Theater Playbill for Lucille Western in "Green Bushes! Or, The Huntress of the Mississippi" and "Post of Honor" at Ford's Atheneum, March 22, 1862 PDF Download
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Author: Publisher: ISBN: Category : Languages : en Pages : 1
Book Description
Ford's Atheneum. Proprietor & manager: John T. Ford (also of the Holliday Street Theater) Stage manager: John B. Wright ... Unexampled success of the new temple of the drama! Fourth appearance of the Celebrated Actress, Miss Lucille Western Entire change of performance. Saturday Evening, March 22d, 1862 Will be performed Buckstone's celebrated Drama, in 3 acts, entitled Green Bushes! or, The Huntress of the Mississippi" ... Zouave hornpipe by the beautiful Olivia. To conclude with the roaring Farce, of the "Post of Honor" ...
Author: Publisher: ISBN: Category : Languages : en Pages : 1
Book Description
Ford's Atheneum. Proprietor & manager: John T. Ford (also of the Holliday Street Theater) Stage manager: John B. Wright ... Unexampled success of the new temple of the drama! Fourth appearance of the Celebrated Actress, Miss Lucille Western Entire change of performance. Saturday Evening, March 22d, 1862 Will be performed Buckstone's celebrated Drama, in 3 acts, entitled Green Bushes! or, The Huntress of the Mississippi" ... Zouave hornpipe by the beautiful Olivia. To conclude with the roaring Farce, of the "Post of Honor" ...
Author: Publisher: ISBN: Category : Languages : en Pages : 1
Book Description
Ford's Atheneum. Proprietor & manager: John T. Ford (also of the Holliday Street Theater) Stage manager: John B. Wright, Musical Director, Eugene Fenelon. Two new pieces! Sixth Night of the popular Actress, Miss Lucille Western! On Tuesday Evening, March 25, 1862, will be acted the peculiarly thrilling play entitled 'The Zingara! or, The Wild Flowers of the Forest" ... Medley dance by the Lovely Oliva. To Cconclude with the new Farce of "John Wopps, or, 'From Information I Received'." ... Treasurer: Charles E. Ford ...
Author: Publisher: ISBN: Category : Languages : en Pages : 1
Book Description
Ford's Atheneum. Proprietor & manager: John T. Ford (also of the Holliday Street Theater) Stage manager: John B. Wright, Musical Director, Eugene Fenelon. A great success! The new temple of the drama! Fifth appearance of the Celebrated Actress, Miss Lucille Western. On Monday Evening, March 24, 1862, will be performed the great French play! In 5 acts, entitled "Camille! Or the Fate of a Coquette" ... Fancy dance by the beautiful Olivia. To conclude with the Comedietta of "The Maid with the Milking Pail" ...
Author: Publisher: ISBN: Category : Languages : en Pages : 1
Book Description
Ford's Atheneum. Proprietor & manager: John T. Ford (also of the Holliday Street Theater) Stage manager: John B. Wright, Musical Director, Eugene Fenelon. The last appearance but one of the talented and beautiful young actress Miss Lucille Western. Two great pieces Lucretia Borgia! and a Devilish Good Joke! On Friday Evening, March 28th, 1862 will be acted a Drama of intense interest, entitled "Lucretia Borgia, the Poisoner!" ... Irish lilt: Miss Olivia. To conclude with "A Devilish Good Joke" Perpetrated by Miss Lucille Western on Mr. C.B. Bishop. To-morrow evening, last appearance of Miss Lucille Western, on which occasion she will repeat her great character of Camille, which received on its first representation, rapturous applause ... Treasurer: Charles E. Ford ...
Author: Publisher: ISBN: Category : Languages : en Pages : 1
Book Description
Ford's Atheneum. Proprietor & manager: John T. Ford (also of the Holliday Street Theater) Stage manager: John B. Wright ... Second night of the season. Second Appearance of the Celebrated Actress, Miss Lucille Western. Thursday Evening, March 20th, 1862 Will be presented the Grand Militatry Drama of "The French Spy! Or, The Storming of Algiers" ... La Zingarella: Miss Olivia. To conclude with the Sparkling Comedietta of "The Irish Beauty, Or, The Maid of Munster!" ...
Author: Publisher: ISBN: Category : Languages : en Pages : 1
Book Description
Ford's Atheneum. Proprietor & manager: John T. Ford (also of the Holliday Street Theater) Stage manager: John B. Wright, Musical Director, Eugene Fenelon. Seventh Night Miss Lucille Western! who will appear to-night in six different characters with song and dances. Mr. Walter S. Lennox the Popular Comedian, His First Appearance. Wednesday Evening, March 26, 1862 will be presented the Popular Play, entitled "Satan in Paris! Or, The Mysterious Stranger" ... In act II, the song and chorus The Bold Bold Thief by Miss Western, Mr. Chester and Chorus. Dance by Miss Olivia. To conclude with the Farce of the "Hatter & Printer" ... Treasurer: Charles E. Ford ...
