Theater Playbill for "The Two Orphans" at the National Theater, Washington, D.C., January 3, 1876 PDF Download

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Theater Playbill for "The Two Orphans" at the National Theater, Washington, D.C., January 3, 1876

Theater Playbill for Author: Eugène Cormon
Publisher:
ISBN:
Category :
Languages : en
Pages : 1

Book Description
National Theatre, John T. Ford, lessee, H. Clay Ford, manager. Monday, Junary 3d, 1876 Furbish's Fifth Avenue Combination. "The Two Orphans" Dramatized by N. Hart Jackson, of the Unon Square Theatre, New York City ... Grand "Two Orphans" Matinee Satruday at 2 P.M.

Theater Playbill for "The Two Orphans" at the National Theater, Washington, D.C., January 3, 1876

Theater Playbill for Author: Eugène Cormon
Publisher:
ISBN:
Category :
Languages : en
Pages : 1

Book Description
National Theatre, John T. Ford, lessee, H. Clay Ford, manager. Monday, Junary 3d, 1876 Furbish's Fifth Avenue Combination. "The Two Orphans" Dramatized by N. Hart Jackson, of the Unon Square Theatre, New York City ... Grand "Two Orphans" Matinee Satruday at 2 P.M.

Theater Playbill for Mr. and Mrs. W.J. Florence in "The Mighty Dollar" at the National Theater, Washington, March 20, 1876

Theater Playbill for Mr. and Mrs. W.J. Florence in Author: National Theater (Washington, D.C. : 1873-1885)
Publisher:
ISBN:
Category :
Languages : en
Pages : 1

Book Description
National Theatre, John T. Ford, lessee, H. Clay Ford, manager. Doors opean at 7. To commence at 8. Engagement of the world-renowned comedians, Mr. & Mrs. W.J. Florence! Who will appear in their new and glorious comedy entitled "The Mighty Dollar!" frm the pen of B.E. Woolf, Esq. ... Monday evening, March 20th, 1876, and every evening and Saturday matineee, the great American comedy of the day, entitled "The Mighty Dollar!" ... New and beautiful scenery by James Lamb ... During the evening, the orchestra, under the direction of Mr. Fred. Prosperi, will perform choice selections of music ... Florence matinee Saturday at 2 p.m. ...

Musical Theatre

Musical Theatre PDF Author: John Kenrick
Publisher: Bloomsbury Publishing
ISBN: 1474267017
Category : Performing Arts
Languages : en
Pages : 349

Book Description
Musical Theatre: A History is a new revised edition of a proven core text for college and secondary school students – and an insightful and accessible celebration of twenty-five centuries of great theatrical entertainment. As an educator with extensive experience in professional theatre production, author John Kenrick approaches the subject with a unique appreciation of musicals as both an art form and a business. Using anecdotes, biographical profiles, clear definitions, sample scenes and select illustrations, Kenrick focuses on landmark musicals, and on the extraordinary talents and business innovators who have helped musical theatre evolve from its roots in the dramas of ancient Athens all the way to the latest hits on Broadway and London's West End. Key improvements to the second edition: · A new foreword by Oscar Hammerstein III, a critically acclaimed historian and member of a family with deep ties to the musical theatre, is included · The 28 chapters are reformatted for the typical 14 week, 28 session academic course, as well as for a two semester, once-weekly format, making it easy for educators to plan a syllabus and reading assignments. · To make the book more interactive, each chapter includes suggested listening and reading lists, designed to help readers step beyond the printed page to experience great musicals and performers for themselves. A comprehensive guide to musical theatre as an international phenomenon, Musical Theatre: A History is an ideal textbook for university and secondary school students.

Theatre as a Medium for Children and Young People: Images and Observations

Theatre as a Medium for Children and Young People: Images and Observations PDF Author: Shifra Schonmann
Publisher: Springer Science & Business Media
ISBN: 1402044402
Category : Education
Languages : en
Pages : 235

Book Description
This book is a journey into the dual territory of educational and theatrical settings. It advances the knowledge in these settings by touching upon provocative questions, by dealing with the limitations and challenging the new possibilities of theatre for young people. It is an attempt to bring intellectual rigor and some theoretical perspectives drawn from recent theatre and aesthetic theory to the field of theatre for young people.

