![Catalogue of the Library of the Late Richard Heber, Esq.: Part the Fourt, Removed from His House at Pimlico. Which Will be Sold by Auction, by Mr. Evans, at His House, No° 93, Pall Mall. On Monday, ..., and Fourteen Following Days, Sundays Excepted. To be Viewed on Thursday, Friday, and Saturday Previous to the Sale. [Each Day's Sale Will Commence at Half Past Twelve Precisely]. PDF](https://books.google.com/books/content/images/frontcover/O23etmwlzOkC?fife=w150-h200)
Author: Publisher:
ISBN:
Category :
Languages : en
Pages : 368
Book Description
Catalogue of the Library of the Late Richard Heber, Esq.: Part the Fourt, Removed from His House at Pimlico. Which Will be Sold by Auction, by Mr. Evans, at His House, No° 93, Pall Mall. On Monday, ..., and Fourteen Following Days, Sundays Excepted. To be Viewed on Thursday, Friday, and Saturday Previous to the Sale. [Each Day's Sale Will Commence at Half Past Twelve Precisely].
![Catalogue of the Library of the Late Richard Heber, Esq.: Part the Fourt, Removed from His House at Pimlico. Which Will be Sold by Auction, by Mr. Evans, at His House, No° 93, Pall Mall. On Monday, ..., and Fourteen Following Days, Sundays Excepted. To be Viewed on Thursday, Friday, and Saturday Previous to the Sale. [Each Day's Sale Will Commence at Half Past Twelve Precisely]. PDF](https://books.google.com/books/content/images/frontcover/O23etmwlzOkC?fife=w80-h100)
Author: Bibliotheca Heberiana Catalogue of the Library of the Late Richard Heber, Esq
Author: Bibliotheca Heberiana ; Catalogue Of The Library Of The Late Richard Heber, Esq
Author: Richard HeberCatalogue of the Library of the Late Richard Heber
Author: Bibliotheca Heberiana
Author: Richard HeberPublisher:
ISBN:
Category : Rare books
Languages : en
Pages : 956
Book Description
Ezra Pound and the Spanish World
Author: Viorica PateaPublisher: Liverpool University Press
ISBN: 1835539661
Category : Literary Criticism
Languages : en
Pages : 315
Book Description
This collection offers for the first time criticism, biographical essays, analysis, translation studies, and reminiscences of Ezra Pound’s extensive interaction with Spain and Spanish culture, from his earliest visits to Spain in 1902 and 1906 and his study of significant Spanish writers to the dedication of the first monument erected anywhere to Pound in the small Spanish village of Medinaceli in 1973. Divided into two sections, Part One: “ON EZRA POUND AND THE SPANISH WORLD” includes a general introduction on Pound’s lifelong involvement with Spain, together with chapters on Pound’s study of classical Spanish literature, the Spanish dimension in The Cantos, Pound’s contemporary Spanish connections, and his legacy in contemporary Spanish letters. Part Two: “EZRA POUND AND THE SPANISH WORLD: A READER,” then gathers for the first time Pound’s own writings (postcards, letters, and essays) concerning Spain and Spanish writers, as well as his correspondence with Spanish poets Miguel de Unamuno and Juan Ramón Jiménez and with José Vázquez Amaral, the first Spanish translator of The Cantos in its entirety. The volume includes reminiscences by Spanish Novísimos poets, Antonio Colinas and Jaime Siles, written explicitly for this collection. Besides providing a thorough exploration into Pound’s engagement with Spain, this volume pays homage to Pound’s considerable influence on Spanish culture.
Bibliotheca Heberiana. Catalogue of the Library of the Late Richard Heber, Esq. ... which Will be Sold by Auction by Messrs. Sotheby and Son, at Their House, Wellington-street, Strand, on Thursday, April 10, and Twenty-five Following Days ...
