The WPA Guide to 1930s Arizona PDF Download

Author:
Publisher:
ISBN:
Category : Travel
Languages : en
Pages : 642

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Book Description
Original edition listed in BCL3 under the title: Arizona. Compiled by the Writers' Program of the WPA. New foreword by Stewart Udall.

Author: Betsy Fahlman
Publisher: University of Arizona Press
ISBN: 0816534446
Category : History
Languages : en
Pages : 222

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Book Description
Arizona’s art history is emblematic of the story of the modern West, and few periods in that history were more significant than the era of the New Deal. From Dorothea Lange and Ansel Adams to painters and muralists including Native American Gerald Nailor, the artists working in Arizona under New Deal programs were a notable group whose art served a distinctly public purpose. Their photography, paintings, and sculptures remain significant exemplars of federal art patronage and offer telling lessons positioned at the intersection of community history and culture. Art is a powerful instrument of historical record and cultural construction, and many of the issues captured by the Farm Security Administration photographers remain significant issues today: migratory labor, the economic volatility of the mining industry, tourism, and water usage. Art tells important stories, too, including the work of Japanese American photographer Toyo Miyatake in Arizona’s internment camps, murals by Native American artist Gerald Nailor for the Navajo Nation Council Chamber in Window Rock, and African American themes at Fort Huachuca. Illustrated with 100 black-andwhite photographs and covering a wide range of both media and themes, this fascinating and accessible volume reclaims a richly textured story of Arizona history with potent lessons for today.

Author:
Publisher: University of Chicago Behalf of U of Arizona Press
ISBN:
Category : History
Languages : en
Pages : 584

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"In no other single book is the essence of this region gathered for the general reader so schematically, so accessibly and so interestingly as in this volume ... New Mexico has reason to be proud of this civilized and entertaining book." So wrote Axton Clark in the New York Times when this practical guidebook was first published as part of the Work Projects Administration's American Guide Series. Half a century later, it stands as a historic document containing a wealth of information about New Mexico's places and people. The WPA Guide to 1930s New Mexico leads the modern traveler along eighteen fascinating road trips and offers and unimpeachable reference of comparing what is with what once was. Enhanced by the outstanding photography of Laura Gilpin and Ernest Knee, it captures the spirit of a place and time that still lingers in the "Land of Enchantment."

Author: Katherine G. Morrissey
Publisher: University of Arizona Press
ISBN: 9780816522729
Category : Photography
Languages : en
Pages : 268

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Book Description
The more than one hundred images--by well-known photographers such as Dorothea Lange and Laura Gilpin as well as by an array of less familiar ones--places the work of local Arizonans alongside that of federal photographers both to illuminate the impact of the Depression on the state's distinctive racial and natural landscapes and to show the influence of differing cultural agendas on the photographic record. Includes essays by a variety of authors on life in 1930s Arizona and the photographers who documented it.

Author: George E. Webb
Publisher: University of Arizona Press
ISBN: 0816544042
Category : Science
Languages : en
Pages : 296

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As a site of scientific activity, the Southwest may be best known for atomic research at Los Alamos and astronomical observations at Kitt Peak. But as George Webb shows, these twentieth-century endeavors follow a complex history of discovery that dates back to Spanish colonial times, and they point toward an exciting future. Ranging broadly over the natural and human sciences, Webb shows that the Southwest—specifically Arizona, New Mexico, and west Texas—began as a natural laboratory that attracted explorers interested in its flora, fauna, and mineral wealth. Benjamin Silliman's mining research in the nineteenth century, for example, marked the development of the region as a colonial outpost of American commerce, and A. E. Douglass's studies of climatic cycles through tree rings attest to the rise of institutional research. World War II and the years that followed brought more scientists to the region, seeking secluded outposts for atomic research and clear skies for astronomical observations. What began as a colony of the eastern scientific establishment soon became a self-sustaining scientific community. Webb shows that the rise of major institutions—state universities, observatories, government labs—proved essential to the growth of Southwest science, and that government support was an important factor not only in promoting scientific research at Los Alamos but also in establishing agricultural and forestry experiment stations. And in what had always been a land of opportunity, women scientists found they had greater opportunity in the Southwest than they would have had back east. All of these factors converged at the end of the last century, with the Southwest playing a major role in NASA's interplanetary probes. While regionalism is most often used in studying culture, Webb shows it to be equally applicable to understanding the development of science. The individuals and institutions that he discusses show how science was established and grew in the region and reflect the wide variety of research conducted. By joining Southwest history with the history of science in ways that illumine both fields, Webb shows that the understanding of regional science is essential to a complete understanding of the Southwest.

Author: David M. Wrobel
Publisher: University of New Mexico Press
ISBN: 0826353703
Category : History
Languages : en
Pages : 328

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"This book examines how travel writers viewed the American West from the age of Manifest Destiny through the Great Depression. In the nineteenth century, the West was often presented as one developing frontier among many; in the twentieth century, travel writers often searched for American frontier distinctiveness"--Provided by publisher"--Provided by publisher.