Harper's Book of Facts

Harper's Book of Facts PDF Author: Charlton Thomas Lewis
Publisher:
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 968

Book Description


Protective Custody

Protective Custody PDF Author: Charles Laborde
Publisher:
ISBN: 9781793318169
Category :
Languages : en
Pages : 94

Book Description
Protective Custody: Prisoner 34042 is a raw new play, written by Charles LaBorde, and adapted from well-known Charlotte, North Carolina, Holocaust survivor Dr. Susan Cernyak-Spatz's memoir. The two-woman play captures Susan's riveting personal experiences as a young woman in the Auschwitz-Birkenau internment camps.The play presents in vivid detail both her youth in Central Europe, her two harrowing years in the death camp, and her ultimate liberation. While rich in its horrific story, this script ultimately focuses on the ability to survive through one's sheer will to live.

Players of a Century

Players of a Century PDF Author: Henry Pitt Phelps
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 450

Book Description


The Soul of Pleasure

The Soul of Pleasure PDF Author: David Monod
Publisher: Cornell University Press
ISBN: 1501703994
Category : History
Languages : en
Pages : 308

Book Description
Show business is today so essential to American culture it's hard to imagine a time when it was marginal. But as David Monod demonstrates, the appetite for amusements outside the home was not "natural": it developed slowly over the course of the nineteenth century. The Soul of Pleasure offers a new interpretation of how the taste for entertainment was cultivated. Monod focuses on the shifting connection between the people who built successful popular entertainments and the public who consumed them. Show people discovered that they had to adapt entertainment to the moral outlook of Americans, which they did by appealing to sentiment. The Soul of Pleasure explores several controversial forms of popular culture—minstrel acts, burlesques, and saloon variety shows—and places them in the context of changing values and perceptions. Far from challenging respectability, Monod argues that entertainments reflected and transformed the audience’s ideals. In the mid-nineteenth century, sentimentality not only infused performance styles and the content of shows but also altered the expectations of the theatergoing public. Sentimental entertainment depended on sensational effects that produced surprise, horror, and even gales of laughter. After the Civil War the sensational charge became more important than the sentimental bond, and new forms of entertainment gained in popularity and provided the foundations for vaudeville, America’s first mass entertainment. Ultimately, it was American entertainment’s variety that would provide the true soul of pleasure.

Players of a Century

Players of a Century PDF Author: Henry Pitt Phelps
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 436

Book Description


The Sounds of Early Cinema

The Sounds of Early Cinema PDF Author: Richard Abel
Publisher: Indiana University Press
ISBN: 9780253108708
Category : Performing Arts
Languages : en
Pages : 350

Book Description
The Sounds of Early Cinema is devoted exclusively to a little-known, yet absolutely crucial phenomenon: the ubiquitous presence of sound in early cinema. "Silent cinema" may rarely have been silent, but the sheer diversity of sound(s) and sound/image relations characterizing the first 20 years of moving picture exhibition can still astonish us. Whether instrumental, vocal, or mechanical, sound ranged from the improvised to the pre-arranged (as in scripts, scores, and cue sheets). The practice of mixing sounds with images differed widely, depending on the venue (the nickelodeon in Chicago versus the summer Chautauqua in rural Iowa, the music hall in London or Paris versus the newest palace cinema in New York City) as well as on the historical moment (a single venue might change radically, and many times, from 1906 to 1910). Contributors include Richard Abel, Rick Altman, Edouard Arnoldy, Mats Björkin, Stephen Bottomore, Marta Braun, Jean Châteauvert, Ian Christie, Richard Crangle, Helen Day-Mayer, John Fullerton, Jane Gaines, André Gaudreault, Tom Gunning, François Jost, Charlie Keil, Jeff Klenotic, Germain Lacasse, Neil Lerner, Patrick Loughney, David Mayer, Domi-nique Nasta, Bernard Perron, Jacques Polet, Lauren Rabinovitz, Isabelle Raynauld, Herbert Reynolds, Gregory A. Waller, and Rashit M. Yangirov.