Author: Sotheby's (London)Meteorology and Physiology in Early Modern Culture
Author: Rebecca TotaroPublisher: Routledge
ISBN: 1351607626
Category : Literary Criticism
Languages : en
Pages : 263
Book Description
Meteorology and Physiology in Early Modern Culture: Earthquakes, Human Identity, and Textual Representation provides the first sustained examination of the foundational set of early modern beliefs linking meteorology and physiology. This was a relationship so intimate and, to us, poetic that we have spent centuries assuming early moderns were using figurative language when they represented the matter and motions of their bodies in meteorological terms and weather events in physiological ones. Early moderns believed they inhabited a geocentric universe in which the matter and motions constituting all sublunary things were the same and that therefore all things were compositionally and interactively related. What physically generated anger, erotic desire, and plague also generated thunder, the earthquake, and the comet. As a result, the interpretation of meteorological events, such as the 1580 earthquake in the Dover Strait, was consequential. With its radical and seemingly spontaneous shaking, an earthquake could expose inconvenient truths about the cause of matter and motion and about what, if anything, distinguishes humans from every other thing and from events. Meteorology and Physiology in Early Modern Culture reveals a need for reexamination of all representations of meteorology and physiology in the period. This reexamination begins here with a focus on the Titanic metamorphoses captured by Edmund Spenser, William Shakespeare, John Donne, and the many writers responding to the 1580 earthquake.
Shakespeare's storms
Author: Gwilym JonesPublisher: Manchester University Press
ISBN: 1526111845
Category : Literary Criticism
Languages : en
Pages : 270
Book Description
Whether the apocalyptic storm of King Lear or the fleeting thunder imagery of Hamlet, the shipwrecks of the comedies or the thunderbolt of Pericles, there is an instance of storm in every one of Shakespeare’s plays. This is the first comprehensive study of Shakespeare’s storms. With chapters on Julius Caesar, King Lear, Macbeth, Pericles and The Tempest, the book traces the development of the storm over the second half of the playwright’s career, when Shakespeare took the storm to new extremes. It explains the storm effects used in early modern playhouses, and how they filter into Shakespeare’s dramatic language. Interspersed are chapters on thunder, lightning, wind and rain, in which the author reveals Shakespeare’s meteorological understanding and offers nuanced readings of his imagery. Throughout, Shakespeare’s storms brings theatre history to bear on modern theories of literature and the environment. It is essential reading for anyone interested in early modern drama.
The Fetters of Rhyme
Author: Rebecca M. RushPublisher: Princeton University Press
ISBN: 069121784X
Category : Literary Criticism
Languages : en
Pages : 304
Book Description
How rhyme became entangled with debates about the nature of liberty in sixteenth- and seventeenth-century English poetry In his 1668 preface to Paradise Lost, John Milton rejected the use of rhyme, portraying himself as a revolutionary freeing English verse from “the troublesome and modern bondage of Riming.” Despite his claim to be a pioneer, Milton was not initiating a new line of thought—English poets had been debating about rhyme and its connections to liberty, freedom, and constraint since Queen Elizabeth’s reign. The Fetters of Rhyme traces this dynamic history of rhyme from the 1590s through the 1670s. Rebecca Rush uncovers the surprising associations early modern readers attached to rhyming forms like couplets and sonnets, and she shows how reading poetic form from a historical perspective yields fresh insights into verse’s complexities. Rush explores how early modern poets imagined rhyme as a band or fetter, comparing it to the bonds linking individuals to political, social, and religious communities. She considers how Edmund Spenser’s sonnet rhymes stood as emblems of voluntary confinement, how John Donne’s revival of the Chaucerian couplet signaled sexual and political radicalism, and how Ben Jonson’s verse charted a middle way between licentious Elizabethan couplet poets and slavish sonneteers. Rush then looks at why the royalist poets embraced the prerational charms of rhyme, and how Milton spent his career reckoning with rhyme’s allures. Examining a poetic feature that sits between sound and sense, liberty and measure, The Fetters of Rhyme elucidates early modern efforts to negotiate these forces in verse making and reading.