Author: Janice Norwood Publisher: Manchester University Press ISBN: 1526133342 Category : Performing Arts Languages : en Pages : 183
Book Description
Victorian touring actresses brings new attention to women’s experience of working in nineteenth-century theatre by focusing on a diverse group of largely forgotten ‘mid-tier’ performers, rather than the usual celebrity figures. It examines how actresses responded to changing political, economic and social circumstances and how the women were themselves agents of change. Their histories reveal dynamic patterns of activity within the theatrical industry and expose its relationship to wider Victorian culture. With an innovative organisation mimicking the stages of an actress’s life and career, the volume draws on new archival research and plentiful illustrations to examine the challenges and opportunities facing the women as they toured both within the UK and further afield in North America and Australasia. It will appeal to students and researchers in theatre and performance history, Victorian studies, gender studies and transatlantic studies.
Author: Richard L. Kagan Publisher: U of Nebraska Press ISBN: 1496207726 Category : History Languages : en Pages : 640
Book Description
The Spanish Craze is the compelling story of the centuries-long U.S. fascination with the history, literature, art, culture, and architecture of Spain. Richard L. Kagan offers a stunningly revisionist understanding of the origins of hispanidad in America, tracing its origins from the early republic to the New Deal. As Spanish power and influence waned in the Atlantic World by the eighteenth century, her rivals created the “Black Legend,” which promoted an image of Spain as a dead and lost civilization rife with innate cruelty and cultural and religious backwardness. The Black Legend and its ambivalences influenced Americans throughout the nineteenth century, reaching a high pitch in the Spanish-American War of 1898. However, the Black Legend retreated soon thereafter, and Spanish culture and heritage became attractive to Americans for its perceived authenticity and antimodernism. Although the Spanish craze infected regions where the Spanish New World presence was most felt—California, the American Southwest, Texas, and Florida—there were also early, quite serious flare-ups of the craze in Chicago, New York, and New England. Kagan revisits early interest in Hispanism among elites such as the Boston book dealer Obadiah Rich, a specialist in the early history of the Americas, and the writers Washington Irving and Henry Wadsworth Longfellow. He also considers later enthusiasts such as Angeleno Charles Lummis and the many writers, artists, and architects of the modern Spanish Colonial Revival in the United States in the late nineteenth and early twentieth centuries. Spain’s political and cultural elites understood that the promotion of Spanish culture in the United States and the Western Hemisphere in general would help overcome imperial defeats while uniting Spaniards and those of Spanish descent into a singular raza whose shared characteristics and interests transcended national boundaries. With elegant prose and verve, The Spanish Craze spans centuries and provides a captivating glimpse into distinct facets of Hispanism in monuments, buildings, and private homes; the visual, performing, and cinematic arts; and the literature, travel journals, and letters of its enthusiasts in the United States.
Author: Peter C. Rollins Publisher: University Press of Kentucky ISBN: 0813171806 Category : Performing Arts Languages : en Pages : 388
Book Description
American historians such as Frederick Jackson Turner have argued that the West has been the region that most clearly defines American democracy and the national ethos. Throughout the twentieth century, the "frontier thesis" influenced film and television producers who used the West as a backdrop for an array of dramatic explorations of America's history and the evolution of its culture and values. The common themes found in Westerns distinguish the genre as a quintessentially American form of dramatic art. In Hollywood's West, Peter C. Rollins, John E. O'Connor, and the nation's leading film scholars analyze popular conceptions of the frontier as a fundamental element of American history and culture. This volume examines classic Western films and programs that span nearly a century, from Cimarron (1931) to Turner Network Television's recent made-for-TV movies. Many of the films discussed here are considered among the greatest cinematic landmarks of all time. The essays highlight the ways in which Westerns have both shaped and reflected the dominant social and political concerns of their respective eras. While Cimarron challenged audiences with an innovative, complex narrative, other Westerns of the early sound era such as The Great Meadow (1931) frequently presented nostalgic visions of a simpler frontier era as a temporary diversion from the hardships of the Great Depression. Westerns of the 1950s reveal the profound uncertainty cast by the cold war, whereas later Westerns display heightened violence and cynicism, products of a society marred by wars, assassinations, riots, and political scandals. The volume concludes with a comprehensive filmography and an informative bibliography of scholarly writings on the Western genre. This collection will prove useful to film scholars, historians, and both devoted and casual fans of the Western genre. Hollywood's West makes a significant contribution to the understanding of both the historic American frontier and its innumerable popular representations.
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Author: Janice Norwood
Author: Richard L. Kagan
Author: James Granger
Author: Peter C. Rollins