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Author: Thomas Wentworth Higginson Publisher: Forgotten Books ISBN: 9780483602700 Category : Poetry Languages : en Pages : 420
Book Description
Excerpt from The Writings of Thomas Wentworth Higginson The prose essays in this volume were writ ten, with hardly an exception, while the author was a resident of Worcester, Massachusetts, and were published originally in the Atlantic Monthly magazine. They were reprinted, in part, in a volume called Outdoor Papers, and some of them in an illustrated volume entitled In a Fair Country, with illustrations by Miss Irene E. Jerome, and again in a volume called The Procession of the Flowers, and Other Essays, with a frontispiece by Mrs. Arthur B. Marsh. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Thomas Wentworth Higginson Publisher: Forgotten Books ISBN: 9780483602700 Category : Poetry Languages : en Pages : 420
Book Description
Excerpt from The Writings of Thomas Wentworth Higginson The prose essays in this volume were writ ten, with hardly an exception, while the author was a resident of Worcester, Massachusetts, and were published originally in the Atlantic Monthly magazine. They were reprinted, in part, in a volume called Outdoor Papers, and some of them in an illustrated volume entitled In a Fair Country, with illustrations by Miss Irene E. Jerome, and again in a volume called The Procession of the Flowers, and Other Essays, with a frontispiece by Mrs. Arthur B. Marsh. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Thomas Wentworth Higginson Publisher: University of Chicago Press ISBN: 9780226333304 Category : Biography & Autobiography Languages : en Pages : 434
Book Description
Includes a selection of Higginson's wartime letters, this volume offers a picture of the radical interracial solidarity brought about by the transformative experience of the army camp and of American Civil War life.
Author: Brian Roberts Publisher: University of Chicago Press ISBN: 022645178X Category : Social Science Languages : en Pages : 371
Book Description
As the United States transitioned from a rural nation to an urbanized, industrial giant between the War of 1812 and the early twentieth century, ordinary people struggled over the question of what it meant to be American. As Brian Roberts shows in Blackface Nation, this struggle is especially evident in popular culture and the interplay between two specific strains of music: middle-class folk and blackface minstrelsy. The Hutchinson Family Singers, the Northeast’s most popular middle-class singing group during the mid-nineteenth century, is perhaps the best example of the first strain of music. The group’s songs expressed an American identity rooted in communal values, with lyrics focusing on abolition, women’s rights, and socialism. Blackface minstrelsy, on the other hand, emerged out of an audience-based coalition of Northern business elites, Southern slaveholders, and young, white, working-class men, for whom blackface expressed an identity rooted in individual self-expression, anti-intellectualism, and white superiority. Its performers embodied the love-crime version of racism, in which vast swaths of the white public adored African Americans who fit blackface stereotypes even as they used those stereotypes to rationalize white supremacy. By the early twentieth century, the blackface version of the American identity had become a part of America’s consumer culture while the Hutchinsons’ songs were increasingly regarded as old-fashioned. Blackface Nation elucidates the central irony in America’s musical history: much of the music that has been interpreted as black, authentic, and expressive was invented, performed, and enjoyed by people who believed strongly in white superiority. At the same time, the music often depicted as white, repressed, and boringly bourgeois was often socially and racially inclusive, committed to reform, and devoted to challenging the immoralities at the heart of America’s capitalist order.
Author: Kenneth M. Price Publisher: University of Virginia Press ISBN: 9780813916293 Category : Language Arts & Disciplines Languages : en Pages : 298
Book Description
Covering the decades from the 1830s through the end of the century, as well as the eastern, southern, and western regions of the United States, these essays, by a diverse group of scholars, examine a variety of periodicals from the well-known Atlantic Monthly to small papers such as The National Era. They illustrate how literary analysis can be enriched by consideration of social history, publishing contexts, the literary marketplace, and the relationships between authors and editors.
Author: Kathleen A. Abromeit Publisher: A-R Editions, Inc. ISBN: 0895797992 Category : Music Languages : en Pages : 317
Book Description
Spirituals originated among enslaved Africans in America during the colonial era. They resonate throughout African American history from that time to the civil rights movement, from the cotton fields to the concert stage, and influenced everything from gospel music to blues and rap. They have offered solace in times of suffering, served as clandestine signals on the Underground Railroad, and been a source of celebration and religious inspiration. Spirituals are born from the womb of African American experience, yet they transcend national, disciplinary, and linguistic boundaries as they connect music, theology, literature and poetry, history, society, and education. In doing so, they reach every aspect of human experience. To make sense of the immense impact spirituals have made on music, culture, and society, this bibliography cites writings from a multidisciplinary perspective. This annotated bibliography documents articles, books, and dissertations published since 1902. Of those, 150 are books; 80 are chapters within books; 615 are journal articles, and 150 are dissertations, along with a selection of highly significant items published before 1920. The most recent publications included date from early 2014. Disciplines researched include music, literature and poetry, American history, religion, and African American Studies. Items included in the annotated bibliography are limited to English-language sources that were published in the United States and focus on African American spirituals in the United States, but there are a few select citations that focus on spirituals outside of the United States. Of the one thousand annotations, they are divided, roughly evenly, between: general studies and geographical studies; information about early spirituals; use of spirituals in art music, church music, and popular music; composers who based music on spirituals; performers of spirituals (ensembles and individuals); Bible, theology, and religious education; literature and poetry; pedagogical considerations, including the teaching of spirituals as well as prominent educators; reference works and a list of resources that were unavailable for review but are potentially useful. This book also offers considerable depth on particular topics such as the Fisk Jubilee Singers and William Grant Still with over thirty citations devoted to each. At the same time, materials included are quite diverse, with topics such as spirituals in Zora Neale Hurston’s novels; bible studies based on spirituals; enriching the teaching of geography through spirituals; Marian Anderson’s historic concert at the Lincoln Memorial; spiritual roots of rap; teaching dialect to singers; expressing African American religion in spirituals; Samuel Coleridge-Taylor’s music; slave tradition of singing among the Gullah. The book contains indices by author, subject, and spiritual title. Additionally, an appendix of spirituals by biblical reference, listing both spiritual title to scriptural reference as well as scripture to spiritual title is included. T. L. Collins, Christian educator, compiled the appendix.
Author: Thomas Wentworth Higginson
Author: Thomas Wentworth Higginson
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Author: Thomas Wentworth Higginson
Author: McClurg, Firm, Booksellers, Chicago
Author: Brian Roberts
Author: Albert James Diaz
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Author: Kathleen A. Abromeit