Theatergeschichte Europas: Naturalismus und Impressionismus PDF Download

Author: Heinz Kindermann
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 1038

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Author: Heinz Kindermann
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 566

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Author: Elke Brems
Publisher: Leuven University Press
ISBN: 9462700974
Category : Literary Criticism
Languages : en
Pages : 339

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Book Description
The importance of a minor language in the field of world literature Dutch literature is increasingly understood as a network of texts and poetics connected to other languages and literatures through translations and adaptations. In this book, a team of international researchers explores how Dutch literary texts cross linguistic, historical, geophysical, political, religious, and disciplinary borders, and reflects on a wide range of methods for studying these myriad border crossings. As a result, this volume provides insight into the international dissemination of Dutch literature and the position of a smaller, less-translated language within the field of world literature. The title Doing Double Dutch evokes a popular rope-skipping game in which two people turn two long jump ropes in opposite directions while a third person jumps them. A fitting metaphor for how literature circulates internationally: two dynamic spheres, the source culture and the target culture, engage one another in a complex pattern of movement resulting in a new literary work, translation, or adaptation formed somewhere in the middle. Contributors: Chiara Beltrami Gottmer (American International School of Rotterdam), Peter Boot (Huygens ING), Pieter Boulogne (KU Leuven), Elke Brems (KU Leuven), Michel De Dobbeleer (University of Ghent), Caroline de Westenholz (Louis Couperus Museum), Gillis Dorleijn (University of Groningen), Wilken Engelbrecht (Palacký University Olomouc), Veerle Fraeters (University of Antwerp), Maud Gonne (KU Leuven), Christine Hermann (University of Vienna), Peter Kegel (Huygens ING), Tessa Lobbes (Utrecht University), Marijke Meijer Drees (University of Groningen), Reine Meylaerts (KU Leuven), Marco Prandoni (University of Bologna), Marion Prinse (Utrecht University), Orsolya Réthelyi (Eötvös Loránd University Budapest, Huygens ING), Diana Sanz Roig (Universitat Pompeu Fabra), Rita Schlusemann (Utrecht University), Matthieu Sergier (Université Saint Louis Brussels), Natalia Stachura (Adam Mickiewicz University in Poznan), Janek Urbaniak (University of Wrocław), Stéphanie Vanasten (UCL Louvain-la-Neuve), Ton van Kalmthout (Huygens ING), Suzanne van Putten-Brons, Herbert Van Uffelen (University of Vienna), Marc van Zoggel (Huygens ING), Nico Wilterdink (University of Amsterdam).

Author:
Publisher:
ISBN:
Category : Austrian literature
Languages : en
Pages : 502

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Author: Sotheby & Co. (London, England)
Publisher:
ISBN:
Category : Ballet
Languages : en
Pages : 602

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Author: Kongelige Norske videnskabers selskab
Publisher:
ISBN:
Category :
Languages : en
Pages : 680

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Vols. for 1874/77-1913 include the society's Aarsberetning, 1874-1913.

Author: Evan Baker (Opera historian)
Publisher:
ISBN:
Category : Opera
Languages : en
Pages : 292

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On December 21, 1905, the premiere of the new production of Mozart's Don Giovanni with a stellar cast took place at the Vienna Court Opera. Alfred Roller, Chief of Scenic Design and a leading member of the art movement Secession, designed the settings and costumes. The production was staged and conducted by Gustav Mahler, Director of the Vienna Court Opera. Reaction to the new production was swift: an enormous storm of controversy erupted in the Viennese press, chiefly about the staging and settings. Statements of condemnation and praise appeared in the newspapers for days. The influences of the Secession were charted, discussed, and debated. Complaints were raised against the high costs of the sets and costumes, and calls were made for the production to be removed from the repertory. Roller's designs for Don Giovanni were simple: four gray, austere, movable "towers," two on each side of the stage, provided the basic stage setting. These towers served as scenic decoration used either singly or combined in groups to create windows, balconies, doorways and gateways. Painted drops were also used, as well as a few simple scenic components on rolling wagons or platforms. Lighting played a significant role, since scenic painting was kept to neutral tones. There was little ornamentation, a stark contrast to past scenic and staging practices that were previously deemed "the tradition." The Viennese cognoscenti prided themselves on adhering to the theatrical tradition, and this new production had broken with it. The dissertation documents the Viennese scenic traditions and recreates Roller's iconoclastic production of Don Giovanni and the subsequent public reaction. The years between 1899 and 1905 were rich in the propagation of new and novel theories (particularly those of Adolphe Appia and Edward Gordon Craig), manifestos, designs, articles, and books which called for changes and reforms in the visual and scenic arts. The influences of these new theories and ideas and of the Secession upon the scenic and staging styles of the Vienna Opera are examined as well.

Author:
Publisher:
ISBN:
Category : Science
Languages : en
Pages : 662

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Vols. for 1878-1913 include the Society's Aarsberetning, 1878-1913.

Author: Anne Commire
Publisher: Gale Research International, Limited
ISBN:
Category : History
Languages : en
Pages : 1158

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Presents biographical profiles of significant women from throughout the history of the world, each with birth and death dates when known, a time line, quotation, and references. Arranged alphabetically from Mek-N.

Author: Charles A. Carpenter
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 632

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Book Description
Ur innehållet: J. Scandinavian drama (s. [398]-423).