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The World of Science, Art, and Industry Illustrated

The World of Science, Art, and Industry Illustrated PDF Author: Benjamin Silliman
Publisher:
ISBN:
Category : Decorative arts
Languages : en
Pages : 532

Book Description


The World of Science, Art, and Industry Illustrated

The World of Science, Art, and Industry Illustrated PDF Author: Benjamin Silliman
Publisher:
ISBN:
Category : Decorative arts
Languages : en
Pages : 532

Book Description


The World of Science, Art, and Industry Illustrated from Examples in the New-York Exhibition, 1853-54

The World of Science, Art, and Industry Illustrated from Examples in the New-York Exhibition, 1853-54 PDF Author: Benjamin Silliman
Publisher:
ISBN:
Category : Decorative arts
Languages : en
Pages : 248

Book Description


The World of Science, Art and Industry

The World of Science, Art and Industry PDF Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 0

Book Description


The American Journal of Science

The American Journal of Science PDF Author:
Publisher:
ISBN:
Category : Science
Languages : en
Pages : 484

Book Description


American Journal of Science

American Journal of Science PDF Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 480

Book Description


Design in the USA

Design in the USA PDF Author: Jeffrey L. Meikle
Publisher: OUP USA
ISBN: 0191518026
Category : Design
Languages : en
Pages : 256

Book Description
From the Cadillac to the Apple Mac, the skyscraper to the Tiffany lampshade, the world in which we live has been profoundly influenced for over a century by the work of American designers. But the product is only the end of a story that is full of fascinating questions. What has been the social and cultural role of design in American society? To produce useful things that consumers need? Or to persuade them to buy things that they don't need? Where does the designer stand in all this? And how has the role of design in America changed over time, since the early days of the young Republic? Jeffrey Meikle explores the social and cultural history of American design spanning over two centuries, from the hand-crafted furniture and objects of the early nineteenth century, through the era of industrialization and the mass production of the machine age, to the information-based society of the present, covering everything from the Arts and Crafts movement to Art Deco, modernism to post-modernism, MOMA to the Tupperware bowl.

How to See the New York Crystal Palace

How to See the New York Crystal Palace PDF Author: Association for the Exhibition of the Industry of All Nations
Publisher:
ISBN:
Category :
Languages : en
Pages : 98

Book Description


19 Century America

19 Century America PDF Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 0870990047
Category : Decorative arts
Languages : en
Pages : 270

Book Description
This book illustrates and discusses 300 prime objects displayed in the 1970 exhibition of American decorative arts displayed during the Centennial exhibition at the Metropolitan Museum of Art in 1970. Presented as a series of lavish room settings and galleries, the exhibit included pieces in the 19th century’s principal styles of furniture and decorative arts--Federal, Empire, Gothic, rococo, Renaissance, art nouveau, and reform. Objects featured in this book include various pieces of furniture, silver, glass, ceramics, and metalwork from the Museum’s American wing.

Our World; Or, The Democrat's Rule

Our World; Or, The Democrat's Rule PDF Author: Francis Colburn Adams
Publisher:
ISBN:
Category :
Languages : en
Pages : 450

Book Description


Bruno Taut's Design Inspiration for the Glashaus

Bruno Taut's Design Inspiration for the Glashaus PDF Author: David Nielsen
Publisher: Routledge
ISBN: 1317499794
Category : Architecture
Languages : en
Pages : 184

Book Description
As a formative exemplar of early architectural modernism, Bruno Taut’s seminal exhibition pavilion the Glashaus (literally translated Glasshouse) is logically part of the important debate of rethinking the origins of modernism. However, the historical record of Bruno Taut’s Glashaus has been primarily established by one art historian and critic. As a result the historical record of the Glashaus is significantly skewed toward a singlular notion of Expressionism and surprisingly excludes Taut’s diverse motives for the design of the building. In an effort to clarify the problematic historical record of the Glashaus, this book exposes Bruno Taut’s motives and inspirations for its design. The result is that Taut’s motives can be found in yet unacknowledged precedents like the botanical inspiration of the Victoria regia lily; the commercial interests of Frederick Keppler as the Director of the Deutche Luxfer Prismen Syndikat; and imitation that derived openly from the Gothic. The outcome is a substantial contribution to the re-evaluation of the generally accepted histories of the modern movement in architecture.