Author: Philip L. Fradkin
Publisher: Univ of California Press
ISBN: 0520265424
Category : Biography & Autobiography
Languages : en
Pages : 320

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Book Description
A look at the truth and myths surrounding his life and disappearance at age 20 in the Utah canyonlands.

Author: Leah S. Glaser
Publisher: U of Nebraska Press
ISBN: 080322219X
Category : History
Languages : en
Pages : 318

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Book Description
Most Americans consider electricity essential to their lives, but the historic disparity of its distribution and use challenges notions of a democratic lifestyle, economy, and culture. By the beginning of the twentieth century, substations, wires, towers, and poles had followed migrants westward as the industrial era?s most prominent symbols of progress and power. When private companies controlled power production, electrical transmission, and distribution without regulation, they argued that it was not ?economically feasible? for many ethnic and rural communities to access ?the grid.? Yet, government agents continued to advocate electrical living through federal programs that reached into and across farming communities and American Indian reservations to homogenize and assimilate them through urban technologies. In the end, however, rural electrification was a locally directed process, subject to local and regional issues, concerns, and parameters. ø Electrifying the Rural American West provides a social and cultural history of rural electrification in the West. Using three case studies in Arizona, Leah S. Glaser details how, when examined from the local level, the process of electrification illustrates the impact of technology on places, economies, and lifestyles in the diverse communities and landscapes of the American West. As today?s policy-makers advocate building more power lines as a tool to bring democracy to faraway places and ?smart grids? to deliver renewable energy, they would do well to review the historical relationship of Americans with electronic power production, distribution, and regulation.

Author: Jennifer McLerran
Publisher: University of Arizona Press
ISBN: 0816550379
Category : History
Languages : en
Pages : 312

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As the Great Depression touched every corner of America, the New Deal promoted indigenous arts and crafts as a means of bootstrapping Native American peoples. But New Deal administrators' romanticization of indigenous artists predisposed them to favor pre-industrial forms rather than art that responded to contemporary markets. In A New Deal for Native Art, Jennifer McLerran reveals how positioning the native artist as a pre-modern Other served the goals of New Deal programs—and how this sometimes worked at cross-purposes with promoting native self-sufficiency. She describes federal policies of the 1930s and early 1940s that sought to generate an upscale market for Native American arts and crafts. And by unraveling the complex ways in which commodification was negotiated and the roles that producers, consumers, and New Deal administrators played in that process, she sheds new light on native art’s commodity status and the artist’s position as colonial subject. In this first book to address the ways in which New Deal Indian policy specifically advanced commodification and colonization, McLerran reviews its multi-pronged effort to improve the market for Indian art through the Indian Arts and Crafts Board, arts and crafts cooperatives, murals, museum exhibits, and Civilian Conservation Corps projects. Presenting nationwide case studies that demonstrate transcultural dynamics of production and reception, she argues for viewing Indian art as a commodity, as part of the national economy, and as part of national political trends and reform efforts. McLerran marks the contributions of key individuals, from John Collier and Rene d’Harnoncourt to Navajo artist Gerald Nailor, whose mural in the Navajo Nation Council House conveyed distinctly different messages to outsiders and tribal members. Featuring dozens of illustrations, A New Deal for Native Art offers a new look at the complexities of folk art “revivals” as it opens a new window on the Indian New Deal.

Author: Kim Engel-Pearson
Publisher: University of Oklahoma Press
ISBN: 0806159189
Category : History
Languages : en
Pages : 352

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Book Description
From the year of Arizona’s statehood to its centennial in 2012, narratives of the state and its natural landscape have revealed—and reconfigured—the state’s image. Through official state and federal publications, newspapers, novels, poetry, autobiographies, and magazines, Kim Engel-Pearson examines narratives of Arizona that reflect both a century of Euro-American dominance and a diverse and multilayered cultural landscape. Examining the written record at twenty-five-year intervals, Writing Arizona, 1912–2012 shows us how the state was created through the writings of both its inhabitants and its visitors, from pioneer reminiscences of settling the desert to modern stories of homelessness, and from early-twentieth-century Native American “as-told-to” autobiographies to those written in Natives’ own words in the 1970s and 1980s. Weaving together these written accounts, Engel-Pearson demonstrates how government leaders’ and boosters’ promotion of tourism—often at the expense of minority groups and the environment—was swiftly complicated by concerns about ethics, representation, and conservation. Word by word, story by story, Engel-Pearson depicts an Arizona whose narratives reflect celebrations of diversity and calls for conservation—yet, at the same time, a state whose constitution declares only English words “official.” She reveals Arizona to be constructed, understood, and inhabited through narratives, a state of words as changeable as it is timeless.