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Author: William Culp Darrah Publisher: William Darrah Culp ISBN: Category : Photography Languages : en Pages : 264
Book Description
An exact reprint edition of the definitive work on stereographs originally published by the author in 1977. Intended as a survey and guide to stereographs, it considers them from four points of view: historical, geographical, topical, and by the photographers who produced them. Two checklists include: the names and locations of 3500 North American stereographers arranged alphabetically by states; and a world register of 4200 cited photographers giving the countries and approximate dates of activity, with references to the pages of the book on which they are cited. Three hundred illustrations of stereographs supplement the text.
Author: William Culp Darrah Publisher: William Darrah Culp ISBN: Category : Photography Languages : en Pages : 264
Book Description
An exact reprint edition of the definitive work on stereographs originally published by the author in 1977. Intended as a survey and guide to stereographs, it considers them from four points of view: historical, geographical, topical, and by the photographers who produced them. Two checklists include: the names and locations of 3500 North American stereographers arranged alphabetically by states; and a world register of 4200 cited photographers giving the countries and approximate dates of activity, with references to the pages of the book on which they are cited. Three hundred illustrations of stereographs supplement the text.
Author: Douglas Heil Publisher: McFarland ISBN: 1476664609 Category : Art Languages : en Pages : 355
Book Description
Three-dimensional stereoviews were wildly popular in the mid-19th century. Yet public infatuation fueled highbrow scorn, and even when they fell from favor, critics retained their disdain. Thus a dazzling body of photographic work has unjustly been buried. This book explores how compelling images were made by carefully combining subject matter, composition, lighting, tonality, blocking and depth. It draws upon the fine arts, the mass media, humanities, history, and even geology. Throughout, overlooked photographers are celebrated, such as the one who found extraordinary visual parallels within nature, anticipating Cezanne and Seurat--or the one who refused to play favorites during a bitter war and found humanity on both sides--or the one who took a favorite American glen and found menace all about. Stereographers were actually more like film directors or television producers than large format photographers: the best ones fused artistry with commercial appeal.
Author: Thomas R. Dilley Publisher: Arcadia Publishing ISBN: 1439618887 Category : Photography Languages : en Pages : 128
Book Description
Beginning around 1865, as the fledgling art and science of photography began to appear in cities and towns across the United States, a small group of photographers, using new methods and equipment developed a few years before in Europe, began producing and offering for sale stereographic views of the people, places, and events that made up daily life in the then nearly 40-year-old city of Grand Rapids. These photographic views were unlike others that had preceded them and when viewed using a special device, they presented a detailed, three-dimensional portrait of the young city. Once introduced, stereographic views of the city, alongside those of more distant lands, became wildly popular and soon graced the homes of many in this city and elsewhere. The stereographic cards themselves today offer a rare and detailed glimpse of the city, its residents, and some of the special and unusual events that occurred nearly 150 years ago.
Author: Alexander Missal Publisher: Univ of Wisconsin Press ISBN: 0299229432 Category : History Languages : en Pages : 282
Book Description
Realizing the century-old dream of a passage to India, the building of the Panama Canal was an engineering feat of colossal dimensions, a construction site filled not only with mud and water but with interpretations, meanings, and social visions. Alexander Missal’s Seaway to the Future unfolds a cultural history of the Panama Canal project, revealed in the texts and images of the era’s policymakers and commentators. Observing its creation, journalists, travel writers, and officials interpreted the Canal and its environs as a perfect society under an efficient, authoritarian management featuring innovations in technology, work, health, and consumption. For their middle-class audience in the United States, the writers depicted a foreign yet familiar place, a showcase for the future—images reinforced in the exhibits of the 1915 Panama-Pacific International Exposition that celebrated the Canal’s completion. Through these depictions, the building of the Panama Canal became a powerful symbol in a broader search for order as Americans looked to the modern age with both anxiety and anticipation. Like most utopian visions, this one aspired to perfection at the price of exclusion. Overlooking the West Indian laborers who built the Canal, its admirers praised the white elite that supervised and administered it. Inspired by the masculine ideal personified by President Theodore Roosevelt, writers depicted the Canal Zone as an emphatically male enterprise and Chief Engineer George W. Goethals as the emblem of a new type of social leader, the engineer-soldier, the benevolent despot. Examining these and other images of the Panama Canal project, Seaway to the Future shows how they reflected popular attitudes toward an evolving modern world and, no less important, helped shape those perceptions. Best Books for Regional Special Interests, selected by the American Association of School Librarians, and Best Books for General Audiences, selected by the Public Library Association “Provide[s] a useful vantage on the world bequeathed to us by the forces that set out to put America astride the globe nearly a century ago.”—Chris Rasmussen, Bookforum