the crucial and heavily subsidised role of theatre as a cultural extension of the military machine, key to Nazi Germany’s total war doctrine. Covering theatres in Oslo, Riga, Lille, Lodz, Krakau, Warsaw, Prague, The Hague and Kiev, Anselm Heinrich looks at the history and context of their operation; the wider political, cultural and propagandistic implications in view of their function in wartime; and their legacies. Theatre in Europe Under German Occupation focuses for the first time on Nazi Germany’s attempts to control and shape the cultural sector in occupied territories, shedding new light on the importance of theatre for the regime’s military and political goals.

Author: Denise Varney
Publisher: Peter Lang
ISBN: 9783039111107
Category : Drama
Languages : en
Pages : 342

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Book Description
This work's focus is on theatre at the intersection of culture and politics during and after German reunification and the evolution of the Berlin Republic. It contains the proceedings of a symposium that took place in Melbourne in September 2006.

Author: Ulrike Garde
Publisher: Bloomsbury Publishing
ISBN: 1472580230
Category : Drama
Languages : en
Pages : 265

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Book Description
Theatre of Real People offers fresh perspectives on the current fascination with putting people on stage who present aspects of their own lives and who are not usually trained actors. After providing a history of this mode of performance, and theoretical frameworks for its analysis, the book focuses on work developed by seminal practitioners at Berlin's Hebbel am Ufer (HAU) production house. It invites the reader to explore the HAU's innovative approach to Theatre of Real People, authenticity and cultural diversity during the period of Matthias Lilienthal's leadership (2003–12). Garde and Mumford also elucidate how Theatre of Real People can create and destabilise a sense of the authentic, and suggest how Authenticity-Effects can present new ways of perceiving diverse and unfamiliar people. Through a detailed analysis of key HAU productions such as Lilienthal's brainchild X-Apartments, Mobile Academy's Blackmarket, and Rimini Protokoll's 100% City, the book explores both the artistic agenda of an important European theatre institution, and a crucial aspect of contemporary theatre's social engagement.

Author: Aneta Mancewicz
Publisher: Springer
ISBN: 3319898515
Category : Literary Criticism
Languages : en
Pages : 273

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Book Description
This collection of scholarly essays offers a new understanding of local and global myths that have been constructed around Shakespeare in theatre, cinema, and television from the nineteenth century to the present. Drawing on a definition of myth as a powerful ideological narrative, Local and Global Myths in Shakespearean Performance examines historical, political, and cultural conditions of Shakespearean performances in Europe, Asia, and North and South America. The first part of this volume offers a theoretical introduction to Shakespeare as myth from a twenty-first century perspective. The second part critically evaluates myths of linguistic transcendence, authenticity, and universality within broader European, neo-liberal, and post-colonial contexts. The study of local identities and global icons in the third part uncovers dynamic relationships between regional, national, and transnational myths of Shakespeare. The fourth part revises persistent narratives concerning a political potential of Shakespeare’s plays in communist and post-communist countries. Finally, part five explores the influence of commercial and popular culture on Shakespeare myths. Michael Dobson’s Afterword concludes the volume by locating Shakespeare within classical mythology and contemporary concerns.

Author: Arthur Hobson Quinn
Publisher:
ISBN:
Category : American drama
Languages : en
Pages : 414

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Author: Jürgen Habermas
Publisher: John Wiley & Sons
ISBN: 0745694322
Category : Social Science
Languages : en
Pages : 128

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Book Description
A Berlin Republic brings together writings on the new, united Germany by one of their most original and trenchant commentators, Jürgen Habermas. Among other topics, he addresses the consequences of German history, the challenges and perils of the post-Wall era, and Germany's place in contemporary Europe. Here, as in his earlier The Past as Future, Habermas emerges as an inspired analyst of contemporary German political and intellectual life. He repeatedly criticizes recent efforts by historical and political commentators to 'normalize' and, in part, to understate the horrors of modern German history. He insists that 1945 - not 1989 - was the crucial turning point in German history, since it was then that West Germany decisively repudiated certain aspects of its cultural and political past (nationalism and antisemitism in particular) and turned towards Western Traditions of democracy: free and open discussion, and respect for the civil rights of all individuals. Similarly, Habermas deplores the renewal of nationalist sentiment in Germany and throughout Europe. Drawing upon his vast historical knowledge and contemporary insight, Habermas argues for heightened emphasis on trans-European and global democratic institutions - institutions far better suited to meet the challenges (and dangers) of the next century.

Author: Charlotte McIvor
Publisher: Springer
ISBN: 303002704X
Category : Performing Arts
Languages : en
Pages : 383

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Book Description
This book is the first edited collection to respond to an undeniable resurgence of critical activity around the controversial theoretical term ‘interculturalism’ in theatre and performance studies. Long one of the field’s most vigorously debated concepts, intercultural performance has typically referred to the hybrid mixture of performance forms from different cultures (typically divided along an East-West or North-South axis) and its related practices frequently charged with appropriation, exploitation or ill-founded universalism. New critical approaches since the late 2000s and early 2010s instead reveal a plethora of localized, grassroots, diasporic and historical approaches to the theory and practice of intercultural performance which make available novel critical and political possibilities for performance practitioners and scholars. This collection consolidates and pushes forward reflection on these recent shifts by offering case studies from Asia, Africa, Australasia, Latin America, North America, and Western Europe which debate the possibilities and limitations of this theoretical turn towards a ‘new’ interculturalism.

Author: John Willett
Publisher: Holmes & Meier Publishers
ISBN:
Category : Performing Arts
Languages : en
Pages : 368

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Book Description
The most definitive, comprehensive study of the origins, development, achievements and ultimate destruction of the performing arts in Germany from World War I through the rise of Hitler, "" The Theatre of the Weimar Republic "" is an invaluable record of creativity born out of conflict. John Willett focuses on the intellectual and sociocultural factors that brought Weimar theatre to its peak and analyses the theatrical theories and movements of the era. In addition, he includes a unique section of appendices, spanning 1916 to 1945, supplementing the text and providing detailed information on theatres, actors, performances, films, and radio and gramophone recordings. The theatre during this period was marked by bold, innovative playwrighting and directing as well as by important advances in theatrical architecture, lighting, and stage design. Renowned talents such as Brecht, Piscator, Toller, and Weill were nurtured, and influential movements and credos -- including Expressionism, agitprop, and Bauhaus theatre projects -- developed. A rigorous, fascinating assessment of the world-wide influences of Weimar theatre during its lifetime and in later years, the book will appeal to all readers interested in the art and politics of this turbulent period.