The Yotsuya Kwaidan PDF Download

Author: James Seguin De Benneville
Publisher:
ISBN:
Category : Ghost plays, Japanese
Languages : en
Pages : 300

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Author: James S. De Banneville
Publisher: Routledge
ISBN: 1317792955
Category : Social Science
Languages : en
Pages : 287

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First published in 2001. Kwaidan are what Lafcadio Hearn calls 'stories and studies of strange things' - eerie tales which convey the enduring mystery of traditional Japanese culture and the world of the samurai. In this volume, de Benneville's rendition of the Yotsuya Kwaidan of Shunkintei Ryuo paints a picture of life in the capital city of Edo among the samurai of the highest class, jostling for power at the court of the Shogun. At the heart of the story is the Lady of Tamiya, a daughter of the samurai who is sold by her brutal husband into the floating world of brothels, from which she escapes only in death. Thereafter, the Lady is avenged as mis-forutune relentlessly overtakes all who betrayed her, and she is still remembered today in a Tokyo shrine popular with women who seek her protection. More than any history, kwaidan reveal the inner morality of the samurai code.

Author: Marisa Hayes
Publisher: Liverpool University Press
ISBN: 1800347065
Category : Performing Arts
Languages : en
Pages : 103

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Takashi Shimizu's Ju-on franchise was a principal instigator in the rise of contemporary Japanese horror and its international popularity at the turn of the millennium. Following the success of Hideo Nakata's Ringu (1998), the first cinematic release of Ju-on: The Grudge in 2002 crystallized Japanese horror's rise to prominence and outlined the new decade's thematic interest in supernatural technology and fear of contagions, while skillfully navigating domestic social concerns, such as Japan's growing elderly population and domestic violence. This Devil's Advocate explores the production roots of Ju-on The Grudge, followed by a critical reading of the film that highlights its essential themes and motifs, in addition to a section on cultural influences, before concluding with a section on Shimizu's continued involvement with the Ju-on franchise and its ongoing legacy. The book serves as an excellent primer for readers without prior knowledge of Japanese horror or the Ju-on film cycle, while providing fresh perspectives on the film that makes it equally appealing to J-horror aficionados.

Author:
Publisher: Simon and Schuster
ISBN: 180417596X
Category : Fiction
Languages : en
Pages : 132

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Many of the ghost stories of Japan came to the fore during the Edo period with its famous woodblocks of ukiyo-e, the floating world. With a new introduction, this collection of Japanese ghost stories brings together fantastic tales of vengeful spirits, mountain-dwelling phantoms, man-eating oni, haunted trees, and child-rearing ghosts, with stories such as Yuki-Onna, Hoichi the Earless, The Ghost of O-Kiku from The Bancho Sarayashiki, the sorry tale of O-Iwa from the Yotsuya Kaidan, The Peony Lantern and The Ghost Who Bought Candy. Japan has a long and ancient custom of sharing stories of the supernatural, brought to fashionable prominence in the Kaidan literature of the Edo period, now presented here for the modern reader. FLAME TREE 451: From myth to mystery, the supernatural to horror, fantasy and science fiction, Flame Tree 451 offers a healthy diet of werewolves and mechanical men, blood-lusty vampires, dastardly villains, mad scientists, secret worlds, lost civilizations and escapist fantasies. Discover a storehouse of tales gathered specifically for the reader of the fantastic.

Author: Kegan Paul, Trench, Trubner & Co
Publisher:
ISBN:
Category : Africa
Languages : en
Pages : 1236

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Author: Zack Davisson
Publisher: Chin Music Press Inc.
ISBN: 0988769352
Category : Social Science
Languages : en
Pages : 236

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"I lived in a haunted apartment." Zack Davisson opens this definitive work on Japan's ghosts, or yurei, with a personal tale about the spirit world. Eerie red marks on the apartment's ceiling kept Zack and his wife on edge. The landlord warned them not to open a door in the apartment that led to nowhere. "Our Japanese visitors had no problem putting a name to it . . . they would sense the vibes of the place, look around a bit and inevitably say 'Ahhh . . . yurei ga deteru.' There is a yurei here." Combining his lifelong interest in Japanese tradition and his personal experiences with these vengeful spirits, Davisson launches an investigation into the origin, popularization, and continued existence of yurei in Japan. Juxtaposing historical documents and legends against contemporary yurei-based horror films such as The Ring, Davisson explores the persistence of this paranormal phenomenon in modern day Japan and its continued spread throughout the West. Zack Davisson is a translator, writer, and scholar of Japanese folklore and ghosts. He is the translator of Mizuki Shigeru's Showa 1926–1939: A History of Japan and a translator and contributor to Kitaro. He also worked as a researcher and on-screen talent for National Geographic's TV special Japan: Lost Souls of Okinawa. He writes extensively about Japanese ghost stories at his website, hyakumonogatari.com.

Author: Duncan Ryūken Williams
Publisher: Princeton University Press
ISBN: 1400832594
Category : Religion
Languages : en
Pages : 257

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Popular understanding of Zen Buddhism typically involves a stereotyped image of isolated individuals in meditation, contemplating nothingness. This book presents the "other side of Zen," by examining the movement's explosive growth during the Tokugawa period (1600-1867) in Japan and by shedding light on the broader Japanese religious landscape during the era. Using newly-discovered manuscripts, Duncan Ryuken Williams argues that the success of Soto Zen was due neither to what is most often associated with the sect, Zen meditation, nor to the teachings of its medieval founder Dogen, but rather to the social benefits it conveyed. Zen Buddhism promised followers many tangible and attractive rewards, including the bestowal of such perquisites as healing, rain-making, and fire protection, as well as "funerary Zen" rites that assured salvation in the next world. Zen temples also provided for the orderly registration of the entire Japanese populace, as ordered by the Tokugawa government, which led to stable parish membership. Williams investigates both the sect's distinctive religious and ritual practices and its nonsectarian participation in broader currents of Japanese life. While much previous work on the subject has consisted of passages on great medieval Zen masters and their thoughts strung together and then published as "the history of Zen," Williams' work is based on care ul examination of archival sources including temple logbooks, prayer and funerary manuals, death registries, miracle tales of popular Buddhist deities, secret initiation papers, villagers' diaries, and fund-raising donor lists.

Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 64

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New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.

Author: Laurence C. Bush
Publisher: iUniverse
ISBN: 9781469715032
Category : Body, Mind & Spirit
Languages : en
Pages : 248

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The Asian Horror Encyclopedia is the first reference work of its kind in English. It covers Asian horror culture in literature, art, film and comics. From its roots in ancient Chinese folklore to the best-selling Japanese horror novelists of today, this book is a handy alphabetic reference, collecting scarce information from obscure sources.

Author: Satoko Shimazaki
Publisher: Columbia University Press
ISBN: 0231540523
Category : History
Languages : en
Pages : 389

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Satoko Shimazaki revisits three centuries of kabuki theater, reframing it as a key player in the formation of an early modern urban identity in Edo Japan and exploring the process that resulted in its re-creation in Tokyo as a national theatrical tradition. Challenging the prevailing understanding of early modern kabuki as a subversive entertainment and a threat to shogunal authority, Shimazaki argues that kabuki instilled a sense of shared history in the inhabitants of Edo (present-day Tokyo) by invoking "worlds," or sekai, derived from earlier military tales, and overlaying them onto the present. She then analyzes the profound changes that took place in Edo kabuki toward the end of the early modern period, which witnessed the rise of a new type of character: the vengeful female ghost. Shimazaki's bold reinterpretation of the history of kabuki centers on the popular ghost play Tokaido Yotsuya kaidan (The Eastern Seaboard Highway Ghost Stories at Yotsuya, 1825) by Tsuruya Nanboku IV. Drawing not only on kabuki scripts but also on a wide range of other sources, from theatrical ephemera and popular fiction to medical and religious texts, she sheds light on the development of the ubiquitous trope of the vengeful female ghost and its illumination of new themes at a time when the samurai world was losing its relevance. She explores in detail the process by which nineteenth-century playwrights began dismantling the Edo tradition of "presenting the past" by abandoning their long-standing reliance on the sekai. She then reveals how, in the 1920s, a new generation of kabuki playwrights, critics, and scholars reinvented the form again, "textualizing" kabuki so that it could be pressed into service as a guarantor of national identity.